CALL FOR APPLICATIONS: GESTA EDITORSHIP (DUE 31 MAY 2024; BEGINS 1 JANUARY 2025)

CALL FOR APPLICATIONS

EDITORSHIP OF GESTA

Application Review Begins Friday 31 May 2024

 The ICMA solicits applications for the next editor (or co-editors) of the ICMA’s flagship journal,Gesta. The position is an important one: Gesta is the only journal in North America devoted to medieval art history, and it serves a crucial function in our field as well as in medieval studies more generally. It is also one of the primary means by which the ICMA meets its core mission: “to promote and support the study, understanding, and preservation of visual and material cultures produced primarily between ca. 300 CE and ca. 1500 CE in every corner of the medieval world.”

The appointment is for a three-year-term beginning on 1 January 2025; it can be renewed for a second three-year-term term by mutual agreement. Following a model increasingly favored by other professional organizations (and which has been successfully implemented at Gesta since 2013), we will consider the option of appointing two colleagues to serve as co-editors. We are thus asking for single or paired applications.

Scholars in the field who have relevant editorial experience (vetting articles and carrying out extensive developmental editing) are encouraged to apply. Eligible applicants include faculty members at any rank from lecturer to professor, emeriti/ae, people in cognate professions, and independent scholars. However, we advise faculty on a tenure track appointment who have not yet been granted tenure to carefully consider their workload balance before applying to take on this substantial work. The position carries an annual stipend of $6,500 (or $3,250 each in the case of co-editors).

The Editors work with the production team at the University of Chicago Press (Journals Division). Chicago handles the design, printing, and distribution of the journal, and manages subscriptions. They also work directly with an Editorial Board that has a consultative function and the ICMA’s Publications Committee. The Editors will have the help of a professional copy editor appointed by the ICMA, and a part-time Editorial Assistant (typically a graduate student). During December 2024, the incoming editor(s) will receive orientation from the current editors, whose term will be over on 31 December 2024. 

Those interested in applying should submit a CV and a statement of interest and relevant experience, addressed to the address below. The Search Committee will begin reviewing applications on 31 May 2024.

Signed,
Brigitte Buettner
Chair, ICMA Publications Committee

Click HERE to submit application.

CALL FOR PROPOSALS FOR ICMA SPONSORED SESSIONS: INTERNATIONAL MEDIEVAL CONGRESS LEEDS 2025, DUE BY 15 MAY 2024

CALL FOR PROPOSALS

ICMA SPONSORED SESSIONS

INTERNATIONAL MEDIEVAL CONGRESS 2025

LEEDS, UNITED KINGDOM; 7-10 JULY 2025

DUE BY WEDNESDAY 15 MAY 2024

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2025 at the International Medieval Congress (IMC) at Leeds, England.  

While session proposals on any topic related to the art of the Middle Ages are welcome, the IMC also chooses a theme for each conference. In 2025 the theme is “Worlds of Learning.”  For more information on the Leeds 2025 congress and theme, see:  https://www.imc.leeds.ac.uk/imc-2025/

Session organizers and speakers must be ICMA members at the time of the conference. Proposals must include a session abstract, and a list of speakers, as one single Doc or PDF with the organizer’s name in the title, and a CV, again as a Doc or PDF with the organizer’s name in the title.

Upload your proposals HERE by 15 May 2024.

Please direct all inquiries to the Chair of the Programs Committee: Alice I. Sullivan, Tufts University, USA, alice.sullivan@tufts.edu 

The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 7 June 2024. The organizer(s) will then submit the ICMA-sponsored proposal to the IMC. 

CALL FOR PROPOSALS FOR ICMA SPONSORED PANELS: ASSOCIATION FOR ART HISTORY ANNUAL CONFERENCE 2025, UNIVERSITY OF YORK, DUE BY 15 MAY 2024

CALL FOR PROPOSALS

ICMA SPONSORED PANELS

ASSOCIATION FOR ART HISTORY ANNUAL CONFERENCE 2025

University of YORK, UNITED KINGDOM; 9-11 APRIL 2025

DUE By WEDNESDAY 15 MAY 2024

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the Association for Art History Annual Conference to be held 9-11 April 2025 at the University of York.  

 Proposals to the ICMA must include a session abstract and a CV of the organizer(s).

Please note the following:  

  • The AAH does not require a slate of speakers; the AAH will generate a CFP once sessions have been selected. Therefore the ICMA will not request a slate of speakers. 

  • The ICMA requires the CVs of the session organizers, but the AAH does not. 

  • Session organizers and speakers must be ICMA members but are not required to become AAH members. However, AAH members receive a preferential conference rate. 

  • Sessions at the AAH conference are built of 70-minute blocks, with a minimum of two blocks per session, up to four blocks in a day. Each block consists of two papers of 25 minutes plus 10 minutes of questions for each paper. The ICMA seeks to sponsor one session of two 70-minute blocks (four papers). 


