"Archive Fever - Now" - Les Enluminures New York; 8 September to 6 October 2022

Archive Fever - Now

September 8 to October 6, 2022, (Tuesday to Saturday, 10 am to 5 pm)

Opening: September 8, 6-8 pm

Les Enluminures, 23 East 73rd Street, 7th Floor, Penthouse, New York, NY 10021


Les Enluminures New York is back and in full swing. Join us for a series of exciting and innovative events throughout the year.

Our inaugural exhibition this fall “Archive Fever - Now” takes Jacques Derrida’s seminal essay “Archive Fever” (1995) as a starting point to explore the idea of the archive in art from the Middle Ages to the present.

Seventeen 19th-century photographs of medieval French architecture and sculpture form the core of the exhibition. The represent the first public photography project known as the Mission Héliographique, which included pioneering photographers Henri Le Secq and Emile Pécarrère, along with others under their influence such as the Frères Bisson and Charles Marville. Apart from their importance as an early archive of medieval art, these photographs reveal a critical moment in the development of photography, documenting a shift from glass to calotypes printed on salt paper. Their artistic merit also lies in the experimental strategies employed toward composition and shading.

Medieval manuscripts and contemporary art accompany and complement the collection of photographs, exploring further the notion of the archive. Books of Hours have been called an “archive of prayer”; they also functioned as memory banks for family events. Cartas ejecutorias likewise document genealogical strains of upwardly mobile families in 16th- and 17th-century Spain. A medieval manuscript with a chain reminds us that hte ultimate archival repository, the library, sought to preserve its treasures, chaining them to the shelves at readers’ desks.

Three series of contemporary photographs round out the exhibition. Works by Thomas Ruff, Stan Douglas, and Robert Polidori, each resonate on their own terms with the 19th-century photographic collection. Ruff’s Zeitungsfotos and Negatives question the archive, reappropriating and recontextualizing them, leading the viewer to question assumptions. Douglas questions the very intention of photography as a record while still capturing the American past. Polidori, much like the Mission Héliographique, portrays a French monument, Versailles, yet his approach is steeped in a critical understanding of the socio-political realities involving the building and renovation of Versailles under François Mitterand.

Identity, objectivity, and originality are all concepts at play in this unusual display of art in “Archive Fever - Now.”

GRANT OPPORTUNITY for graduate students for research on Chartres; DEADLINE FOR APPLICATIONS: December 2, 2022

Call for Proposals

 

The Servane de Layre-Mathéus Grant Fund of the

American Friends of Chartres

 

 

In 2022, the Servane de Layre-Mathéus Grant Fund of the American Friends of Chartres will offer its first annual research grant for the study of medieval Chartres. This grant will honor the memory of Dr. Dietlinde Hamburger, art historian and spouse of esteemed advisor, friend, and supporter of the American Friends of Chartres, Professor Jeffrey F. Hamburger. Although herself a scholar of German painting of the first half of the twentieth century, Dietlinde took a keen interest in pre-modern art and shared Jeffrey’s enthusiasm for the art and architecture of the Middle Ages, especially that of Bavaria, her home region.

 

The grant will help to support a research project requiring on-site research in Chartres that promises to advance knowledge and understanding of the cathedral of Notre-Dame de Chartres or of medieval history related to Chartres.  The American Friends of Chartres will provide a stipend of $2,000.00 and will facilitate access to the cathedral, the Centre International du Vitrail, the municipal library, archival collections and related resources. Lodging in Chartres may be facilitated through Chartres, Sanctuaire du Monde and/or the Cultural Department of Chartres City Hall.

 

Applications are encouraged from current graduate students in the fields of art history, history, and related disciplines.  Topics might include, for example:  architecture, stained glass, sculpture, urban development, manuscripts, the cathedral Treasury etc. Following the research project, the grantee is asked to provide a synopsis of the research and conclusions, which will be publicized through the cultural activities and website of the American Friends of Chartres.

