Call for Proposals, International Congress on Medieval Studies 2022; due 23 May 2021

ICMA at International Congress on Medieval Studies 

Online, 9-14 May 2022
Call for ICMA Sponsored Session Proposals
due 23 May 2021


The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2022 at the International Congress on Medieval Studies (ICMS) at Kalamazoo. Session organizers and speakers must be ICMA members. Proposals must include a session abstract and a CV of the organizer(s), all in one single Doc or PDF with the organizer’s name in the title.


A list of speakers is not required at this time. Organizers will have the opportunity to send out a call for papers after the session selected by ICMA has been approved by the Congress Committee in July.


Please direct all session proposals and inquiries by 23 May 2021 to the Chair of the Programs Committee: Bryan C. Keene, Riverside City College.


Upload session proposals HERE.


For inquiries, Bryan.Keene@rcc.edu

ICMA AT THE INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES, KALAMAZOO 2021

ICMA AT THE INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES, KALAMAZOO 2021


Session 13
Art Historical Approaches to Medieval Environments
Monday, May 10, 9:00 a.m. EDT (live recorded)

Sponsored by the International Center of Medieval Art Student Committee

Organized by
Dustin Aaron, Institute of Fine Arts, New York Univ.

Presider: Dustin Aaron

A Saint, the Sun, and a Cloud: Sacred Meteorology in Santa Maria Novella Giosuè Fabiano, Courtauld Institute of Art

Out of the Woods: The Ecologies and Natural Materials of the Historiated Doors of Auvergne Katherine Werwie, Yale Univ.

The Trees of the Cross Gregory C. Bryda, Barnard College


Session 163
The Global North: Medieval Scandinavia on the Borders of Europe
Wednesday, May 12, 9:00 a.m. EDT


Organized by
Laura Tillery, Norwegian Univ. of Science and Technology
Ingrid Lunnan Nødseth, Norwegian Univ. of Science and Technology

Presider: Laura Tillery and Ingrid Lunnan Nødseth

Countering Misrepresentations by Showcasing the Multicultural Vikings Nancy L. Wicker, Univ. of Mississippi

Romanesque Crossroads: Ornamental Diversity in the Golden Altar from Lisbjerg, Denmark Kristin B. Aavitsland, MF Norwegian School of Theology, Religion and Society

The Moor and the Arab in the Merchant’s Chapel, Malmoe Lena Liepe, Linnaeus Univ.


Session 184
Medieval Exhibitions in the Era of Global Art History I
Wednesday, May 12, 11:00 a.m. EDT


Organized by
Gerhard Lutz, Cleveland Museum of Art
Lloyd de Beer, British Museum

Presider: Gerhard Lutz

Is Exhibiting a Cross-Cultural Charlemagne Possible? Ex oriente (Aachen, 2003) William J. Diebold, Reed College

The exhibition “The Constance Council 1414–1418. World Event of the Middle Ages” in 2014: Presenting Medieval Culture as a Challenge in a Secular World Karin Ehlers, Staatliche Schlösser und Gärten Baden-Württemberg

Lessons from the Caravan: Representing “Medieval” Africa Sarah M. Guérin, Univ. of Pennsylvania

The Art of Africa in Medieval Exhibitions: Confronting Issues of Terms, Associations, and US-Based Discourses of Race Andrea Myers Achi, Metropolitan Museum of Art


Session 233
Considering Race in the Classroom: Complicating the Narratives of Medieval Art History (A Workshop)
Wednesday, May 12, 7:00 p.m. EDT


Sponsored by International Center of Medieval Art and Material Collective

Organized by
Risham Majeed, Ithaca College

Presider: Bryan C. Keene, Riverside City College


A workshop led by Risham Majeed.

Visit www.medievalart.org/considering-race for pre-workshop readings and images.
Password: sheba (all lowercase)


Session 263
Medieval Exhibitions in the Era of Global Art History II
Thursday, May 13, 11:00 a.m. EDT

Organized by
Gerhard Lutz, Cleveland Museum of Art
Lloyd de Beer, British Museum

Presider: Lloyd de Beer

Interreligious Dialogue: The New Permanent Medieval Galleries: Principal Aspects of “Christianity” as One of the Major World Religions at the Museum für Kunst und Gewerbe, Hamburg, Germany Christine Kitzlinger, Museum für Kunst und Gewerbe Hamburg

The World beyond the Pages of Books: New Pathways for Exhibitions toward a Global Middle Ages in Los Angeles Bryan C. Keene, Riverside City College

Curating Monsters: Grappling with Medieval and Modern Otherness in the Gallery Asa Simon Mittman, California State Univ.–Chico; Sherry C. M. Lindquist, Western Illinois Univ.

