REGISTER TODAY FOR ICMA'S DIGITAL APPROACHES TO MEDIEVAL ART HISTORY FEATURING MAEVE DOYLE AND ALEX BREY! THURSDAY 2 MARCH 2023 AT 12PM ET (ONLINE)

DIGITAL APPROACHES TO MEDIEVAL ART HISTORY 
FEATURING MAEVE DOYLE AND ALEX BREY

THURSDAY 2 MARCH 2023 AT 12PM ET

ONLINE VIA ZOOM

REGISTER HERE

Please join the Digital Resources Committee for this exciting event with invited speakers, Maeve Doyle (ECSU) and Alex Brey (Wellesley College). Following their presentation, committee members, Paula Mae Carns (UIUC) and Nicholas Herman (SIMS), will lead a dialogue about digital approaches to medieval manuscript studies, with a few minutes reserved at the end for a broader discussion with the virtual audience.

Top: A folio from NEP-27, UPenn Museum. Bottom: Women readers in the margins of a thirteenth-century book of hours (Cambrai, Médiathèque municipale MS 87, fol. 113r)

ICMA Statement on the Earthquakes in Turkey and Syria

ICMA Statement on the Earthquakes in Turkey and Syria

14 February 2023

 
Members of the International Center of Medieval Art have been following the tragic events in Turkey and Syria with profound sorrow. We are deeply concerned for the safety and well-being of our colleagues, families, friends, and other contacts in the region, and we grieve for the losses they have suffered. We also mourn the reports of damage to monuments and collections that have for millennia preserved the cultural history of the region. Following the lead of our colleagues in the Byzantine Studies Association of North America, we encourage our members to consider donating to the International Federation of Red Cross and Red Crescent Societies, which has launched emergency fundraising appeals in response to the catastrophe.

The ICMA Executive Committee

ICMA at the College Art Association 2023 Annual Conference: Visualizing Peace in the Global Middle Ages, 500-1500; Saturday, 18 February 2023 at 11am ET

Visualizing Peace in the Global Middle Ages, 500-1500
ICMA Sponsored Session

VIRTUAL, click HERE for more information
Saturday, 18 February 2023
11:00 am - 12:30 pm ET

Sassetta (Sienese, active by 1427; died 1450), The Wolf of Gubbio (detail), made 1437-44; part of the San Sepolcro Altarpiece series. Egg tempera on poplar, 87 x 52.4 cm. Bought with contributions from the Art Fund, Benjamin Guinness and Lord Bearsted, 1934, NG4762 Ⓒ The National Gallery, London.


Organized by Jitske Jasperse (Consejo Superior de Investigaciones Scientíficas, Madrid) and Diane Wolfthal (Rice University)


 

Introductory Remarks
Diane Wolfthal (Rice University)
 

Growth in the Cathedral: Signs of Peace through Royal Display
Alice Klima (University of Georgia)

The Subversive Peace of the Alleluja in 1233
Ludovico V. Geymonat (Louisiana State University)
 

Celebrating Normal Life under the Shadow of Wars: Visualization of Peace in Three Paintings from Southern Song (1127-1279) China
Wei Zhao (The Institute of Fine Arts, New York University)
 

Concluding remarks
Jitske Jasperse  (Consejo Superior de Investigaciones Scientíficas, Madrid)

ICMA 2023 Forsyth Lecture in Oklahoma, Arkansas, and Missouri: Kathryn Rudy - Dirty Digital Books, 7-13 February 2023

2023 ICMA Forsyth Lectures
 

Dirty Digital Books
Dr. Kathryn Rudy  
Professor, School of Art History, University of St. Andrews

7-13 February 2023 in Oklahoma, Arkansas, and Missouri (details below)

Join us for a dynamic lecture exploring the intersections of technology and medieval book history. Esteemed manuscript scholar Dr. Rudy will discuss new research related to her project “Dirty Books,” which uses technology to understand how books of hours were read and handled in the late middle ages. The most used sections became darkened with fingerprints, which she has analyzed with a machine called a densitometer. Her new project makes use of digital resources in addition to hands-on study, benefiting from recent initiatives to digitize manuscripts and make them available online.