 

Applicants should supply:

 

  • A description of up to 500 words of the proposed project, including:

    • questions to be researched and their importance to scholarship on the art, culture, and history of Chartres;

    • requirements for access to monuments, works of art, and archival resources;

    • projected length of time and tentative dates to be spent in Chartres;

    • expectations for publication of conclusions, whether alone or as part of a larger project, including a Ph.D. dissertation

  • A current Curriculum Vitae

  • Names and contact information of two references

 

Please send application materials as e-mail attachments in Word or PDF format to ChartresResearchGrant@gmail.com

 

DEADLINE FOR APPLICATIONS: December 20, 2021

 

 

The Servane de Layre Fund for Research on Chartres Cathedral

 

The American Friends of Chartres has established a special fund honoring the memory of Servane de Layre (1939-2020), co-founder of Chartres--Sanctuaire du Monde, of the Centre International du Vitrail, and of American Friends of Chartres. Servane dedicated much of her life to the preservation of Notre-Dame de Chartres Cathedral, and to the pursuit and transmission of knowledge of medieval art, culture, and spirituality. In recognition of her contributions, she was made chevalier of the Légion d’honneur, officier des Arts et des Lettres, and officier de l’ordre national du Mérite. The fund is intended to support research that furthers her work.

 

ROBERT BRANNER FORUM FOR MEDIEVAL ART: ERIC RAMÍREZ-WEAVER, "TEASING APART TERZYSKO’S TOOLS: ASSESSING ASTRONOMY AND ASTROLOGY IN LATE MEDIEVAL PRAGUE," 14 OCTOBER 2022 2PM (In-Person)

"TEASING APART TERZYSKO’S TOOLS: ASSESSING ASTRONOMY AND ASTROLOGY IN LATE MEDIEVAL PRAGUE"


ERIC RAMÍREZ-WEAVER

Medieval Art, University of Virginia 

Friday, October 14th, 2:00 PM ET (In-Person)

Schermerhorn Hall, Room 807, Columbia University

The first Robert Branner Forum event of the 2022-2023 series.

Astronomical Anthology for Wenceslas IV, Munich, Bayerische Staatsbibliothek, Clm 826, fol. 8r, Introductory Diagram, Portrait of the Astrologer Terzysko, after 1400 (Photo: Bayerische Staatsbibliothek, Munich)

An astrological curriculum prepared in Prague for Wenceslas IV (d. 1419), King of Bohemia, presents an ideal example of astronomical erudition in central Europe, 1390-1400 (Astronomical Anthology for Wenceslas IV, Munich, Bayerische Staatsbibliothek, Clm 826, made after 1400; Astrological and Astronomical Anthology with Alfonsine Planetary Tables, Vienna, Österreichische Nationalbibliothek, Cod. 2352, ca. 1392-93; Aegidius de Tebaldis’ Latin translation of ‘Alī ibn Riḍwān’s Commentary on Ptolemy’s Tetrabiblos/Quadripartitus, Vienna, Österreichische Nationalbibliothek, Cod. 2271, ca. 1400). In recent years, there has been an efflorescence of scholarship rethinking the kinds of intellectual work diagrams perform and their relationship to memory practices. A rich new direction for the art historical study of medieval astronomical manuscripts seeks to recreate lost libraries and source materials from the texts and imagery on display, or ideas, culled for inclusion and lavish presentation in diagrammatic forms. Through a detailed analysis of an introductory series of diagrams associated with the late medieval court astrologer, Terzysko, aspects of the compiler’s craft surface on the folios of the Astronomical Anthology for Wenceslas IV. Arabic, Jewish and Christian astronomical and astrological traditions intertwine within these celestial diagrams, and their fusion invites a reconsideration of the pedagogical work they were intended to perform for period readers, most importantly King Wenceslas IV himself.

Following the lecture, attendees are invited to a reception in the Stronach Center located in Schermerhorn Hall.

ICMA-SPONSORED SESSION AT VI FORUM KUNST DES MITTELALTERS, 28 SEPT - 1 OCT 2022, FRANKFURT GERMANY (30 SEPTEMBER 2022, 16.45–18.15 UHR)

ICMA-SPONSORED SESSION AT VI FORUM KUNST DES MITTELALTERS, 28 SEPT - 1 OCT 2022, FRANKFURT GERMANY

30 SEPTEMBER 2022

16.45–18.15 UHR (10:45AM-12:15PM ET)

Duft und Sinne: Geruchssinn und Erinnerung in der materiellen Kultur des Mittelalters