Make It New: Student Curators Reframing the Medieval and Early Modern Alexa K. Sand, Utah State Univ

ICMA Annual Book Prize due 31 May 2021

ICMA Annual Book Prize 

Authors: notify your publisher to submit your book 
due 31 May 2021

 

Single or dual-authored books on any topic in medieval art printed in 2020 are eligible. No special issues of journals or anthologies or exhibition catalogues can be considered. The competition is international and open to all ICMA members. Languages of publication: English, French, German, Italian, or Spanish.

Not a member yet? Click here to create your account and join!

Prize: US $1,000 to a single author, or US $500 each to two co-authors. Recipients will be notified in early 2022.

For more information and to submit, visit https://www.medievalart.org/book-prize.

Send questions to icma@medievalart.org.


A special note about expanded eligibility

Titles not previously submitted for the 2020 prize (printed in 2019), that were delayed due to publishing or shipment delays related to the ongoing pandemic, are eligible for submission.

TEXTILES IN MANUSCRIPTS WORKSHOP, 4-5 May 2021

Textiles in Manuscripts: Cross-cultural Trade, Craft Production, and Influence in the Art of the Premodern Book (May 4-5, 2021) is an interdisciplinary workshop bringing together a range of book historians, textile scholars, conservators, art historians, and codicologists to examine the wide use of textiles in manuscript books. The virtual workshop is part of The Book and the Silk Roads project, which seeks to map connections between parts of the premodern world by describing the technology of the book.

For more information see: Textiles in Manuscripts Workshop


Bard Graduate Center: The Global Middle Ages Seminar, Valerie Hansen & Morris Rossabi - 5 May 2021

Valerie Hansen and Morris Rossabi will present at the Global Middle Ages Seminar. They will each give a short paper followed by a moderated conversation and Q&A session.

“The World’s Most Active Sea Route Before 1492: From the Chinese ports of Quanzhou and Guangzhou to Basra (in Modern Iraq) and Sofala (in Modern Mozambique)” (Valerie Hansen)

Starting around the year 1000, Chinese ships began to voyage to the Persian Gulf and sometimes even farther to the East African coast, a journey three times as long as Columbus’s voyage to the Americas. The Chinese imported huge quantities of what they called aromatics (the blanket term xiang covered fragrant woods, incense, spices, and tree resins such as frankincense and myrrh) from Southeast, South, and West Asia, and they exported textiles, metal goods, and ceramics to these regions as well as East Africa. These contacts had multiple effects, some of which we can study on the basis of archeological finds, particularly of ceramics. Hansen will explore why this route isn’t better known. Although traditional treatments of the medieval period do not cover this topic, it certainly falls within the purview of the Global Middle Ages.

“The Golden Horde: Recent Discoveries in Russia” (Morris Rossabi)

Until the late twentieth century, many Russians and foreigners portrayed Mongol rule in Russia as totally disastrous and despotic and leading to autocracy in the country’s later history. In the 1980s, specialists on the period of the Golden Horde, while not ignoring the death and destruction caused by the Mongols, asserted that the Mongols contributed to Russia’s first unification, fostered trade and religion, built new cities, and patronized and supported the arts. Historians and archeologists have recently confirmed some positive aspects of Golden Horde rule. This slide-illustrated lecture provides the historical background and shows samples of the latest archeological and artistic discoveries in ceramics, textiles, and metal work.

Valerie Hansen teaches Chinese and world history at Yale, where she is the Stanley B. Woodward Professor of History. Her current book is The World in the Year 1000: When Globalization Began. Earlier monographs include The Silk Road: A New History with Documents (2012) and The Open Empire: A History of China to 1800 (2015). Hansen is a frequent visitor to Asia teaching at Yale’s undergraduate program at Peking University, Yale-NUS College in Singapore, and as an invited scholar at Xiamen University in Fujian province, China.

