Call for Papers: From Sacred to Profane, Pázmány Péter Catholic University, Budapest, Hungary (12 June 2025), Due By 4 May 2025

Call for Papers

From Sacred to Profane

12 June 2025

Pázmány Péter Catholic University, Budapest, Hungary

Due by 4 May 2025

The Pázmány Péter Catholic University Doctoral School of History is organizing a conference titled From Sacred to Profane, organized by the Art History department, on June 12th, 2025. We are calling for applications from and doctoral students in the field of art history and archaeology whose research topic can be related to the subject indicated in the title of the conference. We also welcome students who have already graduated. The languages of the conference are Hungarian and English. The organizing committee prefers, but does not limit, applications to the following topics:

  • Sacred Spaces - sacred buildings and their evolution over time

  • Sacred Time - sacred timeframes, holidays and their material culture

  • The Power of the Profane - desacralization and its tendencies

  • Margins - extremities towards the Sacred and the Profane

You can apply with an abstract that must include the title of the lecture, the name of the student, the name of the supervisor and the educational institution. The abstract can be a maximum of 1000 characters, which we ask you to send by May 4th, 2025 to the following e-mail address: muveszettortenet.konferencia@gmail.com

The letter of acceptance will be sent out by the 14th of May.

Lecture: Curious Cures: In-Conversation with the Curator, Cambridge University Library, UK, 29 May 2025 5:30-7:00PM

Lecture

Curious Cures: In-Conversation with the Curator

Cambridge University Library, UK

Thursday 29 May 2025, 5.30PM TO 7PM

Join us for an evening with the curator of Cambridge University Library’s current exhibition. Dr James Freeman, curator of Curious Cures: Medicine in the Medieval World, will be in-conversation with University Librarian, Dr Jessica Gardner.

A talk will be followed by audience questions, and the opportunity to visit Curious Cures after hours.

LOCATION: Hosted in-person at Cambridge University Library. Directions
TICKETS: Free, booking essential. Suitable for adults; under 18s welcome when accompanied by an adult.
ACCESSIBILITY: Step-free access, hearing loop, accessible parking and accessible toilets available.

For more information and to book tickets, click here

Ongoing Exhibition: Curious Cures: Medicine in the Medieval World, Cambridge University library, 29 Mar. - 6 Dec. 2025

Ongoing Exhibition

Curious Cures: Medicine in the Medieval World

Saturday 29 March – Saturday 6 December 2025

Cambridge University Library

The Curious Cures exhibition is hosted in two parts: Part One is in the Milstein Exhibition Centre and Part Two is along the North and South Galleries on the 1st Floor. Visitors to the exhibition are also welcome to enjoy the Library Tea Room, which is open 9am – 3pm Monday to Friday, and until 2pm on Saturdays.

Group visits: Groups are welcome to visit the exhibition. Please email events@lib.cam.ac.uk to discuss visits for groups of 15 or more. Groups under this number may book tickets directly. We’d love to hear from you if you are planning to visit with a community group, local interest group or school – drop us a line at participation@lib.cam.ac.uk ahead of your visit.

Curious Cures: Medicine in the Medieval World

Fascinated by health and wellbeing? So were our medieval ancestors.  

Discover a time when unusual ingredients and questionable remedies mixed with genuine curiosity about how bodies function, creating a complex and intriguing world of ritual healing, herbal recipes, stargazing and surgery. Come and see what the doctor ordered... 

The culmination of a two-year Wellcome-funded research project, to digitise, catalogue and conserve over 180 precious medieval medical manuscripts, Curious Cures brings together texts, diagrams and case-notes from special collections cared for by Cambridge University Library and twelve Cambridge colleges.  

The exhibition is curated by Medieval Manuscripts Specialist, Dr James Freeman. 

For more information and to book free tickets, click here.

Job Posting! 2 PhD Positions Universität Basel, Switzerland (4 Years, Start Date 1 Sept. 2025), Due 27 Apr. 2025

Call for PhD Applications

2 Positions at Universität Basel, Switzerland

Start date September 1, 2025 for 4 Years

Due April 27, 2025

In the fields of History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.

The eikones Graduate School at the Center for the Theory and History of the Image at the University of Basel invites applications for two positions for doctoral study on the theory and history of the image for four years beginning September 1, 2025.
Since 2005, eikones has served as a center for research on images from systematic and historical perspectives. The international and interdisciplinary center investigates the meanings, functions and effects of images in cultures since Antiquity and in our contemporary society. It aims at foundational image theory and at a historical investigation of images as instruments of human knowledge and cultural practices. We welcome PhD applications in all fields represented by members of the eikones Trägerschaft. Members of the eikones Trägerschaft are listed here: https://eikones.philhist.unibas.ch/de/graduate-school/leitung/#c1003

Your position
The purpose of the grant is to support the completion of an original dissertation and the degree within the duration of the position. Students must fulfill all curricular requirements of the eikones Graduate School and participate in the events of the Center for the History and Theory of the Image.

Your profile

  • Excellent academic qualifications and promise in your field of study.

  • An innovative dissertation project relating to the theory and history of the image.

  • Masters or equivalent qualification in a relevant field of study, in particular History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.