Upload your proposals HERE by 15 May 2024

Please direct all inquiries to the Chair of the Programs Committee: Alice I. Sullivan, Tufts University, USA, alice.sullivan@tufts.edu 

 
The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 7 June 2024. The organizer(s) will then submit the ICMA-sponsored proposal to the AAH, which will make the final decision. 

CALL FOR SUBMISSIONS: ICMA ANNUAL BOOK PRIZE, SUBMISSIONS DUE 31 MAY 2024

Call for Submissions

2024 ICMA ANNUAL BOOK PRIZE

DEADLINE: 31 MAY 2024

AUTHORS: NOTIFY YOUR PUBLISHER TO SUBMIT YOUR BOOK!

EMAIL BOOKPRIZE@MEDIEVALART.ORG WITH THE TITLE(S), AUTHOR(S), AND PRESS NAME. IF SELF-NOMINATING, PLEASE SEND ALONG YOUR PRESS CONTACT’S EMAIL.

To be eligible for the 2024 prize, the book must have been printed in 2023. 

 The ICMA invites submissions for the annual prize for best single- or co-authored book on any topic in medieval art. To be eligible for the 2024 competition, books must have been printed in 2023. No anthologies, exhibition catalogues, or special issues of journals can be considered. 
The competition is international and open to all ICMA members. To join or renew, click here. A statement of current membership is required with each submission.

Languages of publication: English, French, German, Italian, or Spanish

Prize: US $1,000 to a single author, or US $1,000 split equally between co-authors.

Submission of books: only printed books are eligible for the prize. A statement of current ICMA membership must accompany each submission. 

Presses and self-nominations: books must be sent directly to the jury members. Please email BookPrize@medievalart.org with the title(s), author(s), and press name. If self-nominating, please send along your press contact’s email.

POSTPONED: IDEA ANNUAL LECTURE: MARTINA RUGIADI, SPEAKER - STAGING MEDIEVAL ART: PHOTOGRAPHY, ARCHAEOLOGY, AND LIVING OBJECTS IN AFGHANISTAN

POSTPONED
until Fall 2024

Thank you for your interest in the ICMA Annual IDEA Lecture by Martina Rugiadi. The event is postponed until the Fall of 2024. We will be in touch when we have rescheduled it to a specific date.

ICMA Annual IDEA Lecture
Staging medieval art: Photography, archaeology, and living objects in Afghanistan


Martina Rugiadi
, speaker
Thursday 2 May 2024 at 6pm ET


Since centuries, the town of Ghazni has been the site of devotion, visited by those seeking to be blessed and healed at the tombs of its saints. Yet our scholarly gaze has primarily focused on the city’s short-lived royal past of the 11th-12th centuries, the remains of which were meticulously documented with stunning photographs in the 1950s and 60s. Uncovering these images, this talk aims to reveal broader, more inclusive histories that transcend disciplinary boundaries.

Martina Rugiadi is Associate Curator in the Islamic Art Department at the Metropolitan Museum of Art in New York, where she is preparing an exhibition on medieval Afghan marbles. As an archaeologist, she has worked mostly in Iran, Afghanistan, and Syria, and now co-directs the Towns of the Karakum project in Turkmenistan. Her recent research explores medieval drinking, Islamic-period spolia, agency and visual languages, and the juncture of art history, cultural heritage, and the museum. 

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ICMA IN LA: STUDY DAY FOR "THE BOOK OF MARVELS: WONDER AND FEAR IN THE MIDDLE AGES" AND "ALBRECHT DÜRER: WANDERLUST", MONDAY 10 JUNE 2024

ICMA IN LA

STUDY DAY FOR THE BOOK OF MARVELS: WONDER AND FEAR IN THE MIDDLE AGES AND ALBRECHT DÜRER: WANDERLUST

THE GETTY AND THE HUNTINGTON

MONDAY 10 JUNE 2024, 11AM PT
REGISTER
HERE

ICMA members are invited to a study day taking place at both The Getty and The Huntington on Monday 10 June 2024. Attendees will receive a special preview of The Getty's upcoming exhibition The Book of Marvels: Wonder and Fear in the Middle Ages before it opens to the public. Lunch will be provided at The Getty before the group moves to The Huntington to view the exhibition Albrecht Dürer: Wanderlust.

Attendees are responsible for their own transportation to each venue, but ICMA will help organize a carpool if needed.  

ABOUT THE EXHIBITIONS
The Book of Marvels: Wonder and Fear in the Middle Ages
Told from the perspective of a medieval armchair traveler in fifteenth-century northern France, the Book of the Marvels of the Worldweaves together tales of global locations that are portrayed as bizarre, captivating, and sometimes dangerously different. This exhibition pairs the Getty’s newly-acquired illuminated copy of the text with its twin from the collections of the Morgan Library & Museum in New York. Additional objects in the exhibition highlight how the overlapping sensations of wonder and fear helped create Western stereotypes of the “other” that continue to influence society today.

