Announcing the recipients of the inaugural ICMA Advocacy Seed Grant

We are pleased to announce the co-recipients of the inaugural ICMA Advocacy Seed Grant

Kivotion of Tismana Monastery, 1671, silver, National Museum of Art of Romania, Bucharest (source: MNAR)

Kivotion of Tismana Monastery, 1671, silver, National Museum of Art of Romania, Bucharest (source: MNAR)


Maria Alessia Rossi and Alice Isabella Sullivan
in support of their project Mapping Eastern Europe
https://mappingeasterneurope.princeton.edu
 

Mapping Eastern Europeis a new open-access interactive website intended to promote study, research, and teaching about the history, art, and culture of Eastern Europe between the 13th and 17th centuries. On the site, users can access historical overviews, art historical case studies, short notices about ongoing research projects, as well as reviews of recent books and exhibitions.

The ICMA Advocacy Seed Grantwill help grow this project by supporting the commissioning of new content from more than 10 early-career contingent scholars covering areas of modern Romania, Serbia, Bulgaria, Czechia, and Russia. Topics will range from iconographic representations of the Man of Sorrows and the Akathistos Hymn to votive murals, mosaics, female patrons, monastic churches, and icons, among others. Through the support of the ICMA,Mapping Eastern Europecontinues to challenge the ways in which the artistic production of Eastern Europe is defined and considered by making available contributions in English written by researchers and intended for both specialist and broader audiences, including students engaging with this material for the first time.

ICMA at the International Medieval Congress, Leeds 2021

ICMA at the International Medieval Congress, Leeds 2021


Session 1301

Materials, Manufacture, Movement: Tracing Connections through Object Itineraries
Wednesday 7 July 2021, 16.30-18.00 BST

Therese Martin, “Glimpses of Gold: Material Evidence of Cross-Cultural Connections in Rock Crystal Chess Pieces and a Countess’s Seal (10th-11th c.),” Archivo Español de Arte (in press, 2021).

Therese Martin, “Glimpses of Gold: Material Evidence of Cross-Cultural Connections in Rock Crystal Chess Pieces and a Countess’s Seal (10th-11th c.),” Archivo Español de Arte (in press, 2021).


Organized by and Moderator:
Therese Martin, Instituto de Historia, Consejo Superior de Investigaciones Científicas (CSIC), Madrid.

Two pairs of interrelated papers feature the rich work-in-progress by members of the project 'The Medieval Iberian Treasury in Context: Collections, Connections, and Representations on the Peninsula and Beyond' (PI Therese Martin). Our research interrogates how and why medieval artifacts moved across borders, whether religious, political, or geographical; such objects and textiles materialize connections that are too often missing from official written histories. Likewise, team members analyze the presence of artifacts and materials preserved far from their places of manufacture to understand the works' socio-historical itineraries. These papers depend on the material evidence of artifacts - textiles, ebony and ivory caskets, metalworks, and manuscripts - to understand the interconnections among diverse climates, cultures, and technologies. Our object-oriented approaches shed light on networks of trade, plunder, marriage, and diplomacy, through which prized possessions arrived at destinations including Egypt, Iberia, Germanic lands, and the easterly reaches of Europe.

Linen, Wool, and Silk: Climate Conditions and Textile Production from Egypt to Iberia, Ana Cabrera-Lafuente, Instituto del Patrimonio Cultural de España, Madrid

Exquisite yet Handy: On Ivory / Ebony Caskets and the Egypt / Iberia Debate, Silvia Armando, Department of Art History & Studio Art, John Cabot University, Roma

Treasuries as Windows to the Medieval World: San Isidoro de León and St Blaise at Braunschweig, Jitske Jasperse, Institut für Kunst- und Bildgeschichte, Humboldt-Universität zu Berlin

Women's Influence, Modern Perceptions, and the Transmission of 'Culture' in Medieval Central and Eastern Europe, Christian Raffensperger, Department of History, Wittenberg University, Ohio

The Guelph Treasure, Historic Significance and Legal Implications, 28 June 2021 at 12pm ET - sign up today!