  • Applicants must possess a MA degree or equivalent by September 1, 2025. The MA degree must have been completed in the previous two years. Exceptions may be possible in extraordinary circumstances.

  • Doctoral students must be advised by a faculty member of the eikones graduate school. Doctoral students must also be enrolled in the University of Basel for the duration of the program.


We offer you

The eikones graduate school offers excellent students of the humanities who would like to pursue a doctorate in the history and theory of the image a structured program of graduate study distinguished by dedicated advising, internationality, interdisciplinary, regular dialogue with guest scholars, and professional opportunities. The goal of the doctoral program is the successful completion of the degree within the four-year duration. Salaries follow the standards of the University of Basel for doctorate positions.

Application / Contact
Please submit your application in German or English as a single pdf by April 27, 2025 using the online portal provided by the University of Basel. The application should include:

  • Cover Letter

  • CV

  • Copies of Degree Certificates

  • Contact details for two references

  • Project description (at most 10 pages) and bibliography

  • Writing sample (at most 20 pages)

Please upload two files only: all materials listed above (1.-6.) in A SINGLE PDF FILE via the field “resume” as well as an extra cover letter (1.) via the field “cover letter”. Applications that do not conform to this format or received after this date will not receive consideration. Inquiries should be sent to eikones@unibas.ch. Short-listed candidates will be contacted for interviews.

For more information and to apply, click here.

Call for Papers: 2026 Romanesque Conference, British Archaeological Association (13 – 17 Apr 2026, Toulouse), Due By 30 June 2025

Call for Papers

British Archaeological Association

2026 Romanesque Conference

13 – 17 Apr 2026, Hôtel d'Assézat in Toulouse, France

Due By 30 June 2025

The British Archaeological Association will hold the ninth in its series of biennial International Romanesque conferences in Toulouse from 13-17 April, 2026.

The theme of the conference is Romanesque: Transmission, Reception, Imitation and the aim is to examine not only the ways in which techniques, iconographic motifs and styles moved around Romanesque Europe but also the ways and reasons they were adopted, and particularly how they were transformed in their new environment. Some aspects of the question are well-researched: the movement of artists or masons, patronal activity and monastic affiliation are obvious examples, and perhaps in need of critical re-examination. We do not, however, wish to repeat the themes of Romanesque: Patrons and Processes too much. We would also be interested in papers which deal with why certain motifs or approaches fail to take root and, indeed, transmission and reception across time. Other factors, the pre-existing artistic background, liturgical concerns, economic and social factors or transcultural exchanges will also have played a part.

The conference will be held at the Hôtel d’Assézat in Toulouse from 13-17 April 2026 with the opportunity to stay on for two days of visits to Romanesque buildings in the surrounding area on 16-17 April.

Proposals for papers of up to 30 minutes in duration should be sent to Quitterie Cazes and Richard Plant on romanesque2026@thebaa.org by 30 June, 2025. Papers should be in English.

Decisions on acceptance will be made by the end of July.

For a PDF of the Call for Papers, click here.

For more information, click here.

Call for Proposals: Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals, 8th Forum Medieval Art/Forum Kunst des Mittelalters, Due 8 May 2026

Call for Proposals

Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals

8th Forum Medieval Art/Forum Kunst des Mittelalters

Bochum / Dortmund, September 23–26, 2026

Due 8 May 2026

Ivory Box with Scenes of Adam and Eve. (The Cleveland Museum of Art, Gift of W. G. Mather, F. F. Prentiss, John L. Severance, J. H. Wade 1924.747). Photo: The Cleveland Museum of Art (https://www.clevelandart.org/art/1924.747)

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 8th Forum Medieval Art/Forum Kunst des Mittelalters, Bochum / Dortmund, September 23–26, 2026. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.

The theme for the 8th Forum Medieval Art is Work: Traces, Constellations, Valuations. From a region with a significant medieval character and a post-industrial present we want to address the question whether the term “work” could be of any benefit when applied to the practices of medieval art production and their social and economic context. At the latest with the development of urban culture in the 12th/13th century, the concept of a society based on the division of work began to replace traditional forms of social differentiation – a process that was theologically founded in the 12th century and accompanied by a revaluation of art, craft and creativity.

The Mary Jaharis Center invites session proposals that fit within the Work theme and are relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 8, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and session chair) up to $500 maximum for participants traveling from locations in Germany, up to $800 maximum for participants traveling from the EU, and up to $1400 maximum for participants traveling from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/8th-forum-medieval-art

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Call for Proposals: Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals: 61st International Congress on Medieval Studies (Kalamazoo, 14-16 May 2026), Due 12 May 2025

Call for Proposals

Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals

61st International Congress on Medieval Studies

Western Michigan University, Kalamazoo, May 14–16, 2026

Due 12 May 2025

Buckle or Brooch (The British Museum, AF.334). © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 61st International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 14–16, 2026. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 12, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $800 maximum for scholars traveling from North America and up to $1400 maximum for those traveling from outside North America. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/61st-icms

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Online Workshop for Graduate Students and ECRs: An Introduction to Network Analysis for Byzantinists (12-16 May 2025), Registration Closes 1 May 2025

Online Workshop for Graduate Students and ECRs

Mary Jaharis Center for Byzantine Art and Culture and the Byzantine Studies Association of North America

An Introduction to Network Analysis for Byzantinists

May 12–16, 2025, Zoom

Registration Closes: Wednesday, May 1, 2025

The Mary Jaharis Center for Byzantine Art and Culture and the Byzantine Studies Association of North America are pleased to offer a week-long introduction to network analysis workshop for graduate students and early career researchers in collaboration with Professor Alexander Brey of Wellesley College, Professor Dr. Zachary Chitwood of Ludwig Maximilian University of Munich, Dr. Ryan Horne of the University of California, Los Angeles, Professor Christian Raffensperger of Wittenberg University, and Dr. Katerina Ragkou of Philipps University of Marburg.