An internationally-recognized scholar of the reception and function of medieval manuscripts, Kathryn (Kate) Rudy is Bishop Wardlaw Professor of Art History at the University of St Andrews, a member of the St Andrews Institute of Medieval Studies, and the Director of the Centre for the Study of Medieval Manuscripts and Technology. She is also an Excellence Professor at Radboud University in Nijmegen, Netherlands.

 

Venues

*note - all lectures are in person only and will not be recorded

 

Oklahoma State University (Stillwater)
Tuesday, 7 February at 4:30pm
Helmerich Reading Room, OSU Library

contact: Jennifer Borland, jennifer.borland@okstate.edu
 

University of Arkansas (Fayetteville)
Thursday, 9 February at 5:15 pm
Gearhart 26

contact: Mary Beth Long, marylong@uark.edu
 

University of Missouri-Kansas City
Monday, 13 February at 3:30pm
Miller Nichols Library Room 451

contact: Virginia Blanton, blantonv@umkc.edu

These events have been supported by the International Center of Medieval Art's Forsyth Lecture Fund as well as Oklahoma State University, University of Arkansas, and University of Missouri-Kansas City.


 

About the Forsyth Lectureship in Medieval Art 

The late Ilene Forsyth established The Forsyth Lectureship in Medieval Art in memory of medievalists George H. Forsyth, Jr. (Professor of Fine Arts and Director of the Kelsey Museum of Ancient and Medieval Archaeology at the University of Michigan) and William H. Forsyth (Curator, The Metropolitan Museum of Art). It is intended to sponsor a lecture by a distinguished scholar of medieval art to be presented at multiple venues. These lectures are typically held every other year. 

Keep the ICMA’s programming strong! There are many ways to support the organization and we are grateful for the generosity of our donors. You can give to a named fund HERE or contribute an unrestricted gift HERE. To learn about planned giving, click HERE.

You are invited! The ICMA Annual Meeting - IN PERSON - on Friday 17 February 2023. RSVP today!

YOU ARE INVITED!


ICMA Annual Meeting
IN PERSON, New York City

Friday, 17 February 2023
7:30pm - 9:30pm

 

The Raines Law Room at The William
24 East 39th Street (between Park and Madison)
New York, New York    10016

RSVP HERE

Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink, gold and silver on paper Recto Image: 26.1 x 20.7 cm (10 1/4 x 8 1/8 in.); Overall: 32.7 x 22 cm (12 7/8 x 8 11/16 in.). John L. Severance Fund 1956.10, Cleveland Museum of Art.

The ICMA Annual Meeting is open to all members and their guests. It is a social event with about 20 minutes of speeches, announcements, and thank-yous to colleagues for their service to the organization. We especially have reasons to celebrate — a return to the feasibility of in-person gatherings and an opportunity to toast President Nina Rowe’s term at the helm of the ICMA. The rest of the time will be an opportunity for ICMA members to reconnect. Hope to see you there!

The venue is an indoor/outdoor space (with heating lamps), so you'll be able to pick an area that best suits your comfort zone.

RSVP HERE

We would like to celebrate the triumphs of colleagues over the past few years! We will put together a rotating PowerPoint, showcasing the professional achievements of ICMA members from 2020 to 2023. Whether you plan to attend the gathering or not, please let us know if you have published a book, been tenured or promoted, gotten a new job, taken on a new administrative role, retired, or otherwise reached a milestone worthy of a toast!

Upload text and pics (of yourself, book covers, or whatever is relevant) HERE by Friday 10 February 2023, 9am.

Announcing the 2022 ICMA Annual Book Prize Recipient

ICMA Annual Book Prize

We are delighted to announce the recipient of the 2022 ICMA Annual Book Prize:

Shirin Fozi

Romanesque Tomb Effigies: Death and Redemption in Medieval Europe, 1000–1200

The Pennsylvania State University Press, 2021.
Click here for the Penn State University Press site.