The Guelph Treasure, Historic Significance and Legal Implications
A special online event presented by Friends of the ICMA

June 28, 2021 at 12:00 p.m. ET
Sign up HERE

Arm reliquaries of St. Caesarius, St. Innocentius and St. Theodore from the Guelph Treasure. © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Fabian Fröhlich

Arm reliquaries of St. Caesarius, St. Innocentius and St. Theodore from the Guelph Treasure. © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Fabian Fröhlich


Please join the Friends of the ICMA for the second in a series of special online events on Monday, June 28 at 12:00 p.m. ET (9:00 a.m. PT; 5:00 p.m. BST; and 6:00 p.m. WET) with speakers Holger A. Klein, Lisa and Bernard Selz Professor of Medieval Art History, Columbia University, and Leila A. Amineddoleh, Founder, Amineddoleh & Associates LLC. Professor Klein will discuss the historic importance of the Guelph Treasure, a collection of liturgical objects now housed in Germany, Sweden, and U.S. museums. Ms. Amineddoleh will outline the legal cases related to the collection that have been argued in Europe and the U.S., including the U.S. Supreme Court. The moderator for the event will be George Spera, retired counsel at Shearman & Sterling, and former legal advisor to the ICMA.

Please feel free to notify colleagues and friends who may not be ICMA members about this event.

Sign up HERE. All are welcome!

For questions, please contact Doralynn Pines, Chair of the Friends of the ICMA, doralynn.pines@gmail.com.

Gesta author Sharon Gerstel in Conversation with Gesta Coeditor Susan Boynton on 5 June 2021


Professors Susan Boynton and Sharon Gerstel in conversation about chant and acoustics in the Byzantine churches of Thessaloniki

gerstel.jpg

The Axion Estin Foundation announces a special edition of a radio program to be broadcast from 12:30 pm to 1 pm EST on Saturday, June 5th, 2021 through WNYE 91.5 Cosmos FM. The broadcast will feature Professor Sharon E. J. Gerstel discussing her research on music, monumental painting, and space in the Byzantine churches of Thessaloniki. Gerstel is the lead author of the article “Holy, Holy, Holy: Hearing the Voices of Angels,” which appeared in April in Gesta, the journal of the International Center of Medieval Art (Volume 60, Number 1, Spring 2021) published by the University of Chicago Press. Professor Susan Boynton (Columbia University), coeditor of Gesta, will host the program on behalf of the Advisory Board of the Foundation. Professor Gerstel is the Director of the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture, in Los Angeles, CA. She is Professor of Byzantine Art & Archaeology and the George P. Kolovos Family Centennial Term Chair in Hellenic Studies. Recently she was awarded honorary citizenship by Greece and was named a Commander of the Order of the Phoenix by the Hellenic Republic.

Click HERE to read the article.

For more information contact the Axion Estin Foundation at axionestinorg@gmail.com

Call for Proposals, International Congress on Medieval Studies 2022; due 23 May 2021

ICMA at International Congress on Medieval Studies 

Online, 9-14 May 2022
Call for ICMA Sponsored Session Proposals
due 23 May 2021


The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2022 at the International Congress on Medieval Studies (ICMS) at Kalamazoo. Session organizers and speakers must be ICMA members. Proposals must include a session abstract and a CV of the organizer(s), all in one single Doc or PDF with the organizer’s name in the title.


A list of speakers is not required at this time. Organizers will have the opportunity to send out a call for papers after the session selected by ICMA has been approved by the Congress Committee in July.


Please direct all session proposals and inquiries by 23 May 2021 to the Chair of the Programs Committee: Bryan C. Keene, Riverside City College.


Upload session proposals HERE.


For inquiries, Bryan.Keene@rcc.edu

ICMA at the International Congress on Medieval Studies, Kalamazoo 2021

ICMA at the International Congress on Medieval Studies, Kalamazoo 2021


Session 13
Art Historical Approaches to Medieval Environments
Monday, May 10, 9:00 a.m. EDT (live recorded)

Sponsored by the International Center of Medieval Art Student Committee

Organized by
Dustin Aaron, Institute of Fine Arts, New York Univ.