Scent and Sense: Olfaction and Memory in Medieval Material Culture

Leitung: Elina Gertsman, Cleveland

Organisation: International Center of Medieval Art – ICMA, New York

Campus Westend, Hörsaalzentrum, HZ 3

  • Elisabeth Sobieczky, Wien

“And my breath was refreshed by the pleasant fragrance of the Lord“ (OdSal 11, 13/15). Image, Word, and Scent in the Freudenstadt Lectern

  • Hila Manor, Jerusalem

 “Beds of Spices and Towers of Sweet Herbs“: Sensing and Commemorating in Medieval Jewish Spaces”

  • Robert Vogt, Baltimore

Spheres/Worlds: The Scent of Creation

  • Reed O’Mara, Cleveland

Sensation and Olfaction: Experiencing Images of Jacob and Esau in Fourteenth-Century Sepharad

For more information: https://www.dvfk-berlin.de/en/forum-2-2/

48th Annual Byzantine Studies Conference at UCLA; 3-6 November 2022

48th Annual Byzantine Studies Conference at UCLA

Hosted by the UCLA CMRS Center for Early Global Studies

November 3-6, 2022 | Los Angeles, California

We welcome the Byzantine Studies Association of North America (BSANA) and participants to the 48th Annual Byzantine Studies conference at UCLA!

Click the registration button below to register to attend. In-person and By-Zoom-Only rates apply. Register before September 15 to take advantage of the early registration rates.

Most conference activities will take place at the Luskin Conference Center and Hotel on the UCLA campus. Hotel rooms are available for conference attendees at the Luskin and at the UCLA Guest House, which is also located on campus about a 15-minute walk from the Luskin. To receive the conference rate, be sure to use the hotel links from this website when reserving your room. Book your rooms early as space is limited. There are other hotels near the UCLA campus to choose from. Click on the Hotel Information button for complete information about finding accommodations.

Conference Registration

Hotel Information

Local Arrangements Committee

  • Co-Chair: Sharon E. J. Gerstel, Professor of Byzantine Art & Archaeology, and Director of the Stavros Niarchos Foundation Center for the Study of Hellenic Culture, UCLA

  • Co-Chair: Zrinka Stahuljak, Professor of Comparative Literature and French, and Director of the CMRS Center for Early Global Studies, UCLA

Program Committee

  • Galina Tirnanic, Chair, Associate Professor, Oakland University (Art History)

  • Nicole Paxton Sullo, M. Seeger O’Boyle Postdoctoral Fellow, Princeton University (Art History)

  • Luis Sales, Assistant Professor, Scripps College (Religion)

  • Shaun Tougher, Professor, Cardiff University (History)

  • Vessela Valiavitcharska, Associate Professor, University of Maryland, College Park (Literature)

ICMA IN TORONTO: EXHIBITION TOUR OF FAITH AND FORTUNE: ART ACROSS THE GLOBAL SPANISH EMPIRE; 23 September 2022 3 PM In-Person

ICMA IN TORONTO
EXHIBITION TOUR
FAITH AND FORTUNE: ART ACROSS THE GLOBAL SPANISH EMPIRE
FROM THE COLLECTION OF THE HISPANIC SOCIETY MUSEUM & LIBRARY

ART GALLERY OF ONTARIO

FRIDAY 23 SEPTEMBER 2022
3PM, IN-PERSON


REGISTER HERE

Attributed to Manuel Chili, called Capiscara (Ecuador, ca. 1723 – Quito, Ecuador, 1796), The Four Fates of Man: Death, Hell, Purgatory, Heaven. New York, The Hispanic Society of America.

Join Adam Levine for an in-person tour of FAITH AND FORTUNE: ART ACROSS THE GLOBAL SPANISH EMPIRE at the Art Gallery of Ontario! The exhibition examines the visual culture of the global Spanish Empire through more than 200 works of art from Latin America, the Philippines and Spain - all from the collection of the Hispanic Society Museum & Library. An informal drinks reception will take place nearby following the event.

