ICMA ANNUAL BOOK PRIZE, SUBMISSIONS DUE 31 MAY 2021

ICMA ANNUAL BOOK PRIZE 

AUTHORS: NOTIFY YOUR PUBLISHER TO SUBMIT YOUR BOOK 
DUE 31 MAY 2021

 

Single or dual-authored books on any topic in medieval art printed in 2020 are eligible. No special issues of journals or anthologies or exhibition catalogues can be considered. The competition is international and open to all ICMA members. Languages of publication: English, French, German, Italian, or Spanish.

Not a member yet? Click here to create your account and join!

Prize: US $1,000 to a single author, or US $500 each to two co-authors. Recipients will be notified in early 2022.

For more information and to submit, visit https://www.medievalart.org/book-prize.

Send questions to icma@medievalart.org.


A SPECIAL NOTE ABOUT EXPANDED ELIGIBILITY

Titles not previously submitted for the 2020 prize (printed in 2019), that were delayed due to publishing or shipment delays related to the ongoing pandemic, are eligible for submission.

British Museum Online Lecture: Curators’ Introduction – Thomas Becket: Murder and the Making of a Saint, 7th May 2021, 12:30 - 1:30 Eastern

To mark last year’s 850th anniversary of his brutal murder, the exhibition explored Becket’s remarkable life, death and legacy. It presents his journey from a merchant’s son to Archbishop of Canterbury, and the attempts to obliterate his cult under the Tudor dynasty.

Introduced and chaired by the Director of the British Museum, Hartwig Fischer, the exhibition curators, Lloyd de Beer and Naomi Speakman, discuss the themes, context and highlight objects of this remarkable show.

To book this online event:

Book now to secure your place. We’re hosting the event on Zoom – a free video conferencing system that requires users to register in advance. If you do not already use Zoom, you can sign up using this registration link.

If the event is fully booked, or you do not wish to use Zoom, you can also watch the event streamed live – as well as other events in the series – on the Museum’s live events YouTube channel.

This event includes live captioning delivered by Stagetext and delivered by MyClearText.

Credit: Reliquary pendant showing Becket as archbishop. England, 15th
century. © The Trustees of the British Museum.
Info: This pendant may once have contained Becket’s relics. The reverse shows an
image of St John the Baptist.

MINING THE COLLECTION: TWO OPENWORK IVORY CASKETS FROM THE ISLAMIC MEDITERRANEAN WITH CURATOR MARIAM ROSSER-OWEN THURSDAY, MAY 6, AT 11:00 AM EASTERN

Please join us Thursday, May 6, at 11:00 AM Eastern, RSVP here.

Cylindrical box, Egypt or Spain, middle of the 14th century. Ivory carved with an openwork design and the inscription inlaid with bitumen. Victoria and Albert Museum, London. 4139-1856.

Cylindrical box, Egypt or Spain, middle of the 14th century. Ivory carved with an openwork design and the inscription inlaid with bitumen. Victoria and Albert Museum, London. 4139-1856.


Dr Mariam Rosser-Owen, Curator responsible for the art of the Arab World at the Victoria and Albert Museum, will offer an in-depth look at two fourteenth-century ivory objects in the museum’s Islamic art collection. Both cylindrical caskets, carved in openwork with cursive Arabic inscriptions, form part of a group that has been attributed to both Mamluk Egypt and Nasrid Spain. Part handling session, part presentation, Mariam will show us the ivories and outline the debate around their attribution.

We invite you to join us for a brief presentation followed by an informal discussion on Thursday, May 6, at 11:00 am Eastern. Please RSVP here.

Gesta Spring 2021 (Volume 60, Number 1) now available!

Gesta.jpeg

The latest issue of Gesta Spring 2021 (Volume 60, Number 1) is now available online!


The King in the Manuscript: The Presentation Inscription of the Vienna Latin Bible moralisée
Katherine H. Tachau

Holy, Holy, Holy: Hearing the Voices of Angels
Sharon E. J. Gerstel, Chris Kyriakakis, Spyridon Antonopoulos, Konstantinos T. Raptis, and James Donahue

(Re)Birth of a Seal: Power and Pretense at San Nicola, Bari, ca. 1300
Jill Caskey

Space, Image, Light: Toward an Understanding of Moldavian Architecture in the Fifteenth Century
Alice Isabella Sullivan, Gabriel-Dinu Herea, and Vladimir Ivanovici

Into the Desert: Demons, Spiritual Focus, and the Eremitic Ideal in Morgan MS M.626
Denva Gallant

Remember, ICMA membership provides exclusive online access to the complete run of Gesta in full text, PDF, and e-Book editions – at no additional charge.

