Call for Papers: Visualizing Drugs & Dyes. Art and Pharmacology in (Early) Medieval Worlds (600 – 1400), International Conference, Basel (4-6 September 2023), Abstracts Due 2 April 2023

Call for Papers

Visualizing Drugs & Dyes. Art and Pharmacology in (Early) Medieval Worlds (600 – 1400)


International Conference, Basel, 4-6 September 2023

Abstracts Due 2 April 2023

BnF. Département des Manuscrits. Latin 6862, fol. 24r

Plants have long shaped the material practice and imagination of pharmacy. Far more than animals or minerals, plants and their products were central to medicine in premodern epistemologies. Over centuries, images and imaginings of vegetal materia medica played a profound role in human conceptions of and interactions with the natural world. In many ways, they continue to do so. Conversely, the therapeutic efficacy of plants and their products impacted broader visual and material cultures and practices. Thus, premodern pharmacological techniques interacted with the practices of image-making, artistic processes, and art.

Notwithstanding this close, underlying relationship between art and pharmacology in surviving medieval texts on healing and pharmacy produced between the 7th- 14th century, visualizations of medical substances have not yet sufficiently been the focus of art historical studies. Images of plants and their pigments and dyes, invite further investigations into their epistemic status as well as their therapeutic, and mimetic capacities. What forms of knowledge do these images, materials, and substances provide? What audiences do they address? How can they be situated, between the practices and interests of scribes/painters, scholars, nuns and monks, physicians, apothecaries, gardeners, rhizotomes, and also readers – while taking into consideration the changing status of these human actors across society, gender, time, and space? What can such images, materials, and substances tell us about the interconnections between human and vegetal worlds? What role do colors, pigments and dyes, scent or the incorporation of prayers and charms play in the creation of images of healing? Moreover, how does medicinal, pharmacological or toxicological, plant-related knowledge circulate across vast (plant) geographies? The conference wants to connect the representations of simplicia such as ginger, plantain, pennyroyal, saffron, artemisia, liquorice, or strawberry from cities, rural communities, courts, and religious congregations in the Indo-Pacific, the so-called Levant, the Black Sea, the Mediterranean, and the Medieval West.

Visualizing Drugs & Dyes seeks a dialogue among scholars engaged in the history of science, literary studies, history of medicine, art history, and the burgeoning field of plant studies and related disciplines. We welcome papers from all geographical regions, within a premodern, medieval timeframe. We are particularly interested in studies focused on before 1200. We invite contributions which might relate, but are not be limited, to the following topics:

• Pharmacological geographies in early medieval worlds
• Circulation of materia medica and economic history
• Drugs & dyes and transmitting knowledge
• Color and medicine
• Taxonomies
• Drugs & dyes in poetry and literature
• Nomenclature and translations
• The aesthetics of plants and of medicinal substances
• Painting/writing and healing
• Mimesis in medical practice
• Interconnections between human and vegetal worlds

Abstracts for 30-minute papers (max 2000 characters including spaces), together with a brief biography (max 1500 characters including spaces) should be submitted to: Theresa Holler (theresa.holler@unibas.ch). Travel expenses (up to 400CHF) and accommodation costs will be covered. The event will by hybrid and we accept online participation, please indicate whether you wish to attend remotely.

Abstracts’ language accepted: English, German, Italian, French, Spanish

For a PDF of the Call for Papers, click here.

Call for Contributions: DOSSIER CAIANA #23, De coloribus. Material, Symbolic and Social Crossroads of Medieval and Renaissance Painting, Due 29 May 2023

Call for Contributions

DOSSIER CAIANA #23

De coloribus. Encrucijadas materiales, simbólicas y sociales de la pintura medieval y renacentista.

De coloribus. Material, Symbolic and Social Crossroads of Medieval and Renaissance Painting.