Albrecht Dürer: Wanderlust
German Renaissance artist Albrecht Dürer's journeys to Italy and the Low Countries were crucial to his education and informed his art. The exhibition showcases Dürer’s art and legacy through prints, books, and paintings drawn from The Huntington’s collections. The presentation focuses on works created during and following his travels, illuminating the cultural network of artists and how they supported, competed with, and learned from each other, ultimately transforming European art.

Register HERE

ICMA AT INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES KALAMAZOO 2024: SPONSORED SESSIONS + RECEPTION

INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES, KALAMAZOO

ICMA SPONSORED SESSIONS

9-11 MAY 2024

Thursday 9 May 2024, 10:00am
Session 9
Sangren Hall, Room 2110
The Sense of an Ending: Finispieces in Medieval Codices
Presider: Stephen Perkinson, Bowdoin College
Organizer: Julie A. Harris, Independent Scholar

Beginning at the End: The Role of the Table of Contents in the Grandes Heures of Philip the Bold
Maggie Crosland, Washington University in St. Louis / St. Louis Art Museum

Final Authority in Five Illuminated Copies of Boccaccio’s Des Nobles et cleres dames Vérard, 1493
Hope Johnston, Baylor University

Respondent: Julie A. Harris


 Saturday 11 May 2024, 10:00am
Session 368     
Sangren Hall, Room 4715
Cross-Cultural Interaction in the Alps: Medieval Artistic Production in the Historic County of Tyrol

Presider: Katherine M. Boivin, Bard College
Organizer: Sarah F. Cohen, Columbia University; Emma Leidy, Columbia University

Actio or Illustration? The Rodenegg Iwein Cycle and the Staging of Oral Storytelling
Grace Alice Walsh, Johns Hopkins University

Between North and South: The Importation, Production, and Veneration of Vesperbilder in Tyrol
Emma Leidy, Columbia University

A Fatimid Crystal Reliquary in Thirteenth-Century Tyrol: Questions of Cross-Cultural Value and Symbolic Reuse
Sarah F. Cohen, Columbia University


Saturday 11 May 2024, 1:30pm
Session 417     
Sangren Hall, Room 4715
Sites of Tension (1): Islands and Isolation
ICMA Student Committee

Presider: Gilbert Jones, Cleveland State University
Organizers: Gabriela Chitwood, University of Oregon; Brittany Forniotis, Duke University; Shannah Rose, Institute of Fine Arts, New York University; Gilbert Jones, Cleveland State University; Nina Gonzalbez, Florida State University Islands

Unknown: Small Islands and Insular Lifeways in the Early Medieval Aegean
Demetrios Athanasoulis, Ephorate of Antiquities of Cyclades, Hellenic Ministry of Culture & Sports; Elizabeth R. Davis, Brown University; Rosie Campbell, Cambridge University; Hallvard Indgjerd, Universitetet i Oslo; Alex R. Knodell, Carleton College; Evan I. Levine, Københavns Universitet; Hüseyin Ç. Öztürk, College Year in Athens

The Colonizer’s Representation of the Colonized: The Construction of Guanche Cultural Identity in Le livre nommé le Canarien
Krystin Cassidy Christy, New York University

“That unhappy wretch will come here to the Iouan island”: Re-Activating the Material Culture of Medieval Iona
Sophie Durbin, University of the Highlands and Islands


Saturday 11 May 2024, 3:30pm
Session 464     
Sangren Hall, Room 4715
Sites of Tension (2): Islands and Interconnectivity
ICMA Student Committee

Presider: Gilbert Jones, Cleveland State University
Organizer: Brittany Forniotis, Duke University; Gabriela Chitwood, University of Oregon; Shannah Rose, Institute of Fine Arts, New York University; Gilbert Jones, Cleveland State University; Nina Gonzalbez, Florida State University

Claiming Victory: The St. George Chapel of Clermont-Ferrand Cathedral and the Use of Crusading in Image and Liturgy
Patricia Marie McCall, University of Oregon

Between Past and Present: Changing Perceptions of the Aegean Region in a Medieval Island Book
Beatrice Abigail Tamara Blümer, Universität Kassel / Kunsthistorisches Institut in Florenz

Between Sicily and Palma de Mallorca: The Journey of the Cammarata Finials
Hila Manor, Hebrew University of Jerusalem



ICMA RECEPTION AT THE INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES, KALAMAZOO

FRIDAY 10 MAY 2024
7PM-9:30PM (6:30PM STUDENT MEET AND GREET)
KALAMAZOO, MICHIGAN

6:30pm - Student Meet and Greet
7:00pm - Reception (open to all)

Join other ICMA members for a special off-site reception near campus (approximately a 10-20 minute walk) on Friday 10 May 2024 from 7pm-9:30pm. Students are invited to join early at 6:30pm to meet other student colleagues. Drinks and light bites provided while supplies last.