To access your members-only journal subscription, log in to the ICMA site here with your username and password.  If you have any questions, please email icma@medievalart.org.

For ICMA members receiving a print copy along with the online version,  there may be a delay in shipping the journal to you. Thank you for your patience.  



CFP: ICMA Sponsored Session Proposals, AAH Annual Conference 2022, due 20 April 2021

ICMA at Association for Art History Annual Conference 

London, 6-8 April 2022
Call for ICMA Sponsored Session Proposals
due 20 April 2021

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the Association for Art History Annual Conference to be held 6-8 April 2022 at Goldsmiths, University of London.

Proposals to the ICMA must include a session abstract and a CV of the organizer(s).

Please note the following:

  • The AAH does not require a slate of speakers; the AAH will generate a CFP once sessions have been selected. Therefore the ICMA will not request a slate of speakers.

  • The ICMA requires the CVs of the session organizers, but the AAH does not.

  • Session organizers and speakers must be ICMA members but are not required to become AAH members. However, AAH members receive a preferential conference rate.

  • Sessions at the AAH conference are built of 70-minute blocks, with a minimum of two blocks per session, up to four blocks in a day. Each block consists of two papers of 25 minutes plus 10 minutes of questions for each paper. The ICMA seeks to sponsor one session of two 70-minute blocks (four papers).


Upload your proposals here by 20 April 2021

Please direct all inquiries to the Chair of the Programs Committee: Bryan C. Keene, Riverside City College, USA, bryan.keene@rcc.edu 
 
The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 1 May 2021. The organizer(s) will then submit the ICMA-sponsored proposal to the AAH, which will make the final decision. Submit session proposals to the AAH by 7 May 2021 at Conference2022@forarthistory.org.uk following the guidelines posted on the AAH website: https://forarthistory.org.uk/our-work/conference/2022-annual-conference/ 


A note about Kress Travel Grants


Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA sponsored sessions up to a maximum of $600 for domestic travel and of $1200 for overseas travel. If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. In addition to speakers, session organizers delivering papers as an integral part of the session (i.e. with a specific title listed in the program) are now also eligible to receive travel funding.

Click here for more information.

WHITING FOUNDATION 2022–23 PUBLIC ENGAGEMENT GRANTS, due 30 April 2021

WHITING FOUNDATION 2022–23 PUBLIC ENGAGEMENT GRANTS   

Do you have a research project that is public facing? Are you an early-career scholar?

Please consider submitting an application for Whiting Foundation Public Engagement funding. The ICMA is a nominating institution and can select nominees for a Fellowship and/or a Seed Grant.

The ICMA deadline for summary proposals is 30 April 2021. Submit here.

As a nominating body for the Whiting Foundation's Public Engagement Programs in the humanities, the ICMA calls for proposals in public-facing scholarship to submit for the 2021–22 competition cycle (for funding in 2022–23). The foundation describes these funding opportunities as "designed to celebrate and empower humanities faculty who embrace public engagement" at an early-career stage, "to infuse the depth, historical richness, and nuance of the humanities into public life."

We may nominate one or two proposals by full- or part-time faculty at accredited US institutions of higher learning. To be eligible for the grants, faculty must be full- or part-time faculty in both the 2020-21 and 2021-22 academic years. Faculty need not be on a tenure track to be eligible. Nominees must also be early-career: they should have received their doctorate between 2008 and 2020.

The Foundation welcomes proposals including collaborations between faculty and graduate students. Nominees may apply to either of the Whiting's funding programs, depending on the stage of development of their project: 

  • Fellowship of $50,000 for projects far enough into development or execution to present specific, compelling evidence that they will successfully engage the intended public.

  • Seed Grant of up to $10,000 for projects at a somewhat earlier stage of development, where more modest resources are needed to test or pilot a project or to collaborate with partners to finalize the planning for a larger project and begin work.