The straightforward title of Shirin Fozi’s Romanesque Tomb Effigies both offers homage to the classic iconographic studies to which it is heir and belies the important ways in which this volume disrupts traditional approaches to the analysis of sculptural tombs dating to the late eleventh through twelfth centuries in northern Europe. In this compelling, rigorously researched and elegantly written book, the author investigates the phenomenon of figural tomb sculpture in its earliest medieval period of emergence, setting aside the anachronistic narrative that has long framed these works simply as precursors to the great flowering of figural tombs in the thirteenth through fifteenth centuries. Instead, close analysis of the archeological, textual, epigraphic, and social context of a series of works mostly from northern Germany and France allows Fozi to account for them in their own settings. At the center of the book lies the argument that these early effigy tombs consistently mark communal interventions into troubled histories of loss and failure, serving to recuperate, reframe, and reorient the pasts of living communities through the represented bodies of the dead. This is a mature work of scholarship that speaks of longstanding and intimate acquaintance with the works under consideration, some of which, such as the Plantagenet funerary monuments at Fontevrault with which the book concludes, are well known, but others of which have received less attention than they deserve, especially in English-language scholarship. Engaged with current discourses about the cultural construction of space, memory, body, and material, the study ultimately centers the objects themselves as the protagonists in the narrative, resulting in a book that will serve as a model and departure point for future scholarship, and one that is eminently readable for audiences ranging from interested amateurs, to undergraduates, to professional medievalists in a variety of fields.
 
We thank the ICMA Book Prize Jury:
Alexa Sand (chair), Heather Badamo, Péter Bokody, Dorothy Glass, and Eric Ramirez-Weaver

New Video: Mining the Collection, Crusades and Canivet: Curious Treasures from the Walters Art Museum

New Mining the Collection Video

Crusades and Canivet: Curious Treasures from the Walters Art Museum

Lynley Anne Herbert, Curator of Rare Books and Manuscripts & Curatorial Chair, Christine Sciacca, Curator of European Art, 300–1400 CE

Introduced and Moderated by Evan Freeman, Former ICMA Coordinator for Digital Engagement

The De Bar Hours (W.93) and Male Figure, so-called Crusader (54.558)

Nearly a century after its founding, the Walters Art Museum continues to be a place of remarkable discovery, with tantalizingly strange objects haunting the storage shelves. Dr. Lynley Anne Herbert, Curator of Rare Books and Manuscripts & Curatorial Chair, and Dr. Christine Sciacca, Curator of European Art, 300-1400 CE, explore two mysterious medieval oddities: a bronze figure of unknown origin possibly representing a crusader, and a lace-cut manuscript with no known precedent.

The video can be watched on the Mining the Collection page.

Read ICMA News, Autumn 2022 online!

ICMA News               

Autumn 2022
Melanie Hanan, Editor

Click here to read.
Also available on www.medievalart.org

 

INSIDE

 

Commemorations
Ilene H. Forsyth, 1928–2022
Michel David-Weill, 1932–2022

Special Features
Reflection Why I Decided to Work on the Franciscans in Fourteenth-Century China, by Nancy Wu

Reflection (and Resource) Reflections on Writing Art and Architecture of the Middle Ages, by Linda Safran, Adam S. Cohen, and Jill Caskey

Exhibition Reports 
Gold: 50 Spectacular Manuscripts from Around the World, by Leylim Erenel

The Fantasy of the Middle Ages, by Alex Kaczenski

Events and Opportunities
 


The deadline for the next issue of ICMA News is 15 February 2023. Please send information to newsletter@medievalart.org 

If you would like your upcoming conference, CFP, or exhibition included in the newsletter please email the information to EventsExhibitions@medievalart.org.

NEW VIDEO: FRIENDS OF THE ICMA PRESENTS MEDIEVAL COMING ATTRACTIONS, 15 NOVEMBER 2022

FRIENDS OF THE ICMA

PRESENTS

MEDIEVAL COMING ATTRACTIONS

15 NOVEMBER 2022

The Friends of the ICMA held their latest in a series of special online events on Tuesday, November 15, 2022 at 12:00pm ET (9:00am PT; 5:00pm GMT; and 6:00pm CET). The hour-long program previewed three medieval exhibitions scheduled to open in 2023, each introduced by its curator in charge.

The event can now be viewed on the Special Online Lectures page of the ICMA website: https://www.medievalart.org/special-online-lectures

NEW VIDEO: ICMA VIEWPOINTS BOOK LAUNCH, DESTROYED-DISAPPEARED-LOST-NEVER WERE EDITED BY BEATE FRICKE AND ADEN KUMLER

ICMA Viewpoints Book Launch

Destroyed-Disappeared-Lost-Never Were edited by Beate Fricke and Aden Kumler

Online, Wednesday, 31 August at 3-4pm ET

with Beate Fricke, Aden Kumler, Roland Betancourt, Eleanor Goodman, Elizabeth Sears, Sonja Drimmer, and Michelle McCoy

To watch: https://www.medievalart.org/special-online-lectures

To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.