University Roadhouse
1332 W. Michigan Ave (MAP)
Kalamazoo, MI 49006

CALL FOR PROPOSALS - INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES KALAMAZOO 2025, DUE WEDNESDAY 15 MAY 2024

Call for Proposals

International Congress on Medieval Studies 2025

Kalamazoo and Online, 8-10 May 2025

Due By Wednesday 15 May 2024

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the International Congress on Medieval Studies (ICMS) at Kalamazoo. Session organizers and speakers must be ICMA members.  
 
Proposals to the ICMA must include a session abstract and a CV of the organizer(s). A list of speakers is not required at the time of application. Organizers will have the opportunity to send out a call for papers after the session is selected by the ICMA and has been approved by the Congress Committee in July.
 
Upload your proposals HERE by 15 May 2024
 
Please direct all inquiries to the Chair of the Programs & Lectures Committee: Alice I. Sullivan, Tufts University, USA, alice.sullivan@tufts.edu 
 
The ICMA Programs & Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 31 May 2024. The organizer(s) will then submit the ICMA-sponsored proposal to the ICMS by 1 June 2024. 

ICMA IN LA: EXHIBITION TOUR OF BLOOD: MEDIEVAL/MODERN AT THE GETTY, FRIDAY 17 MAY 2024, 3PM

ICMA in LA

Exhibition tour of Blood: Medieval/Modern at The Getty

Friday 17 May 2024, 3pm
Los Angeles, California

Register HERE

Bloodscape X (detail), 1987, Andres Serrano. Silver dye bleach print. Getty Museum, Gift of Robert and Dolores Cathcart. © Andres Serrano, courtesy of the artist and Galerie Nathalie Obadia, Paris/Brussels

Blood has both fascinated and repelled generations of artists and viewers. Medieval manuscripts testify to a rich visual culture surrounding blood: devotional, medical, genealogical, and as evidence of violence. In examining the meanings of medieval blood, this exhibition extends to intersecting contemporary conversations—artists have used the potent visual connotations of blood to explore issues of feminism, HIV/AIDS, and the science of DNA. Medieval and modern approaches to the representation of blood offer instances of both connection and rupture across time.

Join ICMA members for a special tour of the exhibition Blood: Medieval/Modern on Friday 17 May 2024 at 3pm. Exhibition curator Larisa Grollemond will lead the tour, then attendees are welcome for casual drinks at a nearby location.

Register HERE

ICMA WORKSHOP ON PEDAGOGY: TEACHING MEDIEVAL ART AND “CONTROVERSIAL” IMAGES, WEDNESDAY 29 MAY 2024 - REGISTER TODAY!

WORKSHOP ON PEDAGOGY

TEACHING MEDIEVAL ART AND “CONTROVERSIAL” IMAGES 

WEDNESDAY 29 MAY 2024, 1PM-3PM ET

ONLINE
REGISTER
HERE


The IDEA Committee invites ICMA members to an online workshop on pedagogy on May 29, 1:00 PM–3:00 PM, Eastern Time.
The ICMA accommodates a broad range of approaches to medieval art as well as an array of specializations. While some community members work in environments that are hostile to teaching about inclusion, equity, diversity, and accessibility, others may be concerned about saying something “wrong” if they do engage such issues. Given the challenges of teaching medieval art in an era of social and political upheaval, this workshop seeks to provide a supportive and open setting for probing such questions as:

  • How do we discuss medieval attitudes and negative stereotyping without merely condemning them for failing to achieve our own “enlightened” standards?

  • How do we contextualize medieval bigotry, racializing, and othering without appearing to justify them?

  • How do we establish the importance of studying these images when some students feel they should be dismissed or “cancelled” because they express ugly ideas or create discomfort?

The workshop will provide opportunities for you to share teaching strategies, reflect on the 2023–23 academic year, and brainstorm about the future.

Register HERE

Conference: The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century, Bibliothèque de l'Arsenal, Paris, France, 29 May 2024

Conference

The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century

Bibliothèque de l'Arsenal, Paris, France

May 29, 2024

The conference "The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century" will be held in the Bibliothèque de l'Arsenal, Paris.

It is organised by the ERC project AGRELITA, The Reception of Ancient Greece in Premodern French Literature and Illustrations of Manuscripts and Printed Books (1320-1550), directed by Prof. Catherine Gaullier-Bougassas, University of Caen Normandy -Craham.

For more information, visit https://agrelita.hypotheses.org/ and
https://agrelita.hypotheses.org/5103

For a copy of the progam, click here.