Presider: Dustin Aaron

A Saint, the Sun, and a Cloud: Sacred Meteorology in Santa Maria Novella Giosuè Fabiano, Courtauld Institute of Art

Out of the Woods: The Ecologies and Natural Materials of the Historiated Doors of Auvergne Katherine Werwie, Yale Univ.

The Trees of the Cross Gregory C. Bryda, Barnard College


Session 163
The Global North: Medieval Scandinavia on the Borders of Europe
Wednesday, May 12, 9:00 a.m. EDT


Organized by
Laura Tillery, Norwegian Univ. of Science and Technology
Ingrid Lunnan Nødseth, Norwegian Univ. of Science and Technology

Presider: Laura Tillery and Ingrid Lunnan Nødseth

Countering Misrepresentations by Showcasing the Multicultural Vikings Nancy L. Wicker, Univ. of Mississippi

Romanesque Crossroads: Ornamental Diversity in the Golden Altar from Lisbjerg, Denmark Kristin B. Aavitsland, MF Norwegian School of Theology, Religion and Society

The Moor and the Arab in the Merchant’s Chapel, Malmoe Lena Liepe, Linnaeus Univ.


Session 184
Medieval Exhibitions in the Era of Global Art History I
Wednesday, May 12, 11:00 a.m. EDT


Organized by
Gerhard Lutz, Cleveland Museum of Art
Lloyd de Beer, British Museum

Presider: Gerhard Lutz

Is Exhibiting a Cross-Cultural Charlemagne Possible? Ex oriente (Aachen, 2003) William J. Diebold, Reed College

The exhibition “The Constance Council 1414–1418. World Event of the Middle Ages” in 2014: Presenting Medieval Culture as a Challenge in a Secular World Karin Ehlers, Staatliche Schlösser und Gärten Baden-Württemberg

Lessons from the Caravan: Representing “Medieval” Africa Sarah M. Guérin, Univ. of Pennsylvania

The Art of Africa in Medieval Exhibitions: Confronting Issues of Terms, Associations, and US-Based Discourses of Race Andrea Myers Achi, Metropolitan Museum of Art


Session 233
Considering Race in the Classroom: Complicating the Narratives of Medieval Art History (A Workshop)
Wednesday, May 12, 7:00 p.m. EDT


Sponsored by International Center of Medieval Art and Material Collective

Organized by
Risham Majeed, Ithaca College

Presider: Bryan C. Keene, Riverside City College


A workshop led by Risham Majeed.

Visit www.medievalart.org/considering-race for pre-workshop readings and images.
Password: sheba (all lowercase)


Session 263
Medieval Exhibitions in the Era of Global Art History II
Thursday, May 13, 11:00 a.m. EDT

Organized by
Gerhard Lutz, Cleveland Museum of Art
Lloyd de Beer, British Museum

Presider: Lloyd de Beer

Interreligious Dialogue: The New Permanent Medieval Galleries: Principal Aspects of “Christianity” as One of the Major World Religions at the Museum für Kunst und Gewerbe, Hamburg, Germany Christine Kitzlinger, Museum für Kunst und Gewerbe Hamburg

The World beyond the Pages of Books: New Pathways for Exhibitions toward a Global Middle Ages in Los Angeles Bryan C. Keene, Riverside City College

Curating Monsters: Grappling with Medieval and Modern Otherness in the Gallery Asa Simon Mittman, California State Univ.–Chico; Sherry C. M. Lindquist, Western Illinois Univ.

Make It New: Student Curators Reframing the Medieval and Early Modern Alexa K. Sand, Utah State Univ

ICMA ANNUAL BOOK PRIZE, SUBMISSIONS DUE 31 MAY 2021

ICMA ANNUAL BOOK PRIZE 

AUTHORS: NOTIFY YOUR PUBLISHER TO SUBMIT YOUR BOOK 
DUE 31 MAY 2021

 

Single or dual-authored books on any topic in medieval art printed in 2020 are eligible. No special issues of journals or anthologies or exhibition catalogues can be considered. The competition is international and open to all ICMA members. Languages of publication: English, French, German, Italian, or Spanish.