The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian’s present tense.

Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures. In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy.

New Videos: MINING THE COLLECTION SESSIONS FROM THE INTERNATIONAL CONGRESS OF MEDIEVAL STUDIES 2022

NOW AVAILABLE ON THE ICMA WEBSITE:

MINING THE COLLECTIONS I-V

INTERATIONAL CONGRESS OF MEDIEVAL STUDIES, KALAMAZOO

9-13 MAY 2022

The Mining the Collection sessions from the International Congress of Medieval Studies 2022 are now available to watch online: https://www.medievalart.org/mining-the-collection. Organised by Dr. Shirin Fozi and curators of the Aga Khan Museum (Toronto), the J. Paul Getty Museum (Los Angeles), the Metropolitan Museum of Art (New York), Dumbarton Oaks Museum (Washington, D.C.), and the Cleveland Art Museum (Cleveland), pieces of the collections are explored in-depth by numerous scholars.

MONDAY 9 MAY 2022

Session 43
1:00-2:30pm EDT
Mining the Collection I: Aga Khan Museum, Toronto

Sponsor: International Center of Medieval Art (ICMA); Medieval Institute, Western Michigan Univ.
Organizer: Shirin Fozi, Univ. of Pittsburgh; Michael Chagnon, Aga Khan Museum
Presider: Michael Chagnon

Oliphant
Mariam Rosser-Owen, Victoria & Albert Museum
Albarello
Marcus Milwright, Univ. of Victoria
Base of an Incense Burner
Ruba Kana'an, Univ. of Toronto–Mississauga

TUESDAY 10 MAY 2022

Session 107
10:00-11:30 am PDT
Mining the Collection II: J. Paul Getty Museum, Los Angeles

Sponsor: International Center of Medieval Art (ICMA); Medieval Institute, Western Michigan Univ.
Organizer: Shirin Fozi, Univ. of Pittsburgh; Elizabeth Morrison, J. Paul Getty Museum
Presider: Elizabeth Morrison

Wenceslaus Psalter
Meredith Cohen, Univ. of California–Los Angeles
Ovid, Excerpts from Heroines
Cynthia Brown, Univ. of California–Santa Barbara
Bifolium from the Pink Qur'an
Linda Komaroff, Los Angeles County Museum of Art

WEDNESDAY 11 MAY 2022

Session 171
1:00-2:30pm EDT
Mining the Collection III: The Metropolitan Museum of Art, New York

Sponsor: International Center of Medieval Art (ICMA); Medieval Institute, Western Michigan Univ.
Organizer: Shirin Fozi, Univ. of Pittsburgh; C. Griffith Mann, Metropolitan Museum of Art
Presider: C. Griffith Mann

Magdeburg Ivory
Jacqueline Lombard, Metropolitan Museum of Art
Ivory Mirror Backs
Scott Miller, Metropolitan Museum of Art
Ivory Panels with Peter and Paul and Ivory Mortar
Nicole Pulichene, Metropolitan Museum of Art

THURSDAY 12 MAY 2022

Session 229
1:00-2:30pm EDT
Mining the Collection IV: Dumbarton Oaks Museum, Washington, D.C.

Sponsor: International Center of Medieval Art (ICMA); Medieval Institute, Western Michigan Univ.
Organizer: Shirin Fozi, Univ. of Pittsburgh; Jonathan Shea, Dumbarton Oaks Research Library and Collection
Presider: Jonathan Shea

Seal of Constantine, Imperial Protospatharios
Nikos Kontogiannis, Dumbarton Oaks Research Library and Collection
Seal of John, Metropolitan of Mytilene
Eric McGeer, Dumbarton Oaks Research Library and Collection
Seal of John, Candlemaker
Alex Magnolia, Univ. of Minnesota–Twin Cities

FRIDAY 13 MAY 2022

Session 307
1:00-2:30pm EDT
Mining the Collection V: Cleveland Museum of Art, Cleveland

Sponsor: International Center of Medieval Art (ICMA); Medieval Institute, Western Michigan Univ.
Organizer: Shirin Fozi, Univ. of Pittsburgh; Gerhard Lutz, Cleveland Museum of Art
Presider: Gerhard Lutz

Aṣṭasāhasrikā Prajñāpāramitā-sūtra Manuscript
Reed O'Mara, Case Western Reserve Univ.
Fragment of an Icon of the Crucifixion
Elizabeth S. Bolman, Case Western Reserve Univ.
Death of the Virgin
Elina Gertsman, Case Western Reserve Univ.