Conference: The new lives of Greek divinities in Western Europe: Textual and visual figurations, University of Caen Normandy, France, 23-24 May 2024

Conference

The new lives of Greek divinities in Western Europe: Textual and visual figurations

from the 14th to the 16th century

University of Caen Normandy, France

23-24 May 2024

The conference "The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century" will be held in the University of Caen Normandy.
It is organised by the ERC project AGRELITA, The Reception of Ancient Greece in Premodern French Literature and Illustrations of Manuscripts and Printed Books (1320-1550), directed by Prof. Catherine Gaullier-Bougassas
For more information, visit https://agrelita.hypotheses.org/ and
https://agrelita.hypotheses.org/category/evenements/colloques

For the program, click here.

Call for Applications: Three Postdoctoral Fellowships ERC AGRELITA, University of Caen Normandy, France, Due By 12 May 2024

Call for Applications

Three Postdoctoral Fellowships ERC AGRELITA

“The reception of ancient Greece in pre-modern French literature and illustrations of manuscripts and printed books (1320-1550): how invented memories shaped the identity of European communities”

University of Caen Normandy, France

Due by May 12, 2024

The ERC Advanced grant project AGRELITA “The reception of ancient Greece in pre-modern French literature and illustrations of manuscripts and printed books (1320-1550): how invented memories shaped the identity of European communities”, newly awarded (2021), led by Prof. Catherine Gaullier-Bougassas, is now accepting applications for 3 postdoctoral positions (100 %), starting on 01/10/2024.

AGRELITA is based at the University of Caen Normandy and is scheduled to conclude on 30th September 2027.

Contract duration: 12 months, renewable. (See file attached).

For more information, visit: https://agrelita.hypotheses.org/ and
https://agrelita.hypotheses.org/category/actualites

Contact: catherine.gaullier-bougassas@unicaen.fr
Application file to be sent in digital format (pdf) by 12 May 2024 at the latest to the following address catherine.gaullier-bougassas@unicaen.fr

Call for Papers for International Workshop: Saints and martyrs between Italy and the Mediterranean in Late Antiquity, Ludwig-Maximilians-Universität Munich (22-23 Nov. 2024), Due by 24 May 2024

Call for Papers: International Workshop

Saints and martyrs between Italy and the Mediterranean in Late Antiquity: Movements, connections, and influences

Ludwig-Maximilians-Universität Munich, 22-23 November 2024

Due by 24 MAy 2024

In a world such as the Late Antique one, which was experiencing profound changes compared to the previous period, areas once held together by imperial political cohesion, found themselves related by a new connection produced by the expansion of Christianity: the movement and exchange of the cult of saints.

The exchange and spread of the cults of saints and martyrs is testified by archaeological, iconographic, literary and other sources. Among the literary sources, this is illustrated, for example, by the presence of non-local cults in the liturgical calendars of certain geographical areas. A further example is provided by the accounts of late antique pilgrims and authors compiling hagiographies of martyrs, whose cult arrived through the transport of relics. Further evidence of mutual connections and influences is also attested by the construction of basilicas dedicated to 'imported' saints, with the consequent worship of these non-local patrons.

Within this context, Italy seems having an important role, not only in the 'exportation' of its own saints, but also in the reception and assimilation of foreign saints. In addition to the traditional worship, these are also assimilated into local cults. Therefore, this entails, for example, the change of the urban space itself, with the foundation of dedicated basilicas or the assimilation of foreign saints into local hagiographic literature.

Consequently, Italy may be considered as an important area of origin and spread of the cult of saints in the Mediterranean. Moreover, it may be considered as an attracting place for a large foreign cult, making it an excellent example of the movement of the cults of saints and martyrs within the whole late antique geographical area.

The aim of the workshop is to investigate and deepen the dynamics and the questions involved in the circulation of the cults of saints and martyrs from Italy to other areas of the Mediterranean and vice versa. Additionally, the objective is to analyse which exchanges and mutual influences.

these movements entailed and in which sources they can be found. In conclusion, the interest is directed towards the reasons why certain non-local cults became important in specific geographical areas and, in addition to the martyrs, if the cults of sanctified bishops or rather confessors around whom a cult developed and spread to areas far from their origins were also spread and assimilated.

We will accept proposals for papers, from a multidisciplinary perspective: scholars of archaeology, art history, iconography, architecture, epigraphy, hagiography, late antique, early Christian literature and ancient history. Additionally, all related disciplines are welcome to submit a paper.