Not a member yet? Click here to create your account and join!

Prize: US $1,000 to a single author, or US $500 each to two co-authors. Recipients will be notified in early 2022.

For more information and to submit, visit https://www.medievalart.org/book-prize.

Send questions to icma@medievalart.org.


A SPECIAL NOTE ABOUT EXPANDED ELIGIBILITY

Titles not previously submitted for the 2020 prize (printed in 2019), that were delayed due to publishing or shipment delays related to the ongoing pandemic, are eligible for submission.

British Museum Online Lecture: Curators’ Introduction – Thomas Becket: Murder and the Making of a Saint, 7th May 2021, 12:30 - 1:30 Eastern

To mark last year’s 850th anniversary of his brutal murder, the exhibition explored Becket’s remarkable life, death and legacy. It presents his journey from a merchant’s son to Archbishop of Canterbury, and the attempts to obliterate his cult under the Tudor dynasty.

Introduced and chaired by the Director of the British Museum, Hartwig Fischer, the exhibition curators, Lloyd de Beer and Naomi Speakman, discuss the themes, context and highlight objects of this remarkable show.

To book this online event:

Book now to secure your place. We’re hosting the event on Zoom – a free video conferencing system that requires users to register in advance. If you do not already use Zoom, you can sign up using this registration link.

If the event is fully booked, or you do not wish to use Zoom, you can also watch the event streamed live – as well as other events in the series – on the Museum’s live events YouTube channel.

This event includes live captioning delivered by Stagetext and delivered by MyClearText.

Credit: Reliquary pendant showing Becket as archbishop. England, 15th
century. © The Trustees of the British Museum.
Info: This pendant may once have contained Becket’s relics. The reverse shows an
image of St John the Baptist.

MINING THE COLLECTION: TWO OPENWORK IVORY CASKETS FROM THE ISLAMIC MEDITERRANEAN WITH CURATOR MARIAM ROSSER-OWEN THURSDAY, MAY 6, AT 11:00 AM EASTERN

Please join us Thursday, May 6, at 11:00 AM Eastern, RSVP here.

Cylindrical box, Egypt or Spain, middle of the 14th century. Ivory carved with an openwork design and the inscription inlaid with bitumen. Victoria and Albert Museum, London. 4139-1856.

Cylindrical box, Egypt or Spain, middle of the 14th century. Ivory carved with an openwork design and the inscription inlaid with bitumen. Victoria and Albert Museum, London. 4139-1856.


Dr Mariam Rosser-Owen, Curator responsible for the art of the Arab World at the Victoria and Albert Museum, will offer an in-depth look at two fourteenth-century ivory objects in the museum’s Islamic art collection. Both cylindrical caskets, carved in openwork with cursive Arabic inscriptions, form part of a group that has been attributed to both Mamluk Egypt and Nasrid Spain. Part handling session, part presentation, Mariam will show us the ivories and outline the debate around their attribution.

We invite you to join us for a brief presentation followed by an informal discussion on Thursday, May 6, at 11:00 am Eastern. Please RSVP here.

Gesta Spring 2021 (Volume 60, Number 1) now available!

Gesta.jpeg

The latest issue of Gesta Spring 2021 (Volume 60, Number 1) is now available online!


The King in the Manuscript: The Presentation Inscription of the Vienna Latin Bible moralisée
Katherine H. Tachau

Holy, Holy, Holy: Hearing the Voices of Angels
Sharon E. J. Gerstel, Chris Kyriakakis, Spyridon Antonopoulos, Konstantinos T. Raptis, and James Donahue

(Re)Birth of a Seal: Power and Pretense at San Nicola, Bari, ca. 1300
Jill Caskey

Space, Image, Light: Toward an Understanding of Moldavian Architecture in the Fifteenth Century
Alice Isabella Sullivan, Gabriel-Dinu Herea, and Vladimir Ivanovici

Into the Desert: Demons, Spiritual Focus, and the Eremitic Ideal in Morgan MS M.626
Denva Gallant

Remember, ICMA membership provides exclusive online access to the complete run of Gesta in full text, PDF, and e-Book editions – at no additional charge.