Due 29 May 2023

Jean Bourdichon (enlumineur), Horae ad usum Romanum, dites Grandes Heures d’Anne de Bretagne, Tours 1503-1508, NAF 21192, Paris, Bibliothèque nationale de France, f.37r (detalle). Source BnF / Gallica: https://gallica.bnf.fr/ark:/12148/btv1b52500984v/f82.item# (Consultado: 20/11/2022)

Coordinadoras / Coordinators:

Nadia Mariana Consiglieri (Universidad de Buenos Aires – Universidad Nacional de las Artes- CONICET, Argentina)
María Cristina Correia Leandro Pereira (Universidade de São Paulo, Brasil)

Colour, both in its material and light dimensions, played a leading role in Medieval and Renaissance visual culture. Taking part in altarpieces, sculptures, architecture, tapestries, wall paintings and illuminated manuscripts, colour embraced multiple variants. Likewise, the translucent, ethereal but also brilliant and changing tones of enameled pieces and goldsmiths, gems, mosaics and stained glasses acquired an equally vital importance. Far from the imaginaries built during the nineteenth century about a Middle Ages plunged into dark and monochromatic grey buildings, the language of colour and light was a constant factor in the visual cultures of this period.

Since the last decades of the past twentieth century, the investigations of Michel Pastoureau reconsidered colour as an object of historical study plausible itself to be approached as a visual code from its multiple symbolic, social, cultural and religious dimensions. Moreover, Herbert L. Kessler stressed the dynamic and material performance of colours and Jean-Claude Bonne emphasized their diverse roles within ornamentation. In addition, specific investigations began to be carried out on typologies, modes of application and commercial routes of pigments used for the production of illuminated manuscripts, as well as collective studies on the diversity of techniques and the relationships between makers and patrons.

This dossier aims to open a new field of debate on the ways in which colour appears and acts on pictorial surfaces of different images, objects, devices and spaces produced between the eleventh and fifteenth centuries. Within this broad temporal spectrum, it is not intended to focus only on the Medieval and Renaissance West, but also on chromatic objectualities from the East and from groups considered the «otherness» from Western Christianity perspective, in order to rethink the diversity of processes, exchanges, assimilations and overlaps. How did colours circulate in their different versions? ; how were material and symbolic exchange networks woven?; what were the roles of the itinerant and permanent painters, circles and workshops of artisans?; how did the technical and material knowledge of colour spread among them?; how did patrons and receivers interact?; what iconographic and ornamental relationships can engage colours with images?

We invite to submit papers related at least to one of the following topics:

  1. Qualities of pictorial matter: diversity of supports, pigments, materials and techniques. Plurality of materials as interaction devices with the pictorial surface: pastiglia reliefs, use of gold leaf, etc.

  2. Painting and praxis: recipe books, treatises and model compilation notebooks.

  3. Medieval theories on colour, light, materiality and their symbolic dimensions.

  4. The roles of artisans and patrons: miniaturists, painters and enamellers’ ways of making. From monastic environments to secular workshops. Regulations, the action of guilds, contracts.

  5. Reception and agency of the pictorial matter: changes, interventions, damages, outrages.

  6. Iconographic, constructive, syntactic, symbolic, aesthetic and rhythmic roles of ornamentation.

  7. The pictorial materiality in objects and Islamic environments: their interactions with the Christian sphere.

  8. Details and features in Medieval and Renaissance pictorial works (paintings, illuminated manuscripts) belonging to the Latin American artistic heritage. Collecting, museographical links and historiographical perspectives.


Requirements

Articles must be original and not be simultaneously evaluated by other publications. To be submitted to peer review modality, the articles must be sent to the email: revistacaiana@gmail.com, indicating in the subject: “LAST NAME_Dossier caiana #23”

Deadline for papers submission: May 29, 2023.

Issue publication date: November – December, 2023.

CAIANA is indexed in the catalog of the Latindex information system, the European Reference Index for Humanities (ERIH PLUS) and DOAJ (Directory of Open Access Journal).

Papers must comply with the publishing standards of the journal.
For more information, https://caiana.caiana.com.ar/dossier-caiana-23/

Referencias / references:

Bonne, J. C. (1983). Rituel de la couleur: fonctionnement et usage des images dans le Sacramentaire de Saint-Etienne de Limoges. En: Ponnau, D. (Ed.). Image et signification. Paris: La Documentation française, p. 129-139.