The following topics are suggested, but any other topic is accepted:

  • The spread of the cult of saints and martyrs between Italy and other areas of the
    Mediterranean through epigraphic, hagiographic, iconographic sources

  • The transport of relics: archaeological and historiographical evidence

  • The construction of basilicas or monasteries dedicated to 'imported' saints

  • The role of bishops in the spread of the cults of saints and martyrs

  • The spread of cults dedicated not only to martyrs, but rather to bishops or confessors

You are invited to submit an abstract (maximum 300 words) accompanied by a short CV by 24 Mai. All submissions should include your name, e-mail address and academic affiliation if applicable). Participants are expected to give a 20-30-minute talk, followed by an extended session for discussion. The workshop will take place in person in English at the Ludwig-Maximilians-Universität Munich on 22-23 November 2024. A publication is planned, for which the contributions may be in English, German or Italian. A contribution will also be made towards travel expenses.

The workshop is organised by the Institut fir Bysantinistik, Bysantinische Kunstgeschichte und Neogräzistik, Ludwig-Maximilians-Universität Minchen, with the kind support of the Spätantike Archäologie und Byzantinische Kunstgeschichte e.V.

If you have any questions, please do not hesitate to contact:

Daniela Coppola, M.A.

Ludwig-Maximilian-Universität, Munich

info.saintsandmartyrsworkshop@gmail.com

Upcoming Exhibition: The Book of Marvels: Wonder and Fear in the Middle Ages, Getty Center, Los Angeles, CA, 11 June - 25 August 2024

Upcoming Exhibition

The Book of Marvels: Wonder and Fear in the Middle Ages

Getty Center, Los Angeles, CA

June 11–August 25, 2024

This exhibition explores the text and images of the Book of the Marvels of the World, a manuscript made in the 1460s that weaves together tales of places both near and far. Told from the perspective of a medieval armchair traveler in northern France, the global locations are portrayed as bizarre, captivating, and sometimes dangerously different. Additional objects in the exhibition highlight how the overlapping sensations of wonder and fear helped create Western stereotypes of the “other” that still endure today.

For more information and other medieval exhibitions later this year, https://www.getty.edu/visit/exhibitions/future.html

For the upcoming volume to accompany the exhibition: https://shop.getty.edu/products/the-book-of-marvels-a-medieval-guide-to-the-globe-978-1606069035

Exhibition Closing: Blood: Medieval/Modern, GETTY CENTER, Los Angeles, CA, Ends 19 May 2024

Exhibition closing

Blood: Medieval/Modern

GETTY CENTER, Los Angeles, CA

February 27–May 19, 2024

The Side Wound of Christ from Illustrated Vita Christi, with devotional supplements, about 1480–1490, England. Tempera colors and gold leaf on parchment. Getty Museum, Ms. 101 (2008.3.105v), fol. 105v

Blood has both fascinated and repelled generations of artists and viewers. Medieval manuscripts testify to a rich visual culture surrounding blood: devotional, medical, genealogical, and as evidence of violence. In examining the meanings of medieval blood, this exhibition extends to intersecting contemporary conversations—artists have used the potent visual connotations of blood to explore issues of feminism, HIV/AIDS, and the science of DNA. Medieval and modern approaches to the representation of blood offer instances of both connection and rupture across time.

This exhibition is presented in English and Spanish. Esta exhibición se presenta en inglés y en español.

For more information, https://www.getty.edu/art/exhibitions/blood/

Exhibition Closing: Rich in Blessings: Women, Wealth, and the Late Antique Household, Dumbarton Oaks, Washington D.C., Ends 9 June 2024

Exhibition Closing

Rich in Blessings: Women, Wealth, and the Late Antique Household

Dumbarton Oaks Research Library and Collection, Washington D.C.

November 17, 2023–June 9, 2024

Photography by Anice Hoachlander

Reasserting women’s agency and probing those female lives often written out of historical texts.

At home and in public, luxury art broadcast late antique elites’ status in a society characterized by deep economic inequalities. Whereas household artifacts like textiles, plate, ivory, and jewelry undeniably served to embellish bodies and interiors, from another perspective such works might be seen as exclusive symbols of individual and family affluence. In their imagery and materials, artworks associated with dress and decor conveyed charged messages about late antique attitudes toward prosperity, ownership, and display, particularly as concerned women’s property and the legacies of intergenerational wealth. Paradoxically, the opulence admired in late antique artworks stood in contrast to the period’s emerging Christian and Jewish ideals urging the renunciation and sharing of riches, rhetoric foundational to how communities understood individuals’ philanthropic obligations to society. Rich in Blessings: Women, Wealth, and the Late Antique Household thus explores the multilayered associations of art, wealth, and inequality in late antiquity, prompting consideration of the enduring meaningfulness of these themes in our own world and in museum collections today.

For more information, https://www.doaks.org/visit/museum/exhibitions/rich-in-blessings

Lecture Series: Oxford Medieval Manuscripts Group (10 May, 17 May, & 7 June 2024 (Fridays, 5pm GMT)), Register by 1 May, 10 May, & 31 May 2024

Lecture Series

Oxford Medieval Manuscripts Group

Merton College, Oxford University

10 May, 17 May, & 7 June 2024 (Fridays, 5pm GMT)

Register by 1 May, 10 May, & 31 May 2024

This is a new seminar series whose goal is to foster a community at Oxford University, and beyond, of those who study medieval manuscripts. With a particular focus on illuminated manuscripts, we will be discussing the most exciting recent research in this field; sharing our own projects and ideas in a supportive and friendly environment; learning from seminars given by experienced colleagues; and examining medieval manuscripts together during library visits.