Detailed guidelines and recommendations for the full proposals required by the Foundation are available online HERE, including the link to the application portal for nominees (see esp. Appendix 2 for proposal components).

The full application for nominees is due on 14 June 2021.

For consideration as an ICMA nominee, please submit a CV, a 2-page summary proposal of your project, and a working budget, to Ryan Frisinger by 1 May 2021. Applicants will be notified by the end of May. Comments will include recommendations for preparing the full grant proposal. Click here to submit.
 

For questions, contact ICMA Advocacy Committee Chair Jennifer Feltman (jmfeltman@ua.edu) or ICMA Grants and Awards Committee Chair Stephen Perkinson (sperkins@bowdoin.edu).

NEW! ICMA ADVOCACY SEED GRANT, due 30 April 2021

NEW!

CALL FOR PROPOSALS
ICMA ADVOCACY SEED GRANT

due 30 April 2021


The ICMA seeks grant proposals for local initiatives in public scholarly engagement and outreach, student mentoring (from grade school to graduate), and projects that advance the ICMA's commitment to inclusion in the field. These grants could be used to support initiatives including, but not limited to: group visits to special collections/museum exhibitions, curricular development, workshops and student training, community/artist conversations, website design, equipment, and outreach to local classrooms. We especially encourage applications that will support the initiation or continuation of longer-term projects, but all projects will be considered. Proposals should describe the project’s aims and audience (including short and long-term goals), and the ways in which it will engage the intended audience in a meaningful understanding of medieval art, broadly conceived.

Grants are available for up to US$ 1,500. Depending on the number of proposals received, the committee may decide to divide the total available funds (US $1,500) into multiple smaller awards or to give the full grant to a single recipient. Only ICMA members are eligible.The deadline is 30 April 2021.

To submit, upload your CV, 1 page proposal (single-spaced), itemized budget, and list of potential collaborators and target engagement audiencehere.

For questions, please contact awards@medievalart.org.

CFP: ICMA Sponsored Session Proposals, CAA Annual Conference 2022; due 15 April 2021

ICMA AT COLLEGE ART ASSOCIATION ANNUAL CONFERENCE 

Chicago, 16-19 February 2022
Call for ICMA Sponsored Session Proposals
due 15 April 2021

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2020 at the annual meeting of the College Art Association. Session organizers and speakers must be ICMA members.  
 
Proposals must include the following in one single Doc or PDF with the organizer’s name in the title

  • Session abstract

  • CV of the organizer(s)

  • Session organizers may also include a list of potential speakers


Please upload all session proposals as a single DOC or PDF by 15 April 2021 here.

The organizer(s) will have until 30 April 2021 to upload their approved proposals on the CAA website here.

For inquiries, contact the Chair of the ICMA Programs and Lectures Committee: Bryan C. Keene, Riverside City College, USA, bryan.keene@rcc.edu


A note about Kress Travel Grants


Thanks to a generous grant from the Kress Foundation, funds may be available to defray travel costs of speakers in ICMA sponsored sessions up to a maximum of $600 for domestic travel and of $1200 for overseas travel. If available, the Kress funds are allocated for travel and hotel only. Speakers in ICMA sponsored sessions will be refunded only after the conference, against travel receipts. In addition to speakers, session organizers delivering papers as an integral part of the session (i.e. with a specific title listed in the program) are now also eligible to receive travel funding.

Click here for more information.



ICMA Statement of Support for AAPI Community

The International Center of Medieval Art expresses deep concern and outrage regarding the recent acts of xenophobia, violence, and intolerance toward Asian-American and Pacific Islander communities (AAPI) in the US. We denounce this violence, and we assert our unwavering support to our AAPI colleagues, and to everyone who has been impacted and hurt by recent acts of racial violence. The ICMA affirms its anti-harassment policy and stands with other ACLS societies in condemning Anti-AAPI violence. The ICMA will continue to work to address issues of inclusivity in the field of medieval art history, and to determine how we might best move forward in building a supportive and welcoming profession. We want all members to feel safe in sharing their experiences, concerns, challenges, and vision for how we can improve the ways we work together.

Mining the Collection: In the Storeroom at Dumbarton Oaks with Elizabeth Dospel Williams - Monday, March 29 at 1:00 pm ET

Mining the Collection: In the Storeroom at Dumbarton Oaks with Elizabeth Dospel Williams

Monday, March 29 at 1:00 pm ET, RSVP here.