Bonne, J. C. (2002). Penser en couleurs: à propos d’une image apocalyptique du Xe siècle. In: Schmitt, J. C; Hülsen-Esch, A. (Eds.). Die Methodik der Bildinterpretation. Göttingen: Wallstein, v. 2, p. 355-379.

Castelnuovo, E. & Sergi, G. (Eds.) (2013). Arte e Historia en la Edad Media. Volumen II. Del construir: técnicas, artistas, artesanos, comitentes. Madrid: Akal.

Kessler, H. (2011). Seeing Medieval Art. Toronto: University of Toronto Press.

Miranda, M.A. & Miguélez Cavero, A. (Eds.) (2014). Portuguese studies on medieval illuminated manuscripts. Barcelona-Madrid: Fédération Internationale des Instituts d’Études Médiévales.

Pastoureau, M. (2006). Una historia simbólica de la Edad Media Occidental. Buenos Aires: Katz.

Pastoureau, M. (2008). Black. The History of a Color. Princeton and Oxford: Princeton University Press.

Pastoureau, M. (2010). Azul. Historia de un color. Madrid: Paidós.

Pastoureau, M. (2016). Rouge. Histoire d’une couleur. Paris: Éditions du Seuil.

Pastoureau, M. (2017). Vert. Histoire d’une couleur. Paris: Éditions du Seuil.

Call for Papers: XVI Jornadas Complutenses de Arte Medieval, EN FEMENINO: ART AND WOMEN IN THE MIDDLE AGES, Madrid (19-20 October 2023), Abstracts Due 30 April 2023

Call for Papers


XVI Jornadas Complutenses de Arte Medieval

EN FEMENINO: ART AND WOMEN IN THE MIDDLE AGES

Madrid, October 19th- 20th, 2023

Abstracts Due 30 April 2023

During the last decades, references to women's participation in medieval artistic processes have ceased to be the story of an absence. Similarly, studies of medieval female iconography have transcended their mere representation as wives, mothers, lovers, sinners and sin-inducers, or nuns. Throughout the Middle Ages, women projected, enjoyed and created art; there is no doubt about it. An increasing number of works focus on female patronage, sometimes shared with her husband but often practised autonomously and with incalculable value as a self-affirmation mechanism. Other proposals highlight female identities hidden among the list of male practitioners of any of the arts or give names to faces represented in sacred and profane episodes. Through the testimonies of material and visual culture linked to women, social realities different from the power relations established in those times are being outlined more straightforwardly and precisely. Even so, artistic studies still lag behind those focused on other disciplines such as history, philosophy or literature.

In its sixteenth edition, the Conference will be devoted to highlighting the role of Women in medieval artistic creation. This role will be understood in the broadest possible way: from patronage to creation and reception, as a channel for power strategies, a transmitter of science or a generator of specific iconographic types, regardless of their active or passive role in all this creative dynamic. Women and Gender will serve as the priority vectors to articulate the scientific content of Conference sessions.

We invite the academic community to submit abstracts in Spanish, English, Italian and French consisting of a 500 words summary highlighting the innovative nature of the paper together with the chosen session and a brief curriculum vitae (max. 300 words) before the 30th of April 2023 to the following address: enfemenino@ucm.es

Proposed topics:

●  Women and artistic creation: artists, trades, textiles

●  Depictions and portraits, identity

●  Female spaces and architecture

●  Art and female spirituality

●  Patronage and Memory management

●  Costume and textile trade

●  Cross-cutting gender issues: prostitution, transsexuality, marginalisation,

otherness, old-age

●  Science, techné, art and women

Confirmed keynote speakers: Verónica Abenza (UCM), Jessica Barker (The Courtauld Institute of Art), Bárbara Boloix (Universidad de Granada), Irene González (UCM), Jitske Jasperse (CCHS-CSIC), Elizabeth L’Estrange (University of Birmingham), Diana Lucía (UCM), Therese Martin (CCHS- CSIC), Ana Maria Rodrigues (Universidade de Lisboa), and Marta Poza (UCM).

The organising committee shall acknowledge receipt of submissions and select those considered most closely aligned with the meeting objectives, responding before the 25th of May. Following peer review, these will be published in a monograph.