To access your members-only journal subscription, log in to the ICMA site here with your username and password.  If you have any questions, please email icma@medievalart.org.

For ICMA members receiving a print copy along with the online version,  there may be a delay in shipping the journal to you. Thank you for your patience.  



CFP: ICMA Sponsored Session Proposals, AAH Annual Conference 2022, due 20 April 2021

ICMA at Association for Art History Annual Conference 

London, 6-8 April 2022
Call for ICMA Sponsored Session Proposals
due 20 April 2021

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the Association for Art History Annual Conference to be held 6-8 April 2022 at Goldsmiths, University of London.

Proposals to the ICMA must include a session abstract and a CV of the organizer(s).

Please note the following:

  • The AAH does not require a slate of speakers; the AAH will generate a CFP once sessions have been selected. Therefore the ICMA will not request a slate of speakers.

  • The ICMA requires the CVs of the session organizers, but the AAH does not.

  • Session organizers and speakers must be ICMA members but are not required to become AAH members. However, AAH members receive a preferential conference rate.

  • Sessions at the AAH conference are built of 70-minute blocks, with a minimum of two blocks per session, up to four blocks in a day. Each block consists of two papers of 25 minutes plus 10 minutes of questions for each paper. The ICMA seeks to sponsor one session of two 70-minute blocks (four papers).


Upload your proposals here by 20 April 2021

Please direct all inquiries to the Chair of the Programs Committee: Bryan C. Keene, Riverside City College, USA, bryan.keene@rcc.edu 
 
The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 1 May 2021. The organizer(s) will then submit the ICMA-sponsored proposal to the AAH, which will make the final decision. Submit session proposals to the AAH by 7 May 2021 at Conference2022@forarthistory.org.uk following the guidelines posted on the AAH website: https://forarthistory.org.uk/our-work/conference/2022-annual-conference/ 


A note about Kress Travel Grants


Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA sponsored sessions up to a maximum of $600 for domestic travel and of $1200 for overseas travel. If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. In addition to speakers, session organizers delivering papers as an integral part of the session (i.e. with a specific title listed in the program) are now also eligible to receive travel funding.

Click here for more information.

WHITING FOUNDATION 2022–23 PUBLIC ENGAGEMENT GRANTS, due 30 April 2021

WHITING FOUNDATION 2022–23 PUBLIC ENGAGEMENT GRANTS   

Do you have a research project that is public facing? Are you an early-career scholar?

Please consider submitting an application for Whiting Foundation Public Engagement funding. The ICMA is a nominating institution and can select nominees for a Fellowship and/or a Seed Grant.

The ICMA deadline for summary proposals is 30 April 2021. Submit here.

As a nominating body for the Whiting Foundation's Public Engagement Programs in the humanities, the ICMA calls for proposals in public-facing scholarship to submit for the 2021–22 competition cycle (for funding in 2022–23). The foundation describes these funding opportunities as "designed to celebrate and empower humanities faculty who embrace public engagement" at an early-career stage, "to infuse the depth, historical richness, and nuance of the humanities into public life."

We may nominate one or two proposals by full- or part-time faculty at accredited US institutions of higher learning. To be eligible for the grants, faculty must be full- or part-time faculty in both the 2020-21 and 2021-22 academic years. Faculty need not be on a tenure track to be eligible. Nominees must also be early-career: they should have received their doctorate between 2008 and 2020.

The Foundation welcomes proposals including collaborations between faculty and graduate students. Nominees may apply to either of the Whiting's funding programs, depending on the stage of development of their project: 

  • Fellowship of $50,000 for projects far enough into development or execution to present specific, compelling evidence that they will successfully engage the intended public.