Call for Papers: Digital Medievalisms at AAH Annual Conference 2023, due 11 November 2022

Call for Papers
Digital Medievalisms
Association for Art History Annual Conference 2023
12-14 April 2023, University College London

due 11 November 2022, 11:59pm ET


Claudia Haines, Tufts University, Claudia.Haines@tufts.edu
Atineh Movsesian, University of California, Berkeley, amovsesian@berkeley.edu

This session will discuss the benefits and advantages (or disadvantages) modern technology can bring to the field of medieval studies. Digital technologies have created new methodologies for the humanities. With the help of three-dimensional scanning, for example, researchers can “visit” and study medieval monuments in virtual and augmented reality. Similarly, the increasing digitization of medieval manuscripts make these fragile and often inaccessible objects available to a wider public. With the current social and political climate—the ongoing pandemic creating restrictions for research, and wars threatening medieval monuments and objects— how can technology benefit the study of the Middle Ages? Alternatively, could the application of technology to the field of medieval studies have any disadvantages?

The field of digital humanities is rapidly growing and advancing. In addition to conservation and archival projects, new technologies bring forth new methodologies. How can these methodologies improve the understanding of the global medieval world? Can virtual and augmented realities help researchers visualize the political and social aspects of the global Middle Ages? Will new technologies expand access to monuments and objects currently hindered by political, social, or public health constraints? And finally, how can the digital humanities be applied in classrooms and museum education? This session will address these questions and more through an interrogation of the role of technology in medieval art research.

To offer a paper:

  • Please email your paper proposals directly to the session convenor(s).

  • You need to provide a title and abstract (250 words maximum) for a 20-minute paper (unless otherwise specified), your name and institutional affiliation (if any).

  • Please make sure the title is concise and reflects the contents of the paper because the title is what appears online, in social media and in the digital programme.

  • You should receive an acknowledgement of receipt of your submission within two weeks.

  • Deadline for submissions: 11 November 2022, 11:59pm ET

Medieval Coming Attractions, 15 November 2022 at 12pm ET - REGISTER NOW!

MEDIEVAL COMING ATTRACTIONS
AN ONLINE EVENT PRESENTED BY FRIENDS OF THE ICMA

NOVEMBER 15, 2022 AT 12PM ET
REGISTER HERE

LEFT: Richard the Lionheart and Saladin. Ceramic floor tile from Chertsey Abbey, 1250s. The British Museum 1885,1113.9065-9070. CENTER: Saint Jerome and the Lion, by Tilman Riemenschneider, Würzburg, ca. 1495. Alabaster, from the former Church of St. Peter in Erfurt. Purchase from the J. H. Wade Fund, 1946.82. Cleveland Museum of Art. RIGHT: Processional Cross. Bronze, Ethiopia, 15th century. Museum Purchase with Funds Provided by the W. Alton Jones Foundation. Acquisition Fund, 1996. The Walters Art Museum.

Please join the Friends of the ICMA for the latest in a series of special online events on Tuesday, November 15, 2022 at 12:00pm ET (9:00am PT; 5:00pm GMT; and 6:00pm CET). The hour-long program will preview three medieval exhibitions scheduled to open in 2023, each introduced by its curator in charge.

  • Amanda Luyster is Assistant Professor of Art History at the College of the Holy Cross in Worcester, Massachusetts. She will speak about her exhibition Bringing the Holy Land Home: The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece. The exhibition will be on view at the Cantor Art Gallery at the College, January 26-April 6, 2023, where the Chertsey tiles will be displayed in dialogue with materials from the Byzantine and Islamic worlds.

  • Gerhard Lutz is the Robert P. Bergman Curator of Medieval Art, Cleveland Museum of Art. He will introduce his upcoming exhibition, Tilman Riemenschneider’s Jerome and Late Medieval Alabaster Sculpture which will be on view from March 26-July 23, 2023. The exhibition examines this understudied material by presenting some of the most extraordinary surviving examples of alabaster work made in continental Europe, including the Cleveland’s own Saint Jerome and the Lion, the only alabaster work in a US collection by Riemenschneider.