Register HERE
 

Art Gallery of Ontario
317 Dundas Street West
Toronto, Ontario   
M5T 1G4

Notre-Dame de Paris: Rebuilding a Legacy - 26 September 2022 6:00-7:30 PM

What does it take to rebuild one of the most visited, recognizable, and semantically loaded works of architecture in the world? Presented at the National Building Museum in Washington, D.C., in partnership with the Catholic University of America, Philippe Villeneuve, Chief Architect of Historic Monuments in charge of Notre-Dame de Paris, and Rémi Fromont, Chief Architect of Historic Monuments, will deliver their first public lecture in the United States since taking on the extraordinary task to stabilize and restore the cathedral of Paris in the aftermath of the catastrophic 2019 fire. Lindsay Cook, Assistant Teaching Professor of Architectural History at the Pennsylvania State University and translator of the book Notre Dame Cathedral: Nine Centuries of History, will translate the lecture from French into English and moderate the discussion following the talk.


http://go.nbm.org/site/Calendar/2074725395?view=Detail&id=129570

CFP: IMC 2023 Leeds, ICMA sponsored session, due 23 September 2022

Call for Proposals 
International Medieval Congress (IMC 2023)
3-6 July 2023, University of Leeds
due 23 September 2022

Upload HERE

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2023 at the International Medieval Congress (IMC) at Leeds, England.  

While session proposals on any topic related to the art of the Middle Ages are welcome, the IMC also chooses a theme for each conference. In 2023 the theme is “Networks and Entanglements.”  For more information on the Leeds 2023 congress and theme, see:  https://www.imc.leeds.ac.uk/imc-2023/ 

Session organizers and speakers must be ICMA members at the time of the conference. Proposals must include a session abstract, and a list of speakers, as one single Doc or PDF with the organizer’s name in the title, and a CV, again as a Doc or PDF with the organizer’s name in the title. Please upload here by 23 September 2022.

Please direct inquiries to the Chair of the ICMA Programs and Lectures Committee: Bryan C. Keene, bryan.keene@rcc.edu 

MEDIEVAL TIMES DINNER AND TOURNAMENT IN DC/BALTIMORE - FRIDAY 30 SEPTEMBER 2022, 7PM - REGISTER TODAY!

Medieval Times, A Quarter of a Century Later

Let’s rekindle the enthusiasm that Michael Camille (1958-2002) had for Medieval Times: Dinner & Tournament with a trip to our local castle! In 1996, Camille visited the Chicago venue with Ira Glass of This American Life to record a lively episode about the joys and foibles of medievalisms. To complement the exhibition at the J. Paul Getty Museum, The Fantasy of the Middle Ages, Larisa Grollemond and Bryan C. Keene will take a valiant crew to the Buena Park location of Medieval Times. The visit includes pre-show festivities, such as the Hall of Arms and the Museum of Torture, as well as the famed dinner plus a lively joust set to an epic musical score. We’ll cheer for our knight of the realm in the presence of Queen Doña Maria Isabella!

DATE: FRIDAY 30 SEPTEMBER 2022
TIME: 7pm

Register HERE. We are organizing carpooling options based on responses.

PLEASE REGISTER BY FRIDAY 23 SEPTEMBER 2022.

Note we are collecting responses to see if we're able to get a further discount. ICMA will buy the tickets and will subsidize part of the ticket price. It will be up to attendees to pay the ICMA. More information will follow as we sort out the details - but first we need to know the number of attendees. The current price for a ticket is $71.65 (ADULT - tax included) and $44.65 (CHILD - tax included) - but it will be less!

Book launch: Destroyed-Disappeared-Lost-Never Were, edited by Beate Fricke and Aden Kumler, August 31, 3-4pm ET

Destroyed-Disappeared-Lost-Never Were book launch

edited by Beate Fricke and Aden Kumler

August 31, 3-4pm ET

with
Beate Fricke
Aden Kumler
Roland Betancourt
Eleanor Goodman
Elizabeth Sears
Sonja Drimmer
Michelle McCoy

Register HERE

To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.

The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian’s present tense.

Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.

In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy.

This event will be closed captioned

Register HERE

ICMA-POP-UPS IN UTAH: UNIVERSITY OF UTAH MARRIOTT LIBRARY’S RARE BOOKS COLLECTION, 16 SEPTEMBER 2022 - REGISTER TODAY!

You are invited to a gathering of medieval and early-modern scholars with a global focus, hosted by the University of Utah Marriott Library’s Rare Books Collection and organized by art history professors Dr. Meekyung MacMurdie (U of U) and Dr. Alexa Sand (Utah State University). We will begin with visit to the Rare Books Department, with highlights of the global medieval and early modern collections there, led by curator Lyuba Basin. The visit will be followed by a reception with refreshments and an opportunity for medievalists – both faculty and students – to network. Our hope is to reinvigorate the Utah Medievalist and Early Modernist association that has been somewhat inactive of late due to retirements, the pandemic, and the vast geographical size of our region coupled with the sparse distribution of medievalists and early modernists.