Please join us Monday, March 29th, at 1:00 pm ET for an investigation of these and other jewelry and textiles at Dumbarton Oaks presented by Elizabeth Dospel Williams, Associate Curator of the Byzantine Collection. The brief presentation will be followed by an informal discussion in the mode of an object study session; please bring your questions and ideas. 
 
Sign up here.
 
Additional events in this series to follow!
 

 

In case you missed it...


You can watch a selection of previous Mining the Collectionevents here: https://www.medievalart.org/mining-the-collection

The Armenian General Benevolent Union (AGBU) Helen C. Evans Scholarship, due 30 April 2021

The AGBU Helen C. Evans Scholarship is intended to honor Helen C. Evans, the Mary and Michael Jaharis Curator of Byzantine Art at The Metropolitan Museum of Art. It was established to recognize exceptional students from around the world pursuing studies in the areas of Armenian art, art history, architecture, and/or early Christianity. Helen C. Evans Scholars are to demonstrate a strong interest in pursuing world-leading research, teaching, dissemination of future work that will help develop the areas of Armenian art, art history, architecture, and/or early Christianity, and related fields. Applicants must be enrolled in full-time graduate degree programs and this scholarship is available for a maximum of three (3) years toward college/university education expenses. This scholarship is open to students of both Armenian and non-Armenian descent.

The Armenian General Benevolent Union (AGBU) is the world’s largest non-profit organization devoted to upholding the Armenian heritage through educational, cultural and humanitarian programs. Each year, AGBU is committed to making a difference in the lives of 500,000 people across Armenia, Artsakh and the Armenian diaspora. Since 1906, AGBU has remained true to one overarching goal: to create a foundation for the prosperity of all Armenians.

Applicants must complete and submit the following pre-screening form before being invited to apply.

Pre-Screening Form 2021-2022

For more information, go to: https://www.agbu-scholarship.org/dates

https://agbu.org/news-item/encouraging-a-new-generation-of-scholars-ani-and-mark-gabrellian-launch-the-agbu-helen-c-evans-scholarship/

Mining The Collection: Cleveland Museum Of Art With Gerhard Lutz & Elina Gertsman; 4 March 2021, 11am ET. Sign up today!

Mining the Collection: The Cleveland Museum of Art with Gerhard Lutz and Elina Gertsman


Thursday, March 4 at 11:00 am Eastern, RSVP here.

Left: Calvary, c. 1450. Germany, Middle Rhine?, 15th century. Mother-of-pearl; diameter: 12.1 cm (4 3/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 1968.240 Right: Virgin and Child, late 1200s. Mosan (Valley of…

Left: Calvary, c. 1450. Germany, Middle Rhine?, 15th century. Mother-of-pearl; diameter: 12.1 cm (4 3/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 1968.240 Right: Virgin and Child, late 1200s. Mosan (Valley of the Meuse), Liège(?), late 13th century. Wood (oak) with polychromy and gilding; overall: 83 x 24 x 20 cm (32 11/16 x 9 7/16 x 7 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund 2014.392

We are delighted to invite you to another installment of Mining the Collection. Gerhard Lutz, Robert P. Bergman Curator of Medieval Art at The Cleveland Museum of Art, and Elina Gertsman, Professor of Art History at Case Western Reserve University, will present two fascinating sculptures from the museum’s collection.

Please join us Thursday, March 4th at 11:00 am ET for a brief presentation of these works followed by an informal discussion. Sign up here!

Additional events in this series to follow.


In case you missed it...


You can watch Mining the Collection: The J. Paul Getty Museum with Elizabeth Morrison and Bryan C. Keene here.

ICMA Oral History Project Launches

We are delighted to announce the launch of the ICMA Oral History Project.

With the goal of preserving the unique stories and experiences of our longest-serving members and supporters, the ICMA Student Committee has launched the Oral History Project. Students interview members who have made significant contributions to the study of medieval art and the ICMA. In the interviews, these members reflect on their initiation into the field, their lifelong experiences as researchers, professionals, and peers, as well as their involvement in the organization.

This podcast series is linked here, and is available on the ICMA website, accessible by clicking “ABOUT” in the menu at the top of the home page.