  • Seed Grant of up to $10,000 for projects at a somewhat earlier stage of development, where more modest resources are needed to test or pilot a project or to collaborate with partners to finalize the planning for a larger project and begin work.

Detailed guidelines and recommendations for the full proposals required by the Foundation are available online HERE, including the link to the application portal for nominees (see esp. Appendix 2 for proposal components).

The full application for nominees is due on 14 June 2021.

For consideration as an ICMA nominee, please submit a CV, a 2-page summary proposal of your project, and a working budget, to Ryan Frisinger by 1 May 2021. Applicants will be notified by the end of May. Comments will include recommendations for preparing the full grant proposal. Click here to submit.
 

For questions, contact ICMA Advocacy Committee Chair Jennifer Feltman (jmfeltman@ua.edu) or ICMA Grants and Awards Committee Chair Stephen Perkinson (sperkins@bowdoin.edu).

NEW! ICMA ADVOCACY SEED GRANT, due 30 April 2021

NEW!

CALL FOR PROPOSALS
ICMA ADVOCACY SEED GRANT

due 30 April 2021


The ICMA seeks grant proposals for local initiatives in public scholarly engagement and outreach, student mentoring (from grade school to graduate), and projects that advance the ICMA's commitment to inclusion in the field. These grants could be used to support initiatives including, but not limited to: group visits to special collections/museum exhibitions, curricular development, workshops and student training, community/artist conversations, website design, equipment, and outreach to local classrooms. We especially encourage applications that will support the initiation or continuation of longer-term projects, but all projects will be considered. Proposals should describe the project’s aims and audience (including short and long-term goals), and the ways in which it will engage the intended audience in a meaningful understanding of medieval art, broadly conceived.

Grants are available for up to US$ 1,500. Depending on the number of proposals received, the committee may decide to divide the total available funds (US $1,500) into multiple smaller awards or to give the full grant to a single recipient. Only ICMA members are eligible.The deadline is 30 April 2021.

To submit, upload your CV, 1 page proposal (single-spaced), itemized budget, and list of potential collaborators and target engagement audiencehere.

For questions, please contact awards@medievalart.org.

CFP: ICMA Sponsored Session Proposals, CAA Annual Conference 2022; due 15 April 2021

ICMA AT COLLEGE ART ASSOCIATION ANNUAL CONFERENCE 

Chicago, 16-19 February 2022
Call for ICMA Sponsored Session Proposals
due 15 April 2021

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2020 at the annual meeting of the College Art Association. Session organizers and speakers must be ICMA members.  
 
Proposals must include the following in one single Doc or PDF with the organizer’s name in the title

  • Session abstract

  • CV of the organizer(s)

  • Session organizers may also include a list of potential speakers


Please upload all session proposals as a single DOC or PDF by 15 April 2021 here.

The organizer(s) will have until 30 April 2021 to upload their approved proposals on the CAA website here.

For inquiries, contact the Chair of the ICMA Programs and Lectures Committee: Bryan C. Keene, Riverside City College, USA, bryan.keene@rcc.edu


A note about Kress Travel Grants


Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA sponsored sessions up to a maximum of $600 for domestic travel and of $1200 for overseas travel. If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. In addition to speakers, session organizers delivering papers as an integral part of the session (i.e. with a specific title listed in the program) are now also eligible to receive travel funding.

Click here for more information.



ICMA Statement of Support for AAPI Community

The International Center of Medieval Art expresses deep concern and outrage regarding the recent acts of xenophobia, violence, and intolerance toward Asian-American and Pacific Islander communities (AAPI) in the US. We denounce this violence, and we assert our unwavering support to our AAPI colleagues, and to everyone who has been impacted and hurt by recent acts of racial violence. The ICMA affirms its anti-harassment policy and stands with other ACLS societies in condemning Anti-AAPI violence. The ICMA will continue to work to address issues of inclusivity in the field of medieval art history, and to determine how we might best move forward in building a supportive and welcoming profession. We want all members to feel safe in sharing their experiences, concerns, challenges, and vision for how we can improve the ways we work together.

