• About the ICMA
    • Oral History Project
    • Join
    • Gift Memberships
    • Gesta
    • Books
    • Essays & Lectures
    • ICMA News (newsletter)
    • Viewpoints
    • ICMA-Kress Research & Publication Grants
    • ICMA-Kress Travel Grants
    • ICMA Advocacy Seed Grant
    • Student Travel Grants
    • Student Research Grant
    • Graduate Student Essay Awards
    • ICMA-Kress Exhibition Development Grant
    • ICMA Annual Book Prize
    • Whiting Foundation Public Engagement Grants
    • Forsyth Lecture
    • Stahl Lecture
    • Courtauld Lecture
    • Presidential Lecture
    • Keynote Lectures
    • Mining the Collection
    • Special Online Lectures
    • ICMA Panels at Conferences
  • Action
  • Resources
  • NEWSLETTER
    • Unrestricted Contributions
    • Named Fund
    • Planned Giving
  • LOGIN
Menu

International Center of Medieval Art

  • About
    • About the ICMA
    • Oral History Project
  • Join
    • Join
    • Gift Memberships
  • PUBLICATIONS
    • Gesta
    • Books
    • Essays & Lectures
    • ICMA News (newsletter)
    • Viewpoints
  • Grants & Awards
    • ICMA-Kress Research & Publication Grants
    • ICMA-Kress Travel Grants
    • ICMA Advocacy Seed Grant
    • Student Travel Grants
    • Student Research Grant
    • Graduate Student Essay Awards
    • ICMA-Kress Exhibition Development Grant
    • ICMA Annual Book Prize
    • Whiting Foundation Public Engagement Grants
  • Lectures
    • Forsyth Lecture
    • Stahl Lecture
    • Courtauld Lecture
    • Presidential Lecture
    • Keynote Lectures
    • Mining the Collection
    • Special Online Lectures
    • ICMA Panels at Conferences
  • Action
  • Resources
  • NEWSLETTER
  • Donate
    • Unrestricted Contributions
    • Named Fund
    • Planned Giving
  • LOGIN

Dominicans and Franciscan friars singing, conducted by Christ. Abbey Bible (c. 1250-1262), Getty Museum, Ms 107, fol. 224r (Detail). Digital image courtesy of the Getty’s Open Content Program, URL: [https://creativecommons.org/licenses/by-nc-sa/3.0/de/].

‘Performance, Perception & Devotional Experiences in Medieval Sacred Spaces’, Universitat de Barcelona, 13-14 October 2022 (In-Person)

September 30, 2022

Conference programme

13 October 2022 (Facultat de Geografia i Història. Sala Jane Addams)

9.00am: Núria Jornet (Universitat de Barcelona), Fabio Massaccesi (Università di Bologna), Zuleika Murat (Università di Padova): Welcome and Opening of the Conference

9.20am: Olivia Robinson (University of Birmingham), Performance and Pleasure in Convent Spaces: Practice-based Research and the Medieval Convent Drama Project

Session I: Creating, Sanctifying and Experiencing Space: Architecture, Objects and Paintings
Chaired by Maria Soler Sala (Universitat de Barcelona)

10.00am: Fabio Massaccesi (Università di Bologna), Seeing and Believing: How the Triumphal Cross Shaped the Sacred Space (11th-14th century)

10.30am: Maddalena Vaccaro (Università degli Studi di Salerno), Sanctifying Spaces: Transmedial Interactions, Relics, and Apsis (9th-13th century)

Coffee break

11.00am: Cristina Guarnieri (Università di Padova), Pilgrims, Cripples, and Worshippers: Patterns of Devotion and Experience in the Shrine of St. Anthony in the Basilica del Santo

11.30am: Marta Crispí (Universitat Internacional de Catalunya), Los coros altos de los
monasterios femeninos como espacios litúrgicos y devoción: los monasterios de Sant Pere de les Puelles, Sant Antoni i Santa Clara i Santa Maria de Pedralbes de Barcelona


12.00pm: Davide Tramarin (Università di Padova), The Death of Christ in German Nunneries: Liturgical Spaces and Sensorial Dynamics