An Introduction to Network Analysis for Byzantinists, workshop by Alexander Brey (Wellesley College), Zachary Chitwood (University of Munich), Ryan Horne (UCLA), Christian Raffensperger (Wittenberg University), and Katerina Ragkou (University of Marburg), Zoom, May 12–16, 2025

Network analysis allows researchers to model and visualize the connections and interactions between different entities (e.g., people, places, objects) in their research data. This online workshop will offer Byzantinists an introduction to network analysis and its use in historical disciplines, with a focus on Byzantine and medieval studies. Participants will gain an understanding of the basic concepts of network theory and explore projects employing network analysis and the choices that lay the foundation for the projects, including data modeling, methodology, and tools. During practical sessions, participants will learn how to format their own data for network analysis, create a database in Neo4j and query their data, interface their Neo4j database with other tools, and publish their network analysis.

This workshop is intended for those who have very little or no experience with network analysis.

The workshop is limited to 15 participants. The time commitment for this workshop is 20.5 hours of instruction. Participants are expected to attend all sessions. Registration is first come, first served. All participants must be BSANA members. Graduate students and early career researchers (PhD received after May 2017) in the field of Byzantine studies. Students enrolled in graduate programs in North America and early career researchers working in North America will be given priority.

Registration closes Wednesday, May 1, 2025.

To read a full description of the workshop and register your interest, please visit https://maryjahariscenter.org/events/intro-to-network-analysis-for-byzantinists.

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Online Lecture for Mary Jaharis Center for Byzantine Art and Culture: “This Holy One is Mother, Father, and Sister to Me”: Gender and Beyond in Byzantine Hagiography, Lucy Parker, 24 April 2025, 12 PM

Online Lecture

Mary Jaharis Center for Byzantine Art and Culture Lecture Series

“This Holy One is Mother, Father, and Sister to Me”: Gender and Beyond in Byzantine Hagiography

Lucy Parker, University of Nottingham

April 24, 2025 | 12:00 PM (EDT, UTC -4) | Zoom

Matrona of Perge, detail, Menologion of Basil II (Biblioteca Apostolica Vaticana, Vat.gr.1613). Photo: © Biblioteca Apostolica Vaticana (https://digi.vatlib.it/view/MSS_Vat.gr.1613/0191)

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the final lecture in our 2024–2025 lecture series.

Gender has proved a powerful analytical framework for interpreting late antique and Byzantine hagiography. Historians have argued that male and female saints’ lives contained important differences, even perhaps forming different “subgenres” of hagiography. It has been suggested that, in contrast to male saints who fought external evil in cities or in the remote desert, female saints lived more cloistered lives and had to fight their own internal weaknesses. Some hagiographers emphasised that it was particularly impressive for women to achieve holiness given their innately weak and sinful nature. Female saints are often shown transcending their femininity, becoming “manly” as a necessary part of their journey to sanctity.

Yet this lecture will ask whether we have gone too far in drawing a clear distinction between the lives of female and male saints. It will explore some hagiographies of female saints (including the Life of Martha, mother of Symeon the Younger, the Life of Matrona of Perge, and the Life of Irene of Chrysobalanton) that do not fit neatly into the paradigms identified as characteristic of female lives. It will ask whether these unusual lives can be seen merely as exceptions to the general trend, or whether they force us to rethink our broader models, and to question how far a stark male-female gender binary determined understandings of holiness. Not all hagiographers were equally concerned with the differences between men and women, and not all female saints are presented as held back by, or needing to transcend, their femaleness. Rather than imposing a binary gender framework on hagiographic writing, we can instead explore variability in the use of gendered language and the gendering of holiness, and consider when and why gender and specific understandings thereof became particularly important in processes of sanctification.

Lucy Parker is an Assistant Professor of History at the University of Nottingham. Her first book, Symeon Stylites the Younger and Late Antique Antioch: From Hagiography to History, was published by Oxford University Press in 2022. As well as Byzantine hagiography, she also works on Syriac and Eastern Christianity in the Early Modern period.

(This lecture is rescheduled from November 2024.)

Advance registration required. Register: https://maryjahariscenter.org/events/gender-and-beyond-in-byzantine-hagiography

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Online Lecture: East of Byzantium Lecture Series: The Malleability of Memory in Memorializing the Saints, Mary K. Farag, 29 Apr. 2025, 12 PM, Zoom

Online Lecture

2024-2025 East of Byzantium Lecture Series

The Malleability of Memory in Memorializing the Saints

Mary K. Farag, Princeton Theological Seminary

Tuesday, April 29, 2025 | 12:00 PM (EDT, UTC -4) | Zoom

The Mary Jaharis Center for Byzantine Art and Culture and the Mashtots Professor of Armenian Studies at Harvard University are pleased to announce the final lecture in the 2024–2025 East of Byzantium lecture series.