Scientific-organising Committee: Marta Poza, Elena Paulino, Laura Rodríguez, Alexandra Uscatescu, Irene González, Diana Lucía, Diana Olivares, Verónica Abenza, Ángel Fuentes and Alba García-Monteavaro.

For more information, https://www.ucm.es/historiadelarte/en-femenino

A PDF of the Call for Papers can be read in Spanish and English.

Call for Papers: From Ctesiphon to Toledo: A Comparative View on Early Church Councils in East and West, Central European University, Vienna (12-13 October 2023), Abstracts Due 7 April 2023

Call for Papers

From Ctesiphon to Toledo: A Comparative View on Early Church Councils in East and West

October 12-13, 2023

Central European University, Vienna

Abstracts and Short CVS Due April 7, 2023

The 1700th anniversary of the Council of Nicaea in 325 is approaching, and the importance of the first ecumenical council for the doctrinal and institutional development of the Christian Churches is manifest. Unfortunately for historians, Nicaea itself remains badly documented, but in late antiquity church councils became one of the instruments for ruling the church. For some general church councils, such as the Council of Chalcedon in 451, even the minutes survive, and in recent years, many of these conciliar acts have been made available in translation. This has led to increased interests in church councils, and particularly during the last decades, not only theologians but also historians have started contextualizing conciliar texts.

The envisaged conference "From Ctesiphon to Toledo: A Comparative View on Early Church Councils in East and West" intends to make use of these scholarly achievements and invite colleagues to investigate late antique and early medieval councils with a more holistic approach. The Christian Roman Empire provided a different legal and organizational setting for the so-called ecumenical councils of the fourth to sixth centuries than the post-Roman Germanic kingdoms did for regional councils of the Visigothic and Frankish Churches or Sasanian Persia for councils of the Church of the East. The goal of the conference is to establish comparative perspectives on late antique and early medieval church councils in East and West up to the seventh century.

Possible topics are questions of procedures, such as the practical and organisational aspect of convening a council, and the identities of functionaries who took the notes and who composed the final minutes. Considering the very different frameworks in which these church councils operated – from a non-Christian empire (Sasanian Persia) via the Christian Roman empire to post-Roman Ariminian(/Arian) kingdoms – the question on whose authority the councils convened is another possible topic to address. Independent of the question if it was the emperor, the king or the metropolitan bishop, what were the reasons for convening a council? Were there specific patterns for summoning councils and how much did ecclesiastical politics play a role? How much then were political and theological aspects and agendas overlapping at church councils? Did bishops have the freedom to join or to stay away? Which ecclesiastical topics were discussed in regional councils and did the decisions differ in East and West?

Other innovative perspectives and questions are of course welcome. The conference is hosted by the Center for Eastern Mediterranean Studies (CEMS) and the Center for Religious Studies (CRS) at Central European University (CEU), Vienna. Thomas Graumann (Cambridge), Uta Heil (Vienna), Sabine Panzram (Hamburg), Richard Price (London), and Sebastian Scholz (Zurich) have already agreed to participate, and we hope we can interest many more contributors to make this conference a success.

Please send an abstract (c. 250-300 words) and short CV by April 7, 2023 to Volker Menze at menzev@ceu.edu. The conference is funded by CEMS, CRS and the Academic Cooperation and Research Support Office (CEU); accommodation will be provided for speakers and there is also (limited) funding available for the reimbursement of travel costs.

For more information, https://cems.ceu.edu/article/2023-01-30/call-papers-ctesiphon-toledo-comparative-view-early-church-councils-east-and-west

Exihibition: “Wijvenwereld”: A surprising outlook on women in the late middle ages, Museum Kasteel Wijchen, 19 November 2022 to 7 May 2023

“Wijvenwereld”

A surprising outlook on women in the late midDle ages

From 19 November 2022 to 7 May 2023

Museum Kasteel Wijchen, Da Wijchen, The Netherlands

The Middle Ages: a dark period in which violence reigns and men dominate society. Women barely get involved. Is this image correct? Medieval women had quite a lot of rights in the Low Countries: they traded, expressed their opinion and did indeed push through their will. These ‘wijven’, the medieval word for ‘woman’, populated the city and the countryside. Their position differed less from the contemporary woman than was thought.