 

When: September 16, 2022 – 3:30-5 visit to Rare Books, 5-6:30 reception

Where: Rare Books Department, Marriott Library, University of Utah, Salt Lake City

Who: medieval scholars (faculty and students) at regional institutions including (but not limited to) U of U, Utah State University, Weber State University, Westminster College, Salt Lake Community College, Utah Valley University,  Utah Tech, Southern Utah University, Brigham Young University (about 25 people anticipated)

Organizers: Alexa Sand, Utah State University, alexa.sand@usu.edu; Meekyung MacMurdie, meekyung.macmurdie@utah.edu Both of us are manuscripts specialists, Meekyung with a focus on early-modern Islamic manuscripts, Alexa with a focus on late-medieval manuscripts from francophone Europe.

RSVP strongly encouraged: https://forms.gle/Zs65n86V5HJJ53Sr6

MEDIEVAL TIMES DINNER AND TOURNAMENT IN LA - SATURDAY 10 SEPTEMBER 2022, 5PM - REGISTER TODAY!

Medieval Times, A Quarter of a Century Later

Let’s rekindle the enthusiasm that Michael Camille (1958-2002) had for Medieval Times: Dinner & Tournament with a trip to our local castle! In 1996, Camille visited the Chicago venue with Ira Glass of This American Life to record a lively episode about the joys and foibles of medievalisms. To complement the exhibition at the J. Paul Getty Museum, The Fantasy of the Middle Ages, Larisa Grollemond and Bryan C. Keene will take a valiant crew to the Buena Park location of Medieval Times. The visit includes pre-show festivities, such as the Hall of Arms and the Museum of Torture, as well as the famed dinner plus a lively joust set to an epic musical score. We’ll cheer for our knight of the realm in the presence of Queen Doña Maria Isabella!

DATE: SATURDAY 10 SEPTEMBER 2022
TIME: 5pm

Register HERE. We are organizing carpooling options based on responses.

PLEASE REGISTER BY TUESDAY 6 SEPTEMBER 2022.

Note we are collecting responses to see if we're able to get a further discount. ICMA will buy the tickets and will subsidize part of the ticket price. It will be up to attendees to pay the ICMA. More information will follow as we sort out the details - but first we need to know the number of attendees. The current price for a ticket is $71.65 (ADULT - tax included) and $44.65 (CHILD - tax included) - but it will be less!

Migrant Greeks: Comparing Feofan Grek and Domenico Greco, Charles Barber; April 14; Register now!

Migrant Greeks: Comparing Feofan Grek and Domenico Greco
Charles Barber, Princeton University

Respondent: Maria Vassilaki, University of Thessaly
April 14

Yale Lectures in Late Antique and Byzantine Art and Architecture

Lecture series organized by Robert S. Nelson, Robert Lehman Professor in the History of Art, and Vasileios Marinis, Professor of Christian Art and Architecture at the ISM and YDS.

Presented in collaboration with Yale Department of Classics and Yale Department of the History of Art.

Zoom lectures begin at 12 noon Eastern Time; registration is required.

Registration

You can register at any time to join a lecture. Your registration is valid for the whole series; attend as many as you like.  You will automatically receive reminders for the lectures. 
Register here

Solidus of Emperor Herakleios, Constantinople, 7th century, Yale University Art Gallery

The Historical Frieze on the Arch of Constantine, Sarah Bassett; March 10; Register now!

The Historical Frieze on the Arch of Constantine
Sarah Bassett, Indiana University Bloomington

Respondent: Noel Lenski, Yale University
March 10

Yale Lectures in Late Antique and Byzantine Art and Architecture

Lecture series organized by Robert S. Nelson, Robert Lehman Professor in the History of Art, and Vasileios Marinis, Professor of Christian Art and Architecture at the ISM and YDS.

Presented in collaboration with Yale Department of Classics and Yale Department of the History of Art.

Zoom lectures begin at 12 noon Eastern Time; registration is required.