The ritual remembrance of holy ones in late antiquity sometimes had more to do with the intentional formation of the liturgical community than with the life of the holy one. Neither Pachomius, the early-fourth century leader of a monastic federation known as the Koinonia, nor Theophilus, the late-fourth and early-fifth century bishop of Alexandria, were even near contemporaries, but their characterizations were effectively exchanged. The aftermath of the first Origenist controversy rendered their memorialization distinctly malleable. Egypt would remember a Pachomian Theophilus, while Asia Minor would remember a Theophilan Pachomius. Pachomius would become the anti-Origenist that Theophilus was, while Theophilus would become the ascetic visionary that Pachomius was. Their remembrance in hagiographies and homilies was less about making the past present than about shaping the past for the present.

Mary K. Farag is Associate Professor of Early Christian Studies at Princeton Theological Seminary. She studies the history of late antiquity with a focus on Christianity in Egypt.

Advance registration required. Register: https://eastofbyzantium.org/upcoming-events/

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

An East of Byzantium lecture. EAST OF BYZANTIUM is a partnership between the Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center that explores the cultures of the eastern frontier of the Byzantine empire in the late antique and medieval periods.

Exhibition: The Book of Marvels: Imagining the Medieval World, The Morgan Library & Museum, Until 25 May 2025

Exhibition

The Book of Marvels: Imagining the Medieval World

The Morgan Library & Museum, New york, NY

January 24 through May 25, 2025

From the tales of famous travelers like Marco Polo and Alexander the Great to the ancient encyclopedias of Pliny and Isidore, medieval conceptions of the world were often based more on authoritative tradition than direct observation. This exhibition presents one of the most fascinating examples of a medieval guide to the globe, known as the Book of the Marvels of the World. Written in France by an unknown author, this fifteenth-century illustrated text vividly depicts the remarkable inhabitants, customs, and natural phenomena of various regions, both near and far. Reuniting two of the four surviving copies, The Book of Marvels: Imagining the Medieval World brings to life medieval conceptions—and misconceptions—of a global world.

Additional objects in the exhibition demonstrate how foreign cultures were imagined in the Middle Ages, and what the assumptions of medieval Europeans tell us about their own implicit biases and beliefs. Highlights include rare illustrated manuscripts of Marco Polo and John Mandeville; a richly ornamented Ottoman Book of Wonders, made for a sultan’s daughter; and a spectacular medieval map of the Holy Land, based on pilgrimage accounts.

For more information, visit https://www.themorgan.org/exhibitions/book-of-marvels

Exhibition: Siena: The Rise of Painting, 1300 ‒1350, The National Gallery, Until 22 June 2025

Exhibition

Siena: The Rise of Painting, 1300 ‒1350

Ground Floor Galleries, The National Gallery, London

Until 22 June 2025

Step into Siena. It’s the beginning of the 14th century in central Italy. A golden moment for art, a catalyst of change. Artists Duccio, Simone Martini and the brothers Pietro and Ambrogio Lorenzetti are forging a new way of painting.

They paint with a drama that no one has seen before. Faces show emotion. Bodies move in space. Stories flow across panels in colourful scenes.

We bring to life a vibrant city of artists collaborating, learning and looking. After centuries of separation, we reunite scenes that once formed part of Duccio’s monumental 'Maestà' altarpiece. Panels from Simone Martini’s glittering Orsini polyptych come together for the first time in living memory.

This local artistic phenomenon made waves internationally. Gilded glass, illuminated manuscripts, ivory Madonnas, rugs and silks show Siena’s creative energy spilling over between painters, metalworkers, weavers and carvers across Europe.

With over a hundred exhibits made by artisans working in Siena, Naples, Avignon and beyond, see some of Europe's earliest, most exquisite and most significant artworks.

The exhibition was organised by the National Gallery and The Metropolitan Museum of Art, New York.

For more information, visit https://www.nationalgallery.org.uk/exhibitions/siena-the-rise-of-painting

Church Monuments Society Symposium 2025: Tombs of the Aristocracy, Chichester, 29-31 August 2025

Church Monuments Society Symposium 2025

Tombs of the Aristocracy

29th August 2025 — 31st August 2025

West Dean College, West Dean, Chichester, West Sussex PO18 0QZ

We are delighted to invite you to the next Church Monuments Society symposium, which will be held at West Dean College from Friday 29th to Sunday 31st August 2025.

Our theme, Tombs of the Aristocracy, is inspired by the magnificent tombs of the Fitzalans and Howards (Earls and Dukes of Norfolk) in Arundel and Chichester but covers so much more (see the provisional programme below). The event will include expert lectures and two excursions, with both residential and non-residential options for attending. Please download the relevant booking form from below, which can be emailed to us (instructions on the form).

The symposium is open to anyone. The final deadline for bookings is 30th June 2025. Those aged under 30, and/or registered on full- or part-time degree courses, are eligible for a special reduced rate, but these are strictly limited and available on a first-come, first-served basis. See the booking forms for more details and conditions.