Morris Rossabi (PhD Columbia University) was born in Alexandria, Egypt, and teaches Chinese and Mongolian history at the City University of New York and Columbia. Author and editor of numerous books, including Khubilai Khan, Modern Mongolia, Voyager from Xanadu, From Yuan to Modern China and Mongolia: The Writings of Morris Rossabi, and A History of China, as well as dozens of articles, he has collaborated on catalogues for art exhibitions at the Metropolitan Museum of Art, the Cleveland Museum of Art, and the Los Angeles County Museum of Art. He has traveled extensively and lectured in the Middle East, China, Japan, Korea, Central Asia, and Mongolia and speaks several European, Middle Eastern, and East Asian languages. The National Mongolian University awarded him an honorary doctorate in 2009.

This event will be held via Zoom. A link will be circulated to registrants by 10 am on the day of the event. This event will be live with automatic captions.


Click here for full details.

Earlier Event: May 5

Textiles in Manuscripts Workshop

Later Event: May 6

Mining the Collection: details to follow


Gesta Spring 2021 (Volume 60, Number 1) now available!

Gesta.jpeg

The latest issue of Gesta Spring 2021 (Volume 60, Number 1) is now available online!


The King in the Manuscript: The Presentation Inscription of the Vienna Latin Bible moralisée
Katherine H. Tachau

Holy, Holy, Holy: Hearing the Voices of Angels
Sharon E. J. Gerstel, Chris Kyriakakis, Spyridon Antonopoulos, Konstantinos T. Raptis, and James Donahue

(Re)Birth of a Seal: Power and Pretense at San Nicola, Bari, ca. 1300
Jill Caskey

Space, Image, Light: Toward an Understanding of Moldavian Architecture in the Fifteenth Century
Alice Isabella Sullivan, Gabriel-Dinu Herea, and Vladimir Ivanovici

Into the Desert: Demons, Spiritual Focus, and the Eremitic Ideal in Morgan MS M.626
Denva Gallant

Remember, ICMA membership provides exclusive online access to the complete run of Gesta in full text, PDF, and e-Book editions – at no additional charge.

To access your members-only journal subscription, log in to the ICMA site here with your username and password.  If you have any questions, please email icma@medievalart.org.

For ICMA members receiving a print copy along with the online version,  there may be a delay in shipping the journal to you. Thank you for your patience.  

ICMA News, Spring 2021 now available online

ICMA NEWS               
SPRING 2021
MELANIE HANAN, EDITOR

Click here to read.
Also available on www.medievalart.org

INSIDE

ICMA Book Prize 


Commemorations
William Wixom
, 1929 – 2020
Matthias Exner, 1957 – 2020
David Raizman, 1951 – 2021

Special Features
Project Report: Crossroads of Empires Project, by Francesca Dell’Acqua and Daniel Reynolds
Resources: The ICMA Oral History Project, by Dustin Aaron 
Unlocking Research during a Global Pandemic, by Roisin Astell 

Events and Opportunities

The deadline for the next issue of ICMA News is 15 June 2021. Please send information to newsletter@medievalart.org 

If you would like your upcoming conference, CFP, or exhibition included in the newsletter please email the information to EventsExhibitions@medievalart.org.


Delaware Valley Medieval Association Spring Meeting, Darkness and Light; 24 April 2021; 1-5pm

Darkness and Light, DVMA Spring Meeting, April 24, 2021

The History/Social Sciences and Arts departments at Bryn Athyn College in partnership with Glencairn Museum are proud to host the Spring Meeting of the Delaware Valley Medieval Association for 2021.

The theme is “Darkness and Light.” This is a hybrid event, meaning a limited number of participants may attend in-person with others participating virtually via Microsoft Teams (a Zoom-like application). For safety reasons, the DVMA meeting will follow all applicable COVID protocols. The program features three speakers followed by a visit to Glencairn Museum, located across from the Bryn Athyn College campus.

download (1).jpg

 Bryn Athyn College, Doering Center Room 119; 2915 Campus Drive, Bryn Athyn, PA 19009

For more program information and to register, click here.



VAP position in pre- or early-modern art history at Oklahoma State, due 15 May 2021

Hello all,

I would like to share that the Department of Art, Graphic Design and Art History at Oklahoma State University seeks a Visiting Assistant Professor in Art History for the 2021-2022 academic year as a sabbatical replacement. The preferred area of specialization is in the art of the pre-modern and/or early-modern Mediterranean world (classical, medieval, and/or early modern). Due date for applications is May 15.

https://apply.interfolio.com/86086

Don't hesitate to contact me if you have any questions, and please share widely!

I also welcome names of candidates, and I will reach out to them directly. 