12.30pm: Discussion

Session II: Sight and the Other Senses: Interferences, Synergies, Synaesthesia
Chaired by Silvia Pérez (Universidad Pablo de Olavide)

14.30pm: Zuleika Murat (Università di Padova), Scenting the Blood of Christ: Material and Immaterial Aspects of Eucharistic Devotion in Late Medieval Venice

15.00pm: Micol Long (Università di Padova), Liturgical Combs or Liturgical Use of Combs?An Evaluation of Textual and Material Evidence 10th-13th century

Coffee break

16.30pm: Valentina Baradel (Università di Padova), Sensing the Saint, Experiencing the Resurrection: the Shrine of Saint Lazarus in Autun

17.00pm: Sara Carreño (Università di Padova), Tactile Discourse: Material Transmission of Theological Ideas in 14th Century Castile

17.30pm: Discussion

14 October 2023 (Museu Monestir de Santa Maria de Pedralbes)

9.30am: Anna Castellano (Director of Museu Monestir de Pedralbes), Welcome

Session III: Performances in a Monastic Space: Legal, Devotional and Liturgical Rituals
Chaired by Marta Sancho (Universitat de Barcelona)

10.00am: Silvia Pérez (Universidad Pablo de Olavide), Alberto Ruiz Berdejo (Universidad Pablo de Olavide), Muerte conmemorada y muerte ritualizada en las cofradías andaluzas de finales de la Edad Media

10.30pm: Jordina Sales (Universitat de Barcelona), Crimen y castigo en los primitivos cenobios hispanos (s. VI-VII): escenificaciones y performances

11.00pm: Sergi Sancho (Università di Padova), Monastic Performances, a Database. Conclusions on Perception and Categories

Coffee break

12.00 Núria Jornet-Benito (Universitat de Barcelona); Anna Castellano (Museu Monestir de Pedralbes), La ritualización de la obediencia a la abadesa: capellanes beneficiados y campesinos. Conventos de clarisas en la Barcelona de los siglos XIV y XV

12.30pm: Delfi Nieto (Queen Mary University of London), The Abbot, the Prior and the Destitute: The Washing of the Feet in Medieval Catalan Cloisters

13.00pm: Discussion and Closing Remarks

Organising Committee:

  • Núria Jornet (Universitat de Barcelona)

  • Fabio Massaccesi (Università di Bologna)

  • Zuleika Murat (Università di Padova)

Contact Details: Núria Jornet (Universitat de Barcelona): jornet@ub.edu

Those who wish to attend online are requested to send an email to Núria Jornet to get the link to connect via Teams.

The conference is sponsored by Universitat de Barcelona – Monastic Landscape PG2018-095350-B-100; Università di Bologna; Università di Padova – ERC StG Project “The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art andSomatised Spiritual Experiences in Medieval Europe (12th-15th century) – SenSArt”. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 950248)

← MONUMENTAL MEDIEVALISM: PUBLIC MONUMENTS & THE MIS|USE OF THE MEDIEVAL PAST, 5-6 OCTOBER 2022, ONLINELOOKING AT LANGUAGE, INDEX OF MEDIEVAL ART CONFERENCE; 12 NOVEMBER 2022 (IN-PERSON) →