Non-residential attendees have the option to pay for the evening meal and lecture on Friday, and the extra meal on Saturday evening. Sunday-only attendees are able to attend the evening lecture (but not the evening meal) on Saturday with their Sunday-only ticket because, due to extra speakers filling the programme, Saturday now has a fuller programme of talks. 

For more information and the booking forms, visit https://churchmonumentssociety.org/events/symposium-2025-tombs-of-the-aristocracy

Provisional Programme (detailed timings to be confirmed nearer the time)

Friday 29th August: West Dean College

  • Registration (time TBC but after 3pm)

  • Hot buffet dinner (private room) with President’s Welcome

  • After dinner lecture: Dr Dirk Breiding on commonalities and differences in iconography between English and Continental aristocratic tombs

Saturday 30th August: West Dean College lectures and excursion to Chichester Cathedral

  • Brian & Moira Gittos, ‘Beaufort’s pride’: the Tomb of John, 1st Duke of Somerset at Wimborne Minster

  • Dr Keith Dowen, All’Antica or Alla Moderna? The Monuments of Erasmo and Giantonio di Narni in Padua

  • Mid-morning refreshments

  • Sophia Dumoulin, ‘meete for my degree and callinge’: The Monument to Frances Sidney, Countess of Sussex, in Westminster Abbey

  • Pat Poppy, Fashion, status or timeless: clothing in 17th century church monuments.

  • Buffet lunch at West Dean

  • Visit to Chichester Cathedral

  • Optional evening buffet meal (self-service)

  • After dinner lecture: Dr Roger Bowdler, Humility in the Grave: outdoor aristocratic monuments over the centuries

Sunday 31st August: West Dean College lectures and excursion to Fitzalan Chapel, Arundel

  • Dr David Carrington, The Church Monuments Society in Action: progress report on the Getty-funded North Yorkshire monument conservation publication

  • Dr Adam White, John, Lord Lumley, the last of his line

  • Mid-morning refreshments

  • Dr Tobias Capwell, The French Connection: Refining the Stylistic Attribution of Armour Represented on Certain English Effigies c. 1435-1450

  • Buffet lunch at West Dean

  • Visit to Fitzalan Chapel, with talks

We look forward to seeing you at this exciting event!

The CRSBI Annual Lecture: Romanesque Sculpture and Water: the Art of Carved Vessels, Dr Michele Luigi Vescovi, 30 April 2025, 18:00-19:30, The Courtauld

The CRSBI Annual Lecture for 2025

Romanesque Sculpture and Water: the Art of Carved Vessels

Speaker: Dr Michele Luigi Vescovi

Vernon Square Campus, Lecture Theatre 2, The Courtauld

30 April 2025, 18:00 - 19:30

Romanesque font, Cremona Baptistry (photo: Michele Luigi Vescovi)

The Courtauld is delighted to host the Corpus of Romanesque Sculpture in Britain and Ireland for the 2025 Annual Lecture.

In this talk, Dr Michele Luigi Vescovi will explore the intersections of Romanesque sculpture and water in medieval stone vessels. Examining carved well heads and holy water fonts throughout the Italian peninsula, mostly dating from the twelfth century, he will interrogate the ways in which their content – water – and its agency relate to their imagery. Furthermore, he will show how script and image, in turn, sought to shape the experience of the vessels’ viewers.

Dr Michele Luigi Vescovi, Associate Professor in Medieval Art and Architecture, University of Lincoln.

Organised by Dr John Munns, Associate Professor of History and Art History, Magdalene College, Cambridge, and Dr Tom Nickson, Reader in Medieval Art and Architecture, The Courtauld, as part of the Medieval Work-in-Progress series

Free, booking essential

For more information and to book tickets, visit https://courtauld.ac.uk/whats-on/romanesque-sculpture-and-water-the-art-of-carved-vessels/

Call for Sessions: Mary Jaharis Center Sponsored Panel, 51st Annual Byzantine Studies Conference (Oct.30-Nov.2, 2025, Detroit), Due 14 Apr. 2025

Call for Sessions

Mary Jaharis Center Sponsored Panel, 51st Annual Byzantine Studies Conference

30 October - 2 November 2025, Detroit, Michigan

Due 14 April 2025

Panel from a Cover for an Icon of the Virgin, detail (Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917, 17.190.645). Photo: Metropolitan Museum of Art (https://www.metmuseum.org/art/collection/search/464515)

As part of its ongoing commitment to Byzantine studies, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for Mary Jaharis Center sponsored sessions at the 51st Annual Byzantine Studies Conference to be held in Detroit, Michigan, October 30–November 2, 2025. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is April 14, 2025.

If the proposed session is accepted, the Mary Jaharis Center will reimburse a maximum of 5 session participants (presenters and chair) up to $800 maximum for scholars traveling from inside North America and up to $1400 maximum for those coming from outside North America. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/51st-bsc

Contact Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions (mjcbac@hchc.edu).

Call for Applications: Pasold Research Fund Grants, Various Dates

Call for Applications

Pasold Research Fund Grants

Various Dates

Pasold research grants are awarded to fund high quality research, relating to all branches of textile history including the history of dress and fashion.

Applications are encouraged for projects where there will be a lasting outcome in the form of a publication or an exhibition or similar. This includes conservation related projects, leading to publications, but excludes the purchase or repair of objects and the purchase of hardware (eg cameras or computing equipment or computer software).