Thank you!
Jennifer

Jennifer Borland
Professor, Art History
Associate Department Head Department of Art, Graphic Design, and Art History
Director, Digital Humanities Initiative
Oklahoma State University
jennifer.borland@okstate.edu
she/her/hers
Co-Editor, Different Visions: New Perspectives on Medieval Art
https://differentvisions.org/


CFP for SECAC: "Intertwining Race Relations Studies and Art History," due 4 May 2021

Session Chairs/Contacts:

Tálisson Melo de Souza (Federal University of Rio de Janeiro, Brazil) - talissonmelo@yahoo.com.br
Carolina Cerqueira Correa (Federal University of Juiz de Fora, Brazil) - carolinaccerqueira@gmail.com

Mesmo Sol Outro (art project) - mesmosoloutro@gmail.com

"How Things Unfold in Many Conversations: Intertwining Race Relations Studies and Art History," 77th annual meeting of SECAC in Lexington, KY, from November 10–13, 2021.

The session is about the need for historical alternatives. It is a path that unfolds conversations with people who can contribute to shedding light on different aspects of the art history, pulling its threads to unwind them in many other things. Therefore, instead of asking where artists of color are, we want to analyze the circumstances that prevent their access to power within the area of knowledge of art. The proposal lies in self-analysis of the discipline. It depends on the conceptualization of its object, tools, and methods, to formulate a diversified model of analysis, associated with the need to change paradigms because the dominant mode of research does not fit the object/phenomenon of study. We are looking to discuss different perspectives, different understandings of artworks, and research methods. Keeping in mind that a race relations discussion in art history we long to have includes the racialization of all bodies, where all races are questioning dynamics of power and silences incorporated in the discipline. We are looking for composing rich and diverse panels, with researchers from different US's states and countries all around the world that are connected to the main perspective of our proposal: bringing art history and race relation studies in dialogue to the center of methodological, theoretical, and analytical approaches on the arts and culture. We are sending you this message to start spreading the open call for papers in good time.

Terms of the event & links

Dates for applying: March 9 to May 4, 2021.
Dates of conference: November 10–13, 2021.
Venue: Hilton Lexington Downtown, Lexington - Kentucky, United States of America.

Application form, general information & fees: https://secacart.org/page/Lexington


ICMA at the International Medieval Congress, Leeds 2021

ICMA at the International Medieval Congress, Leeds 2021

Materials, Manufacture, Movement: Tracing Connections through Object Itineraries
Session 1301

Wednesday 7 July 2021
16:30-18:00 GMT

Organiser and Moderator:
Therese Martin, Instituto de Historia, Consejo Superior de Investigaciones Científicas (CSIC), Madrid

Two pairs of interrelated papers feature the rich work-in-progress by members of the project 'The Medieval Iberian Treasury in Context: Collections, Connections, and Representations on the Peninsula and Beyond' (PI Therese Martin). Our research interrogates how and why medieval artifacts moved across borders, whether religious, political, or geographical; such objects and textiles materialize connections that are too often missing from official written histories. Likewise, team members analyze the presence of artifacts and materials preserved far from their places of manufacture to understand the works' socio-historical itineraries. These papers depend on the material evidence of artifacts - textiles, ebony and ivory caskets, metalworks, and manuscripts - to understand the interconnections among diverse climates, cultures, and technologies. Our object-oriented approaches shed light on networks of trade, plunder, marriage, and diplomacy, through which prized possessions arrived at destinations including Egypt, Iberia, Germanic lands, and the easterly reaches of Europe.

Linen, Wool, and Silk: Climate Conditions and Textile Production from Egypt to Iberia Ana Cabrera-Lafuente, Instituto del Patrimonio Cultural de España, Madrid

Exquisite yet Handy: On Ivory / Ebony Caskets and the Egypt / Iberia Debate Silvia Armando, Department of Art History & Studio Art, John Cabot University, Rome

Treasuries as Windows to the Medieval World: San Isidoro de León and St Blaise at Braunschweig Jitske Jasperse, Institut für Kunst- und Bildgeschichte, HumboldtUniversität zu Berlin

Women’s Influence, Modern Perceptions, and the Transmission of ‘Culture’ in Medieval Central and Eastern Europe Christian Raffensperger, Department of History, Wittenberg University, Ohio

Assistant Professor of Art History, renewable, due 30 April 2021

Assistant Professor of Art History

The Department of Art and Art History at the University of Mississippi announces an opening for an Assistant Professor of Art History with the ability to teach African and African American art. The position is a 9-month, full-time, benefits-eligible renewable position. The successful candidate will join the department’s ongoing commitment to shifting the discourse of art history and to its endeavor to be responsive to a diverse student body and global society. The University of Mississippi is located in Oxford, which is consistently ranked as one of the nation’s top college towns. The University has an R-1 Carnegie Classification and is recognized as one of the best colleges in the nation to work for by The Chronicle of Higher Education.