Seminars will take place on Fridays at 17:00, at Merton College, unless otherwise specified.

To subscribe to our mailing list, participate in library visits, propose a presentation of your research for work in progress meetings, or submit any queries, please write to: mailto:elena.lichmanova@merton.ox.ac.uk

Friday 10 May 2024 (3rd Week, Trinity Term)

Friday 17 May 2024 (4th Week, Trinity Term)

Friday 7 June 2024 (7th Week, Trinity Term)

Series organisers: Elena Lichmanova (Merton), Mathilde Mioche, Fergus Bovill, Celeste Pan, Irina Boeru, Charly Driscoll, Ana Dias, Klara Zhao

Online Lecture Series: Material Migrations I, 29 April - 09 September 2024 (5pm CET)

Online Lecture Series

Material Migrations I

29 April - 09 September 2024 (5pm CET)

The “Material Migrations” lecture series centers issues of object mobility, transcultural dynamics, and notions of connectivity and resistance with case studies from the Middle Ages until today. Connected to the international collaborative research project “Material Migrations: Mamluk Metalwork across Afro-Eurasia”, funded by the Gerda Henkel Foundation and directed by Gertrude Aba Mansah Eyifa-Dzidzienyo and Vera-Simone Schulz, the online lecture series sheds new light on the lives and afterlives of objects, but also counterbalances an object-centered with a people-centered approach. Interdisciplinary in nature, the series brings together researchers and cultural practitioners from different institutions across the globe, fostering nuanced analyses that transcend traditional disciplinary boundaries. Through engagement with art history, history, archaeology, anthropology, literary studies, and contemporary art, the lectures offer innovative perspectives on questions of canonization and the overcoming of canons, on visual and material culture, critical museology, critical heritage studies, preservation, conservation, and questions of care. The first round of talks and conversations this year will focus on Afro-Eurasian and global dynamics, on Durbi Takusheyi as a hub for people and objects crisscrossing the African continent, on objects and materials in relation to sites and the environment, on the present and future of heritage sites and museums, on contemporary approaches to Black presence in the Uffizi galleries, and on present pasts in the medium of film. Illuminating the interconnectedness of human experiences and material artifacts, “Material Migrations” highlights their enduring significance in contemporary contexts.

The on-going lecture series is free, online and open to the public. Everyone is welcome to register and attend. A follow-up program will be published in the coming months.

For more information on the “Material Migrations” project, please visit: https://lisa.gerda-henkel-stiftung.de/material_migrations_mamluk_metalwork_across_afro_eurasia
Program

Monday, April 29, 5pm CET
Albrecht Fuess (Philipps-Universität Marburg): A Clash between Muslim Empires: The Struggle between Ottomans, Mamluks and Safavids in the Years 1470-1520

Monday, May 20, 5pm CET
Akanni Olusegun Opadeji (MOWAA): New Light on Durbi Takusheyi and the Katsina Excavations

Registration link: click here

Monday, May 27, 5pm CET
Mark Seyram Amenyo-Xa (University of Ghana): The Forts and Castles of Ghana: 4+ Decades of World Heritage Status

Registration link: click here

Monday, June 24, 5pm CET
Musa Oluwaseyi Hambolu (University of Jos, former Director of Research, NCMM Nigeria): The Present and Future of Museums in Nigeria

Registration link: click here

Monday, July 1, 5pm CET
Jenny Bulstrode (University College London): The Cogs and the Wheels in the Webs of Resistance

Registration link: click here

Monday, July 15, 5pm CET
Justin Randolph Thompson (The Recovery Plan): The Limitations of Presence: Contested Framings of Access

Registration link: click here

Monday, September 9, 5pm CET
Elizabeth Lambourn (De Montfort University): Metals and Models: The Exchange of Technologies between Aden and the Malabar Coast as Recorded in Geniza Documents

Registration link: click here

This first round of the online series will also include a virtual screening of:

“Il Moro”, the Oscar longlisted film on the life of the Duke of Florence Alessandro de’ Medici of African descent followed by a discussion with the film director Daphne Di Cinto. Information how to register for this event will be made available on the Gerda Henkel website

Concept and organization: Gertrude Aba Mansah Eyifa-Dzidzienyo and Vera-Simone Schulz

Call for Papers: Southeast European Silversmithing: Artisans, Donors, and the Concept of Piety During the Early Modern Period, Institute of Art Studies, Bulgarian academy of sciences, Due 15 May 2024