The series was first imagined by former ICMA President Helen Evans, and was brought to fruition by a team of enterprising members of the Student Committee: Dustin Aaron, Sarah Mathiesen, Robert Vogt, and Lauren Van Nest.

The first interviews posted are:
Lucy Sandler, interviewed by Christopher T. Richards
Dorothy F. Glass, interviewed by Cristina Aldrich
Charles Little, interviewed by Dustin Aaron

Coming soon will be interviews with: Paula Gerson, Stephen Scher, Elizabeth (Libby) Parker, and Madeline Caviness.

Students interested in serving as interviewers for future podcasts can sign up on the site.

THE 2020 ICMA ANNUAL BOOK PRIZE AWARDED TO TRACY CHAPMAN HAMILTON

The International Center of Medieval Art (ICMA) awards the 2020 Annual Book Prize to:

Tracy Chapman Hamilton

Pleasure and Politics at the Court of France: The Artistic Patronage of Queen Marie of Brabant (1260-1321)

Brepols Publishing, Harvey Miller Series, 2019.
Click here for the Brepols site.

Hamilton_Pleasure and Politics_cover3.jpg

In Pleasure and Politics at the Court of France: The Artistic Patronage of Queen Marie of Brabant (1260–1321), Tracy Chapman Hamilton presents an intellectually rich recuperation of an understudied Gothic patron, refined aesthete, and politically savvy survivor in thirteenth- and fourteenth-century Paris. In this exquisite, impeccably researched and abundantly illustrated cultural history, the author examines ways in which a medieval queen asserted political influence through systematic patronage. Marie also created the model later queens, such as Marie’s granddaughter, Jeanne d’Evreux, would emulate at the end of the Capetian dynasty, and long into the tumultuous Valois period of the Hundred Years’ War. Given the author’s extensive firsthand experience with developments in feminist art historical practice since the 1990s, the book doubles as a historiographic journey of both medieval and modern struggle and renewal, supplying an exemplary model of herstory for others to follow. Manuscripts, shrines, seals, funerary sculpture, reliquaries, and stained glass illustrate an extraordinary medieval life in which one royal woman, Marie, exerted Brabantine influence over courtiers in Paris, supplied a catalyst for the development of vernacular French traditions in verse, lyric and song, cultivated pilgrimage, and supplied a cultural linchpin fostering the arts at the turn of the fourteenth century in medieval France.

We thank the Book Prize Jury: Eric Ramirez-Weaver, chair; Péter Bokody; Till-Holger Borchert; Dorothy Glass; Julie Harris


Submissions for the 2021 ICMA Annual Book Prize are now being accepted.

Single or dual-authored books on any topic in medieval art printed in 2020 are eligible. No special issues of journals or anthologies or exhibition catalogues can be considered. The competition is international and open to all ICMA members. Languages of publication: English, French, German, Italian, or Spanish. Prize: US $1,000 to a single author, or $500 each to two co-authors

For more information and to submit, visit https://www.medievalart.org/book-prize. Send questions to icma@medievalart.org.

ICMA Lecture, now available online: Notre Dame of Paris: Past and Present

Notre Dame of Paris: Past and Present

Online lecture by Dany Sandron and Lindsay Cook

To view, go to: https://www.medievalart.org/friends-of-the-icma-lectures

NotreDame2021.jpg

Professor Sandron co-authored, with the late professor Andrew Tallon, Notre-Dame de Paris: Neuf Siècles d'Histoire (Parigramme, 2013/2019), whose English version, Notre Dame Cathedral, Nine Centuries of History (Penn State University Press, 2020), was translated by Professor Cook, Assistant Teaching Professor of Art History, Ball State University.

Nancy Wu, Friends of the ICMA and Educator Emerita, The Metropolitan Museum of Art, introduces the speakers and moderate the discussion.

To view, go to: https://www.medievalart.org/friends-of-the-icma-lectures
This lecture is organized by Friends of the ICMA.

Credits: Image (l) from Notre Dame Cathedral, Nine Centuries of History, pp. 28-29; images (c,r) by Lindsay Cook.