Registration

You can register at any time to join a lecture. Your registration is valid for the whole series; attend as many as you like.  You will automatically receive reminders for the lectures. 
Register here

Solidus of Emperor Herakleios, Constantinople, 7th century, Yale University Art Gallery

The Donor and His House. Inscriptions in the Late Roman Domestic Context, Elisabeth Rathmayr and Veronika Scheibelreiter-Gail; February 10; Register now!

The Donor and His House. Inscriptions in the Late Roman Domestic Context
Elisabeth Rathmayr and Veronika Scheibelreiter-Gail, Austrian Academy of Sciences

Respondent: Anna Sitz, University of Heidelberg
February 10

Yale Lectures in Late Antique and Byzantine Art and Architecture

Lecture series organized by Robert S. Nelson, Robert Lehman Professor in the History of Art, and Vasileios Marinis, Professor of Christian Art and Architecture at the ISM and YDS.

Presented in collaboration with Yale Department of Classics and Yale Department of the History of Art.

Zoom lectures begin at 12 noon Eastern Time; registration is required.

Registration

You can register at any time to join a lecture. Your registration is valid for the whole series; attend as many as you like.  You will automatically receive reminders for the lectures. 
Register here

Solidus of Emperor Herakleios, Constantinople, 7th century, Yale University Art Gallery

The Golden Threads of Orthodoxy: Revisiting the Materiality and Function of Early Palaiologan Epitaphioi, Anastasia Drandaki; January 13; Register now!

The Golden Threads of Orthodoxy: Revisiting the Materiality and Function
of Early Palaiologan Epitaphioi

Anastasia Drandaki, University of Athens
Respondent: Warren Woodfin, Queens College, CUNY
January 13

Yale Lectures in Late Antique and Byzantine Art and Architecture

Lecture series organized by Robert S. Nelson, Robert Lehman Professor in the History of Art, and Vasileios Marinis, Professor of Christian Art and Architecture at the ISM and YDS.

Presented in collaboration with Yale Department of Classics and Yale Department of the History of Art.

Zoom lectures begin at 12 noon Eastern Time; registration is required.

Registration

You can register at any time to join a lecture. Your registration is valid for the whole series; attend as many as you like.  You will automatically receive reminders for the lectures. 
Register here

Solidus of Emperor Herakleios, Constantinople, 7th century, Yale University Art Gallery

Discovering the Byzantine Object in Late Ottoman Istanbul: Diplomacy, Archaeology, and Collecting, Brigitte Pitarakis; December 9; Regester today!

Discovering the Byzantine Object in Late Ottoman Istanbul: Diplomacy, Archaeology, and Collecting
Brigitte Pitarakis, CNRS, Paris

Respondent: Selin Unluonen, Oberlin College
December 9

Yale Lectures in Late Antique and Byzantine Art and Architecture

Lecture series organized by Robert S. Nelson, Robert Lehman Professor in the History of Art, and Vasileios Marinis, Professor of Christian Art and Architecture at the ISM and YDS.

Presented in collaboration with Yale Department of Classics and Yale Department of the History of Art.

Zoom lectures begin at 12 noon Eastern Time; registration is required.

Registration

You can register at any time to join a lecture. Your registration is valid for the whole series; attend as many as you like.  You will automatically receive reminders for the lectures. 
Register here

Solidus of Emperor Herakleios, Constantinople, 7th century, Yale University Art Gallery

Fear and Artistic Authority in the Middle Byzantine Period, Ravinder Binning; November 11; Register now!

Fear and Artistic Authority in the Middle Byzantine Period
Ravinder Binning, The Ohio State University
Respondent: Foteini Spingou, University of Edinburgh
November 11

Yale Lectures in Late Antique and Byzantine Art and Architecture

Lecture series organized by Robert S. Nelson, Robert Lehman Professor in the History of Art, and Vasileios Marinis, Professor of Christian Art and Architecture at the ISM and YDS.

Presented in collaboration with Yale Department of Classics and Yale Department of the History of Art.

Zoom lectures begin at 12 noon Eastern Time; registration is required.

Registration

You can register at any time to join a lecture. Your registration is valid for the whole series; attend as many as you like.  You will automatically receive reminders for the lectures. 
Register here

Solidus of Emperor Herakleios, Constantinople, 7th century, Yale University Art Gallery