  • Christine Sciacca is Curator of European Art, 300-1400 at the Walters Art Museum in Baltimore. Her exhibition, entitled, Ethiopia at the Crossroads will be on view December 3, 2023-March 3, 2024. It is the first major art exhibition in America to examine Ethiopian art in a global context. Sciacca will discuss some of the more than 250 objects drawn from the Walters’ world-renowned collection of Ethiopian art, as well as domestic and international loans. The exhibition has received the inaugural Exhibition Development grant from the ICMA and the Kress Foundation.

The panel will be introduced and moderated by Naomi Speakman, Curator of Late Medieval Europe at the British Museum where she has responsibility for the Western European collection, ca. 1050-1500. Most recently, she co-curated the 2021 exhibition Thomas Becket: Murder and the Making of a Saint and co-authored the accompanying exhibition publication.

Please feel free to notify colleagues and friends who may not be ICMA members, about this event. The event will be recorded and accessible via the ICMA website (www.medievalart.org)

Register HERE

For questions, please contact Doralynn Pines, Chair of the Friends of the ICMA, doralynn.pines@gmail.com.



LAST CHANCE TO JOIN OR RENEW YOUR ICMA MEMBERSHIP FOR 2022!

Become part of the ICMA community before 28 October 2022 to get the latest alerts on news, events, opportunities, and resources.

Membership in the International Center of Medieval Art (ICMA) is open to all those interested in the appreciation, study, and preservation of visual and material cultures from every corner of the medieval world. We are an inclusive organization with members around the globe, and we invite anyone with an interest in the art and architecture of the Middle Ages to join, including but not limited to students, teachers of any rank at any institution (elementary, secondary, college, university), independent scholars, curators, librarians, art dealers, and collectors.

All members receive the 2022 spring and fall issues of GESTA, plus all past issues online! Your membership directly supports ICMA programs. To learn about our many programs, check out our website at www.medievalart.org

To join or to renew your membership, click here: https://www.medievalart.org/join.

2022 MEMBERSHIP FEES (all prices in USD):
Student ($20)
Emerging/Adjunct/Independent Scholars ($40)
Retiree ($55)
Individual ($65)
Individual + subsidy ($85)
Joint ($80)
Contributor ($150)
Patron ($300)
Sustainer ($600)
Benefactor ($1,200)

The 2022 membership year ends 31 December 2022. 2023 memberships become available in November 2022 and run 1 January 2023-31 December 2023.

ICMA Resources for the New Academic Year →

Don’t Forget about ICMA Resources as you Look Ahead to the New Academic Year!

Hello to the ICMA Community,
 
As you finalize syllabi or sketch research plans for the coming academic year, we wanted to remind you of the wealth of material available on the ICMA website.
 
Among other things …
 
Under LECTURES, you will find videos of:

  • Julia Perratore, on Representing Medieval Spain at The Met Cloisters

  • Bissera Pentcheva, on Image, Chant, and Imagination at Ste. Foy in Conques

  • Stephen Perkinson, on Memento mori Imagery and the Limits of the Self in Late Medieval Europe

  • Nicola Camerlenghi, on Digital Approaches to Medieval Art History

  • A panel on Medieval Make Believe: The Middle Ages in Popular Culture

  • A panel on Collecting the Medieval Past: What, Why, How?

  • A panel on Queer Medieval Art: Past, Present, and Future

  • The summer 2021 suite of talks connected to the British Museum’s exhibition on Thomas Becket: Murder and the Making of a Saint

  • A wealth of sessions in our Mining the Collection series with museum curators

  • And much more!


Under PUBLICATIONS, you can get access to:

  • Gesta

  • ICMA News


Under RESOURCES, you can explore:

 
Finally, if you're curious about the history of our organization and the field in general, be sure to listen to episodes in the ICMA Oral History Project. Recent podcasts include interviews with Joan Holladay and Herbert Kessler. And soon to appear will be a conversation with Jane Rosenthal.
 
We hope that the past few months have been restful and restorative for you. We look forward to good things on the horizon.
 
Best wishes,
Nina Rowe, ICMA President
Ryan Frisinger, ICMA Executive Director  

Read ICMA News, Summer 2022 online!