Applications will also be considered where preliminary work is needed for the preparation of a more substantial grant application to one of the major funding bodies.

Applications may be made to fund conference attendance – these applications may come from individuals or from conference organisers seeking funding for a named applicant.

However, it is important to provide an abstract of the paper and details of the nature of the conference and its significance. Where a conference organiser is seeking support for a named delegate details of the conference, a CV of the delegate and title and abstract of the paper are required.

All successful grant applicants, where appropriate, will be encouraged to consider submitting the outcome of their research to Textile History.

Publication would of course be subject to editorial refereeing and decision. Grants in aid of publicationfor a contribution towards illustrations, will be considered where a clear case is made explaining the absence of funding from other sources and the way in which the illustrative material is essential to the analysis and quality of the research output. Where funding is sought to complete or to part-finance a commissioned work and/or a work to be published under the auspices of a university, museum, gallery or similar, please specify the necessity, the case for, and the role of, the additional external funding.

PLEASE NOTE:

• The Pasold Research Fund will not fund salaries.
• Only research expenses such as travel, subsistence, photocopying, microfilming and similar are funded.
• We do not accept retrospective applications.
• All costing must be in GB£ sterling;
• Grants are awarded in GB£ sterling. A sterling cheque is sent to the grant recipient.
• Successful applicants must wait a full calendar year following the end of their grant before submitting another application for Pasold funding.

IMPORTANT:

Applications must be submitted at least 80 days before the beginning of the research project/conference attendance or other activity; or for grants schemes with named deadlines, the project should start at least 80 days after the deadline. The Pasold wishes to ensure that sufficient time is given to referees to assess applications and that applications' outcomes are notified well in advance of the starting date of the research activity.

Please also note that the Pasold Research Fund will not fund salaries, only research expenses such as travel, subsistence, photocopying, microfilming and similar. We do not accept retrospective applications. All costings must be in GB£ sterling.

APPLICATIONS

Application forms should be submitted electronically to: histart-pasold@york.ac.uk

DETAILS AND DEADLINES FOR RESEARCH GRANTS

The Pasold has recently changed its Grants structure. Please read carefully. 

1. Research Activity Grants (under £750).
Applications may be made at any time.
2. Research Project Grants (between £751 and £2,500).
Two deadlines 1 March and 1 October each year.
3. PhD Grants for PhD students registered at a British institution (up to £2,500). 
Single deadline: 15 June each year.
4. MA Grants for MA students registered at a British institution (up to £500).
Single deadline: 15 April each year.
5. Publication Grants (up to £1,000). 
Two deadlines: 15 February and 1 September each year.
6. Raine Grants to assist individual staff working in UK museums (up to £500).
One deadline: 30 June each year.
7. Pasold Fellowships in collaboration with the Victoria and Albert Museum  (up to £1,500).
The Research Fellowship schemes are suspended at present due to collections movement at both the V&A and Museum of London.
8. Neaverson Pasold Postdoctoral Fellowship (up to £20,000)
One deadline: 1 April 2025
 

THE CRITERIA APPLIED IN JUDGING RESEARCH GRANT APPLICATIONS

which can be in ANY area of the history of textiles including multidisciplinary approaches, are as follows:
1. Originality and rigour of the research, especially where the study of the history of textiles is being approached from a new angle, using new sources or new methodology. You must demonstrate that the history of textiles is the central area of concern and study.
2. The care given to laying out of objectives and design of the research.
3. The viability of the research within the timescale laid out and in view of the research training or experience of the applicant.
4. The contribution of the research in terms of publications, the development of web based materials, exhibitions or similar.
5. Referees’ reports (at least one nominated referee should be from outside the applicant's own institution).

SOME REASONS WHY APPLICATIONS ARE TURNED DOWN

Competition for our grants has grown significantly in the last few years. We are sometimes surprised by the poor presentation of applications. We thought it would help applicants to know the most common reasons for applications being turned down:
1. Applications in which the history of textiles is peripheral and not central to research (if in doubt please make preliminary enquiries to the Director).
2. Applications which fail to convey the scope and significance of the research and its wider contribution. If it is necessary for applicants to write at length they should not confine themselves to the short space on the form. You are invited to use a continuation sheet. Many applicants ignore this.
3. Applications where the costings are incomplete, inaccurate, do not give totals and sub-totals, are not in £ sterling or where the cheapest method of transport has not been investigated.
4. Applications for travel to conferences which do not provide an abstract of the paper or the significance of the conference – a title is not enough.
5. Carelessly prepared applications.

If you have further queries as to whether you are eligible or about the type of support do please contact the Pasold Research Fund's Director, Dr Bethan Bide at 
histart-pasold@york.ac.uk or bethan.bide@york.ac.uk.

For more information, visit https://www.pasold.co.uk/important-information

Online Lecture: The Blood of His Flesh? Controversial Relics from Byzantium in Venice, Karin Krause, 10 Apr. 2025, 12:00-1:30PM

Online Lecture

Mary Jaharis Center for Byzantine Art and Culture

The Blood of His Flesh? Controversial Relics from Byzantium in Venice

Karin Krause, University of Chicago

April 10, 2025 | 12:00 PM (EDT, UTC -4) | Zoom

Mosaic of the Crucifixion (detail), Monastery of Hosios Loukas, Greece. CC Public Domain Mark 1.0. https://www.wikiart.org/en/byzantine-mosaics/crucifixion-1025

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the next lecture in our 2024–2025 lecture series.