Latest Posts

Featured
Call for Applications: 2026-2027 Predoctoral Research Residencies at La Capraia, Naples, Due by 31 Jan. 2026
Call for Papers: Medievalisms Area, 47th Annual SWPACA Conference, Albuquerque, NM (25-28 Feb. 2026), Due 31 Oct. 2025
Call for Papers: 25th Vagantes Conference on Medieval Studies, University of Rochester (9-11 Apr. 2026), Due by 12 Dec. 2025
Call for Papers: Mirror Worlds, 6th annual Medieval Student Colloquium (MSSC), Cornell University (21 Feb. 2026), Due by 1 Dec. 2025
Call for Contributions for Edited Volume: The Medieval in Museums, Due by 3 Nov. 2025, 5 pm GMT/12 pm ET
New Publication! Proceedings of the Study Day: La sella perduta. L'oreficeria tardoantica a Ravenna
Call for Applications for Student Scholarships: Boundaries and Encounters in Medieval Art and Architecture, BAA Conference, Oxford (12-14 Dec. 2025), Due by 16 Oct. 2025
BAA Conference: Boundaries and Encounters in Medieval Art and Architecture: A Conference in Memory of John McNeill, University of Oxford, 12-14 Dec. 2025
Lecture: Episcopal display and the English crozier around the time of the Norman Conquest, Sophie Kelly, at The Courtauld, London, 22 Oct. 2025 17:30-19:00GMT
York Medieval Lecture: Video Games & the Work of Medieval Art History, Glaire Anderson, 12 Nov. 2025 12:30-2:00PM ET/5:30-7:00PM GMT
Call for Papers: Animal Representation in the Global Middle Ages, Association for Art History 2026 Annual Conference, Cambridge (8-10 Apr. 2026), Due by 2 Nov. 2025
Call for Papers: Life and Landscape: Research Showcase, At University of Nottingham (13 June 2026), Due 1 Dec. 2025
Call for Papers: Princeton Symposium on Athonite Collections, 25-26 Sept. 2026, Due by 20 Dec. 2025
Call for Papers: Carrying Across: Translation as Material Practice in the Pre/Early Modern World, Association for Art History Annual Conference, Cambridge (8-10 Apr. 2026), Due by 2 Nov. 2025
Call for Applications: Assistant Professor in Medieval European Art and Architectural History in the World, Brown University, Reviewing of Applications Begins 15 Nov. 2025
Boston University's First Annual Guild Symposium: Recentering the Periphery, Boston University, 17 Oct. 2025 9AM-5PM
Call for Papers: Shaping the Word: the Form and Use of Biblical Manuscripts in the Early Medieval West, Durham University (2-5 July 2026), Due 17 Nov. 2025
ICMA members invited to keynote by Anne Derbes and Amy Neff at the Andrew Ladis Memorial Trecento Conference, Thursday 23 October 2025. Register now!
due 19 December 2025: CALL FOR PAPERS / APPEL À COMMUNICATION: 43rd Canadian Conference of Medieval Art Historians / 43e colloque canadien des historiens de l’art médiéval
Boston University HAA Guest Lecture featuring ICMA Member: Higher Ground: Medieval Foundations and the Formation of Heathen Prehistory, Gregory Bryda, at Boston University, 23 Oct. 2025, 6:00PM
Mary Jaharis Center for Byzantine Art and Culture 2025-2026 Lecture Series: Daily Life Encounters between the Byzantines and the Ottomans, Siren Çelik, 20 Oct. 2025, 12:00PM EDT, Via Zoom
Call for Papers: Confounding Images: Frustration as Art Historical Method, Association for Art History Conference, University of Cambridge (8-10 Apr. 2026), Due by 2 Nov. 2025
Online Conference: British Archaeological Association Postgraduate Conference, Via Zoom, 27 Nov. 2025, 12.20-17.30 (GMT) / 7.20-12.30 (EST)
Call for Papers: Rethinking Popular Religion from Late Antiquity to the Early Medieval Period, Ca’ Foscari University of Venice (12-13 Mar. 2026), Due by 30 Sept. 2025
Call for Applications: Folger Institute Long-Term Fellowships, Due December 15, 2025
18th International Complutense Conference on Medieval Art: Transculturality and Medieval Art in Dialogue: Negotiating New Identities, Madrid, 7-8 Oct. 2025, Register by 6 Oct. 2025
Call for Papers: ICMA-Sponsored Session at Forum Kunst des Mittelalters 2026: Tricks of the Trade: The Visual and Material Dimensions of Medieval Sex Work, due 15 October 2026
Call for Submissions for Edited Volume: The Senses and the Elements: Water, Fire, Air and Earth as Sensorial Triggers in Medieval Religious Contexts, Due by 15 Oct. 2025
Call for Applications: Graduate Attendance Grant, Index of Medieval Art Conference, Due 1 Oct. 2025
Lecture: Bordered and Bespoke: African, Asian, and European Entanglements in the Silk Objects of Walé Oyéjidé and Geoffrey Chaucer, Andrea Denny-Brown, University of Wisconsin-Madison, 3 Oct 2025, 5pm