ICMA Graduate Student Essay Award - due 7 March 2021

GRADUATE STUDENT ESSAY AWARDS

The International Center of Medieval Art wishes to announce its annual Graduate Student Essay Award for the best essay by a student member of the ICMA.  The theme or subject of the essay may be any aspect of medieval art, and can be drawn from current research.  Eligible essays must be produced while a student is in coursework.  The work must be original and should not have been published elsewhere.  We are pleased to offer First Prize ($400), Second Prize ($300), and Third Prize ($200).

We are grateful to an anonymous donor for underwriting the Student Essay Award competition. This member particularly encourages submissions that consider themes of intercultural contact — for instance, between Latin Christendom and the Byzantine realm; among Jews, Muslims, and Christians; or the dynamics of encounters connecting Europe, Africa, and Asia. These are not requirements, however, and the awards will be granted based on quality of the papers, regardless of topic.

The deadline for submission is 7 March 2021.  The winners will be announced at the Spring Board Meeting in May.

Applicants must submit:

1.  An article-length paper (maximum 30 pages, double-spaced, not including footnotes) following the editorial guidelines of our journal Gesta.

2.  Each submission must also include a 250-word abstract written in English regardless of the language of the rest of the paper.

3.   A Curriculum vitae.

All applicants must be ICMA members.
All submissions are to be uploaded here for 2021.

Email questions to Ryan Frisinger at awards@medievalart.org. The winning essay will be chosen by members of the ICMA Grants and Awards Committee, which is chaired by our Vice-President.


ICMA Student Travel Grants - due 7 March 2021

STUDENT TRAVEL GRANTS

The ICMA offers grants for graduate students in the early stages of their dissertation research, enabling beginning scholars to carry out foundational investigations at archives and sites. Winners will be granted $3,000, and if needed, officers of the ICMA will contact institutions and individuals who can help the awardees gain access to relevant material. Three grants are awarded per year, and they are designed to cover one month of travel. 

The grants are primarily for students who have finished preliminary exams, and are in the process of refining dissertation topics. Students who have already submitted a proposal, but are still very early on in the process of their research, may also apply.  

All applicants must be ICMA members.

Applicants must submit:
1.  Outline of the thesis proposal in 800 words or less.

2.  Detailed outline of exactly which sites and/or archives are to be visited, which works will be consulted, and how this research relates to the proposed thesis topic. If you hope to see extremely rare materials or sites with restricted access, please be as clear as possible about contacts with custodians already made.

3.  Proposed budget (airfare, lodging, other travel, per diem). Please be precise and realistic. The total need not add up to $3,000 precisely. The goal is for reviewers to see how you will handle the expenses.

4.  Letter from the thesis advisor, clarifying the student’s preparedness for the research, the significance of the topic, and the relevance of the trip to the thesis.

5.  A curriculum vitae.                  

Upon return, the student will be required to submit a letter and financial report to the ICMA and a narrative to the student section of the Newsletter.

NOTE: Due to COVID-19 travel restrictions and closures, we can delay disbursements until international travel is safe.

Applications are due by 7 March 2021. The ICMA will announce the winners of the three grants at the Spring Board Meeting in May.

Applicants submit materials here.
Thesis advisor submit letter of recommendation
here.

Email Ryan Frisinger at awards@medievalart.org with any questions.


ICMA at the CAA Annual Conference 2021: Destruction and Preservation: Pre-Modern Art in a Perilous World: Saturday, February 13, 2021; 12:00 PM - 12:30 PM

ICMA at the CAA Annual Conference 2021

Destruction and Preservation: Pre-Modern Art in a Perilous World
Saturday, February 13, 2021; 12:00 PM - 12:30 PM

Live Q&As Online - Meeting J

Thomas Cole's Course of Empire: Destruction Oil on canvas, 1836,  ​39 1⁄2 × ​63 1⁄2 in. New-York Historical Society.

Thomas Cole's Course of Empire: Destruction Oil on canvas, 1836,  ​39 1⁄2 × ​63 1⁄2 in. New-York Historical Society.

CHAIRS
Anne Heath, Hope College
Gillian B. Elliott, George Washington University


DISCUSSANT
Bryan Keene, Riverside City College




Contemporary Reframing and Preservation of Ancient Religious Sites in China Christopher A Born, Belmont University

Rising Waters: The Conservation of San Marco in Venice and Disappearing Cosmic Floors Malarie Zaunbrecher, George Washington University