This lecture examines the history and shifting interpretations of two relics of the Holy Blood of Christ in the Church of St. Mark’s in Venice between the late Middle Ages and the Baroque era.

One is kept in a Byzantine rock crystal pyx bearing a Greek inscription that identifies its contents as Christ’s carnal blood. Although the artifact is listed in an inventory drawn up in 1325, Venetian sources before the seventeenth century are suspiciously silent about the veneration and whereabouts of this relic. Evidently, the reliquary remained concealed in the Santuario, the relic chamber of St. Mark’s, until its miraculous rediscovery in 1617.

Drawing on sources from Venice and elsewhere, I argue that soon after the arrival of the pyx, its contents must have become part of the theological controversy over the bodily blood of Christ, a Catholic debate questioning the authenticity of such relics. Because of its problematic contents, I conclude, the doges decided not to make the pyx available for public veneration for several centuries. The theological disputes surrounding the relic inside the pyx can be better understood in light of the fate of a second reliquary of the Holy Blood of Christ from Constantinople, which has been in the same church since the thirteenth century.

It was only during the Baroque era that the relic inside the Byzantine pyx was rehabilitated as authentic resulting from the efforts of Giovanni Tiepolo, an accomplished theologian and ecclesiastical leader. I examine the strategies Tiepolo employed to establish the relic’s cult, strategies that illuminate the scholar’s familiarity with Byzantine history and religious culture.

Karin Krause is an Associate Professor in the University of Chicago Divinity School. Trained as an art historian, she specializes in the Christian visual cultures of Byzantium and the premodern Mediterranean region.

Advance registration required. Register: https://maryjahariscenter.org/events/the-blood-of-his-flesh

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Call for Papers: Good Governance and the Built Environment of Late Medieval Cities (ca. 1200–1600), Belgium (3-5 Sept. 2025), Due By 7 Apr. 2025

Call for Papers

European Architectural History Network

Good Governance and the Built Environment of Late Medieval Cities (ca. 1200–1600)

Brussels, Belgium, 3-5 September 2025

Due By 7 April 2025

In the late Middle Ages, cities were governed through constant dialogue. Rulers, nobility, citizens and other social groups all found ways to shape urban governance, each articulating complex views on what “good” governance entailed. In order to meet expectations of justice, protection, economic welfare, and the common good, all the aforementioned individuals would often invest in the city’s built environment, either by initiating new architectural and infrastructural projects, or by securing the maintenance of existing ones.

The city as a built space thus required constant development, and in this upkeep and expansion, rulers and governors were attributed a specific responsibility. Scholarship has already extensively explored various policies initiated by rulers and governors for the construction and maintenance of the city’s built environment; Previous studies have, for example, drawn attention to the governmental structures set up in late medieval cities or have explored the legal measures implemented to control urban environments. Similarly, scholarly attention has also focused on individual architectural and infrastructural projects initiated by rulers and governors as a means to meet expectations regarding their governmental responsibilities. However, a systematic overview of how these tasks and obligations regarding the built environment of the city were linked to ideals of good governance is missing, as well as the scope to set individual cases within an overarching framework.

This conference seeks to address this lacuna by asking specifically how the built environment of late medieval cities was conceptualised and physically shaped in relation to ideals of good governance. The focus will be on urban centers in diverse geographical regions (from North-Western Europe and the Mediterranean to the Middle East), and this in the period of 1200 to 1600.

We invite contributions coming from a variety of disciplines (architectural history, art history, literary history, political history and so on) to explore how—and to what extent— building was integral to governing a late medieval city.

Themes may include, but are not limited to:
• The relationship between political and architectural thought with regards to good governance and the construction and maintenance of the city’s built environment.
• The various media (texts, images, etc.) through which political thinking on good governance with regards to the city’s built environment was expressed.
• The tasks, responsibilities, and expectations towards rulers and governing bodies in the construction and maintenance of a city’s built environment.
• The means through which rulers and governors hoped to translate policy for the city’s built environment into practice (administrative bodies, legal measures, direct patronage).
• Specific architectural and infrastructural projects initiated and overviewed by rulers, governors, but also other urban groups, and their relation to political ideals (such as authority, the common good, urban health, justice…).
• The overlapping jurisdictions and governmental structures within late medieval cities and their impact on the construction and maintenance of the urban built environment.

Please send an abstract (max 500 words) with a short CV (2 pages max) to governingandbuildingthecity@gmail.com by 7 April 2025. Contributions should be in English and the result of original research. Contributions should not be previously published or in the process of being published. Notifications of acceptance will be sent out by the end of April. The conference will be held between 3-5 September 2025 in Brussels.

The conference is organised within the research project “Governing and Building the City: Mirrors-for-Magistrates as a lieu for theoretical reflection on architecture (1200-1600)” funded by an Incentive Grant for Scientific Research (FNRS, Belgium).
For more information on the project: see http://governingandbuilding.com.