Call for Papers for International Conference

Southeast European Silversmithing: Artisans, Donors, and the Concept of Piety During the Early Modern Period

Institute of Art Studies, Bulgarian academy of sciences, Sofia, Bulgaria, 17-18 October 2024

Deadline: 15 May 2024

Commissioning and donation of liturgical objects is among the most vivid manifestations of religiosity and an expression of pious devotion to God. Through the centuries, gradually, more sacred silver objects and various sources of information about them reached us which gave the art historians a unique opportunity to examine and understand the impact of material culture in shaping the religious life of Christians. Despite the increasing number of studies dedicated to the historical, technological, iconographical, and functional aspects of liturgical objects which undoubtedly are giving us a much better understanding of them, we still know comparatively little about the silversmiths, the organisation of their profession and the artistic process, the donors and the circumstances of their commissions. In other words, we, as researchers in that field, often struggle to identify all the stipulations that resulted in the emergence of church utensils made of precious metals.

The conference will focus on the issues regarding the manufacturing and circulation of liturgical objects as well as their role in the construction of the pious image of the believers in Southeast Europe during the early modern period. We believe that this research area offers a good potential for academic discussion and interdisciplinary investigations combining art historical methods with critical analysis of a variety of written sources, archival documentation, and contemporary approaches in humanitarian studies. We welcome proposals for 20-minute papers exploring material across the topic that deal with either case studies or broader methodological questions. Papers that take an interdisciplinary approach, breaking the traditional boundaries between art history and history, especially economic history and the history of guilds, and museum studies, are particularly welcome. Topics of interest may include, but are not limited to: 

  • Commission and donation of liturgical objects. 

  • Objects reflecting personal and collective piety through the mechanisms of production and donorship. 

  • Social status of donors and silversmiths within the society and their “biographies”. 

  • Production of liturgical objects, issues of artistic process and technological peculiarities. 

  • Silversmiths’ guilds, professional organization, state regulations and control on precious metals. 

  • Interaction of silversmiths’ guild with local Church authorities and other institutions. Manufacturing and trading liturgical objects. 

  • Circulation of liturgical objects and mobility of silversmiths. 

  • Provenance and hallmarks on liturgical objects, style, attribution and authorship. 

  • The „afterlife“ of profane silver as liturgical objects in the secondary use, transformation and utilisation of exotic materials for sacred purposes. 

  • Liturgical silver as a deposit for the state economy in peace and war.

  • Liturgical objects in written sources such as various types of chronicles, inventories, wills, travel accounts, memoirs, marginal notes, etc. 

  • Inscriptions on liturgical objects and their interpretation.

Academic research on wider aspects of the topic such as exploring the destiny of liturgical objects through time, their later “life”, and changes in form and function, the place of church utensils and silversmithing in art historiography, archival documents and photographs, and museum and private collections, will also be considered. 

We are inviting papers in all relevant disciplines and scholars working on similar topics in areas other than art history are encouraged to apply. 

The conference’s working languages will be English and Bulgarian. Please submit your abstracts of 400 words in English no later than 15 May 2024 and a short biography of 300 words, including email and current affiliation. 

You should also provide a personal photo for use on the conference website. 

Prospective conference participants will be notified if their paper has been accepted no later than 25 May 2024. Please note that the accommodation costs for speakers will be covered.

The conference papers are planned to be published by 2026. All information about the conference, including participants and proposed abstracts will be made available on the website of the conference and the website of the Liturgical Objects in the Context of Silversmith’s Art During the Ottoman period (Based on Materials from the Diocese of Plovdiv) project. Please send your applications to: southeasteusilversmithing@gmail.com or liturgicalobjectsproject@gmail.com

Academic Committee: 

  • Darina Boykina, PhD, Institute of Art Studies, Bulgarian Academy of Sciences,

  • Republic of Bulgaria

  • Mateja Jerman, PhD, Ministry of Culture and Media of the Republic of Croatia and

  • Faculty of Humanities and Social Sciences, University of Rijeka, Republic of Croatia

  • Vuk Dautović, PhD, Department of History of Art, Faculty of Philosophy, University

  • of Belgrade, Republic of Serbia

Organising Committee:

  • Darina Boykina, PhD, Institute of Art Studies, Bulgarian Academy of Sciences,

  • Republic of Bulgaria

  • Tereza Bacheva, PhD, Institute of Art Studies, Bulgarian Academy of Sciences,

  • Republic of Bulgaria

Timeline:

  • Open CFPs: 15 March 2024

  • Deadline for submission of abstracts and CVs: 15 May 2024

  • Feedback on abstracts: 25 May 2024

  • Date of the conference: 17 – 18 October 2024

  • Submission of papers for publication: 30 June 2025

Further Information

  • You can download the invitation for the conference here.

  • You can download the application form here.

  • Find out more here.