Responsibilities
The candidate will teach a global survey of prehistoric through medieval art, a course on writing and research, and upper-level classes in African or African American art, and global pre-Modern art. The teaching load is three classes per semester. The successful candidate is expected to be engaged actively in research and to be an involved member of the department and university community, including the African American Studies program.

Qualifications
Ph.D. in Art History or a closely related field completed by the time of appointment and teaching experience are required.

Application
As part of their application, candidates should submit a cover letter that outlines their 1) teaching experience; 2) philosophy on teaching; 3) active engagement with research; and 4) contributions/commitment to advancing diversity. Applicants also should upload a current CV and the names and contact information for four references familiar with the applicant’s work. Finalists will be asked later to submit two writing samples, two sample syllabi, and unofficial transcripts (official transcripts will be required upon hiring). Review of applications will begin immediately. The position will remain open until filled or until an adequate applicant pool is established. All materials should be submitted online at University of Mississippi Careers (careers.olemiss.edu). Please direct inquiries about this position to Dr. Nancy L. Wicker (nwicker@olemiss.edu), Chair of the Department of Art and Art History and Chair of the Search Committee.

Additional Information
Funds are available for continued professional development, and the University offers an extremely competitive retirement plan. The initial appointment begins August 15, 2021 and may be renewed for up to two additional years by mutual agreement. Extension beyond three years will be dependent on available budget funding. We recognize the importance of a diverse faculty and a supportive educational and professional environment that affirms the value of cultural diversity. We strongly encourage applications from candidates who are traditionally underrepresented in academia and from all candidates who are committed to fostering a diverse and inclusive academic community.

The University of Mississippi is an EEO/AA/Title VI/Title IX/Section 504/ADA/ADEA employer.

http://careers.olemiss.edu

CFP: ICMA Sponsored Session Proposals, AAH Annual Conference 2022, due 20 April 2021

ICMA at Association for Art History Annual Conference 

London, 6-8 April 2022
Call for ICMA Sponsored Session Proposals
due 20 April 2021

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the Association for Art History Annual Conference to be held 6-8 April 2022 at Goldsmiths, University of London.

Proposals to the ICMA must include a session abstract and a CV of the organizer(s).

Please note the following:

  • The AAH does not require a slate of speakers; the AAH will generate a CFP once sessions have been selected. Therefore the ICMA will not request a slate of speakers.

  • The ICMA requires the CVs of the session organizers, but the AAH does not.

  • Session organizers and speakers must be ICMA members but are not required to become AAH members. However, AAH members receive a preferential conference rate.

  • Sessions at the AAH conference are built of 70-minute blocks, with a minimum of two blocks per session, up to four blocks in a day. Each block consists of two papers of 25 minutes plus 10 minutes of questions for each paper. The ICMA seeks to sponsor one session of two 70-minute blocks (four papers).


Upload your proposals here by 20 April 2021

Please direct all inquiries to the Chair of the Programs Committee: Bryan C. Keene, Riverside City College, USA, bryan.keene@rcc.edu 
 
The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 1 May 2021. The organizer(s) will then submit the ICMA-sponsored proposal to the AAH, which will make the final decision. Submit session proposals to the AAH by 7 May 2021 at Conference2022@forarthistory.org.uk following the guidelines posted on the AAH website: https://forarthistory.org.uk/our-work/conference/2022-annual-conference/ 


A note about Kress Travel Grants


Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA sponsored sessions up to a maximum of $600 for domestic travel and of $1200 for overseas travel. If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. In addition to speakers, session organizers delivering papers as an integral part of the session (i.e. with a specific title listed in the program) are now also eligible to receive travel funding.

Click here for more information.

CFP: ICMA Sponsored Session Proposals, CAA Annual Conference 2022; due 15 April 2021

ICMA at College Art Association Annual Conference 

Chicago, 16-19 February 2022
Call for ICMA Sponsored Session Proposals
due 15 April 2021

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2020 at the annual meeting of the College Art Association. Session organizers and speakers must be ICMA members.  
 