Organisers:
• Nele De Raedt, professor of history, theory and criticism of architecture, LOCI/LAB, UCLouvain
• Minne De Boodt, post-doctoral researcher in political history, LOCI/LAB, UCLouvain/ Research Group Medieval History, KU Leuven
• Philip Muijtjens, post-doctoral researcher in art history, LOCI/LAB, UCLouvain

For more information on the call for papers, visit https://eahn.org/2025/03/good-governance-and-the-built-environment-of-late-medieval-cities-ca-1200-1600/

ICMA in Boston: Tour of "Wonders of Creation: Art, Science, and Innovation in the Islamic World" Wednesday 2 April 2025, 3pm ET - Register today!

ICMA in Boston
Tour of Wonders of Creation: Art, Science, and Innovation in the Islamic World
with exhibition curator Ladan Akbarnia

 

Wednesday 2 April 2025, 3pm ET
McMullen Museum of Art at Boston COLLEGE
In-person only


Register
HERE


Star map depicting the northern and southern celestial hemispheres (with constellations inscribed in Devanagari). India, Jaipur, ca. 1780. Ink, opaque watercolor, and gold on paper. Pritzker Collection, Chicago. Photo: Michael Tropea.

ICMA members are invited to attend an exhibition tour of Wonders of Creation: Art, Science, and Innovation in the Islamic World at the McMullen Museum of Art at Boston College with exhibition curator Ladan Akbarnia (The San Diego Museum of Art). 

Using wonder as a vehicle, Wonders of Creation illuminates the global impact of science and artistic production from the Islamic world and its diverse geographies and multifaceted visual cultures. Over 170 works, including illustrated manuscripts and paintings, maps, scientific instruments, magic bowls, luster dishes, architectural elements, and contemporary art, evoke wonder through a visual journey.

Drinks to follow at 5pm at an offsite location. 

Click HERE for exhibition and museum info.

Click HERE to register.


Symposium: From Jean le Bon to Good Duke Humfrey: a new manuscript witness to Anglo-French cultural exchange, In-Person (Oxford) and Online, 21 Mar. 2025, 11am-5pm

symposium

From Jean le Bon to Good Duke Humfrey: a new manuscript witness to Anglo-French cultural exchange

 Friday 21 March 2025, 11am–5pm

  Free and all welcome, booking required

 At the Weston Library and online

Book now – in person

Book now – online

Bodleian Library, MS. Duke Humfrey c. 1, fols. 72v-73r.

The Bodleian Libraries have recently acquired a previously unknown manuscript from the library of Humfrey Duke of Gloucester. First written and illuminated in Paris towards the end of the 13th century, the manuscript is an early example of the translation of the New Testament into French. Owned by Jean le Bon, King of France, in the middle of the 14th century, by the early 15th it was in England and came into the hands of a series of Lancastrian royal princes.

This symposium provides a first opportunity to explore this outstanding arrival and to point the way for future research.

Coffee and tea will be provided.

This symposium will be followed by a drinks reception in Blackwell Hall.

Programme

10.30–11am Arrival and coffee

11–11.15am Welcome from Richard Ovenden; Introduction by Martin Kauffmann

11.15am–12.30pm Origins (chaired by Daron Burrows)

Clive Sneddon, Translating the Bible into medieval French
Emily Guerry, The Cholet Master and manuscript illumination in Paris at the end of the 13th century

12.30–2pm Lunch (not provided)

2–3.15pm From France to England (chaired by Jocelyn Wogan-Browne)

Laure Rioust, Biblical manuscripts in the libraries of Kings John II the Good and Charles V the Wise: heritage and dispersal
Laure Miolo and Jean-Patrice Boudet, The circulation and spoliation of scientific manuscripts between France and England in the Hundred Years’ War

3.15–3.45pm Tea

3.45–5pm The manuscript in England (chaired by Daniel Wakelin)

David Rundle, The Lancastrian moment: the manuscript’s English owners
Daniel Wakelin, Conclusion and avenues for further research

Followed by a drinks reception and launch of the digital facsimile of MS. Duke Humfrey c. 1

 Speakers

  • Jean-Patrice Boudet, Université d'Orléans

  • Emily Guerry, University of Oxford

  • Laure Rioust, Bibliothèque nationale de France

  • David Rundle

  • Laure Miolo, University of Oxford

  • Clive Sneddon, University of St Andrews

  • Daniel Wakelin, University of Oxford

  Booking information

This event is free but booking is required. You can attend this event in person at the Weston Library or online via Zoom.

When you have booked your place, the ticketing system will send you an automated confirmation. If you book to attend this event online, you will receive details for joining the Zoom webinar by email.

Book now – in person

Book now – online

For More information

Visit https://visit.bodleian.ox.ac.uk/event/mar25/from-jean-le-bon-to-good-duke-humfrey or email csb@bodleian.ox.ac.uk

  Location

This symposium takes place in person in the Sir Victor Blank Lecture Theatre at the Weston Library.

Weston Library, Broad Street, Oxford, OX1 3BG. Find us on Google Maps.

 Wheelchair access

The Weston Library is wheelchair accessible.

Weston at 10

This event is part of 10 years of the Weston Library. Preserving knowledge, supporting scholarship and sharing culture.