Mining the Collection: In the Storeroom at Dumbarton Oaks with Elizabeth Dospel Williams - Monday, March 29 at 1:00 pm ET

Mining the Collection: In the Storeroom at Dumbarton Oaks with Elizabeth Dospel Williams

Monday, March 29 at 1:00 pm ET, RSVP here.

Please join us Monday, March 29th, at 1:00 pm ET for an investigation of these and other jewelry and textiles at Dumbarton Oaks presented by Elizabeth Dospel Williams, Associate Curator of the Byzantine Collection. The brief presentation will be followed by an informal discussion in the mode of an object study session; please bring your questions and ideas. 
 
Sign up here.
 
Additional events in this series to follow!
 

 

In case you missed it...


You can watch a selection of previous Mining the Collectionevents here: https://www.medievalart.org/mining-the-collection

The Armenian General Benevolent Union (AGBU) Helen C. Evans Scholarship, due 30 April 2021

The AGBU Helen C. Evans Scholarship is intended to honor Helen C. Evans, the Mary and Michael Jaharis Curator of Byzantine Art at The Metropolitan Museum of Art. It was established to recognize exceptional students from around the world pursuing studies in the areas of Armenian art, art history, architecture, and/or early Christianity. Helen C. Evans Scholars are to demonstrate a strong interest in pursuing world-leading research, teaching, dissemination of future work that will help develop the areas of Armenian art, art history, architecture, and/or early Christianity, and related fields. Applicants must be enrolled in full-time graduate degree programs and this scholarship is available for a maximum of three (3) years toward college/university education expenses. This scholarship is open to students of both Armenian and non-Armenian descent.

The Armenian General Benevolent Union (AGBU) is the world’s largest non-profit organization devoted to upholding the Armenian heritage through educational, cultural and humanitarian programs. Each year, AGBU is committed to making a difference in the lives of 500,000 people across Armenia, Artsakh and the Armenian diaspora. Since 1906, AGBU has remained true to one overarching goal: to create a foundation for the prosperity of all Armenians.

Applicants must complete and submit the following pre-screening form before being invited to apply.

Pre-Screening Form 2021-2022

For more information, go to: https://www.agbu-scholarship.org/dates

https://agbu.org/news-item/encouraging-a-new-generation-of-scholars-ani-and-mark-gabrellian-launch-the-agbu-helen-c-evans-scholarship/

Mining The Collection: Cleveland Museum Of Art With Gerhard Lutz & Elina Gertsman; 4 March 2021, 11am ET. Sign up today!

Mining the Collection: The Cleveland Museum of Art with Gerhard Lutz and Elina Gertsman


Thursday, March 4 at 11:00 am Eastern, RSVP here.

Left: Calvary, c. 1450. Germany, Middle Rhine?, 15th century. Mother-of-pearl; diameter: 12.1 cm (4 3/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 1968.240 Right: Virgin and Child, late 1200s. Mosan (Valley of…

Left: Calvary, c. 1450. Germany, Middle Rhine?, 15th century. Mother-of-pearl; diameter: 12.1 cm (4 3/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 1968.240 Right: Virgin and Child, late 1200s. Mosan (Valley of the Meuse), Liège(?), late 13th century. Wood (oak) with polychromy and gilding; overall: 83 x 24 x 20 cm (32 11/16 x 9 7/16 x 7 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund 2014.392

We are delighted to invite you to another installment of Mining the Collection. Gerhard Lutz, Robert P. Bergman Curator of Medieval Art at The Cleveland Museum of Art, and Elina Gertsman, Professor of Art History at Case Western Reserve University, will present two fascinating sculptures from the museum’s collection.

Please join us Thursday, March 4th at 11:00 am ET for a brief presentation of these works followed by an informal discussion. Sign up here!

Additional events in this series to follow.


In case you missed it...


You can watch Mining the Collection: The J. Paul Getty Museum with Elizabeth Morrison and Bryan C. Keene here.