Proposals must include the following in one single Doc or PDF with the organizer’s name in the title

  • Session abstract

  • CV of the organizer(s)

  • Session organizers may also include a list of potential speakers


Please upload all session proposals as a single DOC or PDF by 15 April 2021 here.

The organizer(s) will have until 30 April 2021 to upload their approved proposals on the CAA website here.

For inquiries, contact the Chair of the ICMA Programs and Lectures Committee: Bryan C. Keene, Riverside City College, USA, bryan.keene@rcc.edu


A note about Kress Travel Grants


Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA sponsored sessions up to a maximum of $600 for domestic travel and of $1200 for overseas travel. If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. In addition to speakers, session organizers delivering papers as an integral part of the session (i.e. with a specific title listed in the program) are now also eligible to receive travel funding.

Click here for more information.

Call for submissions: Suffering for Salvation, due 1 June 2021

Dear Friends and Colleagues,

I have been working on an edited collection called Suffering for Salvation and I would like to invite you to consider submitting one or more chapters. Several authors have expressed interest, but because of a tight deadline, were unable to contribute a chapter. The deadline has therefore been extended to 1 June 2021 in order to ensure quality submissions. The premise of this publication is broad and concerns how users of medieval manuscripts considered images, symbols, or texts having to do with physical or spiritual suffering, internalizing what they viewed/read as a means for salvation.

My name is Dr. Joni Hand and I earned my Ph.D. in art history from the Graduate Center of the City University of New York. I am the author of Women, Manuscripts, and Identity in Northern Europe, 1350-1550 (Ashgate, 2013), and Bound for the Midwest (Southeast Missouri State University Press, 2017), and several articles about female patronage and medieval and early modern manuscripts. I am currently Associate Professor of Art History at Southeast Missouri State University.

A Chapter should normally be no longer than 6000 words and should be original and previously unpublished. If the work has already been published (as a journal article, or in conference proceedings, for example), the Publisher will require evidence that permission to be re-published has been granted.

To see the Call on the Publisher’s website, please click here: https://www.cambridgescholars.com/pages/guest-edited-collections and click on Philosophy. There you can download and complete a submission form.

WHITING FOUNDATION 2022–23 PUBLIC ENGAGEMENT GRANTS, SUBMIT TO ICMA BY 30 APRIL 2021

WHITING FOUNDATION 2022–23 PUBLIC ENGAGEMENT GRANTS   

Do you have a research project that is public facing? Are you an early-career scholar?

Please consider submitting an application for Whiting Foundation Public Engagement funding. The ICMA is a nominating institution and can select nominees for a Fellowship and/or a Seed Grant.

The ICMA deadline for summary proposals is 30 April 2021. Submit here.

As a nominating body for the Whiting Foundation's Public Engagement Programs in the humanities, the ICMA calls for proposals in public-facing scholarship to submit for the 2021–22 competition cycle (for funding in 2022–23). The foundation describes these funding opportunities as "designed to celebrate and empower humanities faculty who embrace public engagement" at an early-career stage, "to infuse the depth, historical richness, and nuance of the humanities into public life."

We may nominate one or two proposals by full- or part-time faculty at accredited US institutions of higher learning. To be eligible for the grants, faculty must be full- or part-time faculty in both the 2020-21 and 2021-22 academic years. Faculty need not be on a tenure track to be eligible. Nominees must also be early-career: they should have received their doctorate between 2008 and 2020.

The Foundation welcomes proposals including collaborations between faculty and graduate students. Nominees may apply to either of the Whiting's funding programs, depending on the stage of development of their project: 

  • Fellowship of $50,000 for projects far enough into development or execution to present specific, compelling evidence that they will successfully engage the intended public.

  • Seed Grant of up to $10,000 for projects at a somewhat earlier stage of development, where more modest resources are needed to test or pilot a project or to collaborate with partners to finalize the planning for a larger project and begin work.

Detailed guidelines and recommendations for the full proposals required by the Foundation are available online HERE, including the link to the application portal for nominees (see esp. Appendix 2 for proposal components).

The full application for nominees is due on 14 June 2021.

For consideration as an ICMA nominee, please submit a CV, a 2-page summary proposal of your project, and a working budget, to Ryan Frisinger by 1 May 2021. Applicants will be notified by the end of May. Comments will include recommendations for preparing the full grant proposal. Click here to submit.
 

For questions, contact ICMA Advocacy Committee Chair Jennifer Feltman (jmfeltman@ua.edu) or ICMA Grants and Awards Committee Chair Stephen Perkinson (sperkins@bowdoin.edu).