ICMA News               

Summer 2022
Melanie Hanan, Editor

Click here to read.

INSIDE
Special Features
Field Report: Ukraine’s Cultural Heritage under the Hundred Days Onslaught, by Nazar Kozak

Project Report: The VR Cathedral App, by Jennifer M. Feltman

Exhibition Reports 
Painted Prophecy: The Hebrew Bible through Christian Eyes, by Kelin Michael

Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A, by Gigi Leung 


Events and Opportunities

 


The deadline for the next issue of ICMA News is 15 October 2022. Please send information to newsletter@medievalart.org 

If you would like your upcoming conference, CFP, or exhibition included in the newsletter please email the information to EventsExhibitions@medievalart.org.

ICMA-SPONSORED SESSION AT VI FORUM KUNST DES MITTELALTERS, 28 SEPT - 1 OCT 2022, FRANKFURT GERMANY (30 SEPTEMBER 2022, 16.45–18.15 UHR)

30 SEPTEMBER 2022

16.45–18.15 UHR (10:45AM-12:15PM ET)

Duft und Sinne: Geruchssinn und Erinnerung in der materiellen Kultur des Mittelalters

Scent and Sense: Olfaction and Memory in Medieval Material Culture

Leitung: Elina Gertsman, Cleveland

Organisation: International Center of Medieval Art – ICMA, New York

Campus Westend, Hörsaalzentrum, HZ 3

  • Elisabeth Sobieczky, Wien

“And my breath was refreshed by the pleasant fragrance of the Lord“ (OdSal 11, 13/15). Image, Word, and Scent in the Freudenstadt Lectern

  • Hila Manor, Jerusalem

 “Beds of Spices and Towers of Sweet Herbs“: Sensing and Commemorating in Medieval Jewish Spaces”

  • Robert Vogt, Baltimore

Spheres/Worlds: The Scent of Creation

  • Reed O’Mara, Cleveland

Sensation and Olfaction: Experiencing Images of Jacob and Esau in Fourteenth-Century Sepharad

For more information: https://www.dvfk-berlin.de/en/forum-2-2/

ICMA in Toronto: Exhibition tour of FAITH AND FORTUNE: ART ACROSS THE GLOBAL SPANISH EMPIRE; 23 September 2022

ICMA in Toronto
Exhibition tour
FAITH AND FORTUNE: ART ACROSS THE GLOBAL SPANISH EMPIRE
From the collection of the Hispanic Society Museum & Library

Art Gallery of Ontario

Friday 23 September 2022
3pm, in-person


Register HERE

Attributed to Manuel Chili, called Capiscara (Ecuador, ca. 1723 – Quito, Ecuador, 1796), The Four Fates of Man: Death, Hell, Purgatory, Heaven. New York, The Hispanic Society of America.

Join Adam Levine for an in-person tour of FAITH AND FORTUNE: ART ACROSS THE GLOBAL SPANISH EMPIRE at the Art Gallery of Ontario! The exhibition examines the visual culture of the global Spanish Empire through more than 200 works of art from Latin America, the Philippines and Spain - all from the collection of the Hispanic Society Museum & Library. An informal drinks reception will take place nearby following the event.

Register HERE
 

Art Gallery of Ontario
317 Dundas Street West
Toronto, Ontario   
M5T 1G4
 

Call for Proposals: IMC Leeds 2023, ICMA sponsored session, due 23 September 2022

Call for Proposals 
International Medieval Congress (IMC 2023)
3-6 July 2023, University of Leeds
due 23 September 2022

Upload HERE

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2023 at the International Medieval Congress (IMC) at Leeds, England.  

While session proposals on any topic related to the art of the Middle Ages are welcome, the IMC also chooses a theme for each conference. In 2023 the theme is “Networks and Entanglements.”  For more information on the Leeds 2023 congress and theme, see:  https://www.imc.leeds.ac.uk/imc-2023/ 

Session organizers and speakers must be ICMA members at the time of the conference. Proposals must include a session abstract, and a list of speakers, as one single Doc or PDF with the organizer’s name in the title, and a CV, again as a Doc or PDF with the organizer’s name in the title. Please upload here by 23 September 2022.

Please direct inquiries to the Chair of the ICMA Programs and Lectures Committee: Bryan C. Keene, bryan.keene@rcc.edu