In collaboration with Het Gebroeders van Lymborch Huis, Museum Kasteel Wijchen presents the exhibition “Wijvenwereld”. A surprising outlook on women in the late Middle Ages. An exhibition about the position of women in the 15th century, both rich and poor. Miniatures of books of hours, archaeological finds, literature, badges and other special objects reveal a surprising picture of the position and environment of women. An image that is different from the ideas formed in the 19th century with which we grew up. The spotlight is on a wonderful ‘women’s world’!

For more information: https://www.museumwijchen.nl/en/

Demonstration book decoration

On several days you can get acquainted with the craft of book decoration in the time of the Middle Ages. In the exhibition Wijvenwereld. A surprising view of women in the late Middle Ages also pays attention to books of hours. In the Middle Ages text pages were embellisht with beautiful decorations. A decorater gives demonstrations in Museum Kasteel Wijchen in which she shows how books were embellisht in the Middle Ages.

Dates and times: Last date: Monday April 10, 2023. The demonstration is continuously on all dates from 13:00-16:00 h.

Price: The demonstration is included in a museum ticket.

Medieval Festival

On Sunday, April 23, 2023, the Middle Ages will be brought to life in Museum Kasteel Wijchen with a medieval festival.

Date and time: Sunday, April 23, 2023 – 10:00 AM-5:00 PM

Price: Included with a museum ticket.

Church Monuments Society Online Lecture Series: Sculpting Family Identity: The Beaumont tombs of 13th-century Maine, Robert Marcoux, 25 March 2023 17:00-18:00 GMT (1:00-2:00 ET)

Church Monuments Society Online Lecture Series

Sculpting Family Identity: The Beaumont tombs of 13th-century Maine

Robert Marcoux, Université Laval

25 March 2023, 17:00 – 18:00 GMT (1:00 – 2:00 ET)

An event forming part of the Church Monuments Society's series of online lectures for Spring 2023. Everybody welcome!

To register: https://www.eventbrite.co.uk/e/sculpting-family-identity-the-beaumont-tombs-of-13th-century-maine-tickets-536171843417

Sculpting in stone a family identity: The Beaumont tombs and the political context of thirteenth-century Maine: Since their discovery in the remains of the Abbey of Étival (Maine) in the late nineteenth century, the tombs attributed to members of the Beaumont family have mostly been approached stylistically in an effort to date them. Given the lack of consensus that resulted from this approach, this lecture reconsider the evidence by giving greater attention to the historical situation of the County of Maine between the late twelfth and early fourteenth century. By insisting on the tension of political allegiances, Marcoux proposes a new chronology of the Beaumont tombs (including those that were lost), one which reflects an ongoing effort to define and promote the family identity.

Robert Marcoux is Associate Professor of Art History at the Department of Historical Sciences at Université Laval in Québec. His research interests focus on the theories, uses and functions of images in the medieval West from the 4th to 15th centuries. His work deals mostly with tomb sculpture, macabre imagery and representations of the body.


Event Information

This online talk is FREE to all and will take place on Zoom. Places must be booked via Eventbrite. This is one of a series of online talks delivered by the Church Monuments Society for Spring 2023.

JOINING INSTRUCTIONS: You should receive a link from Eventbrite two days before the event, two hours before the event, and just as the event begins. If you have not received the link, contact us via Eventbrite so we can try to resolve this.

Guidelines and handy Zoom hints

Before the event:

• Please ensure you have already downloaded and installed Zoom to the device you wish to use. Read their guide if you are unsure about how to do this (https://support.zoom.us/hc/en-us/articles/115004954946-Joining-and-participating-in-a-webinar-attendee- )

• Make sure you have registered via Eventbrite using your correct email address (or you will not receive the joining instructions).

• We will email the access link to you via Eventbrite shortly before the event begins.

• Please ensure that Eventbrite is on your safe-senders list and check your Spam/Junk inbox for our communications if you cannot see them.

During the webinar:

• Please remain muted throughout.

• The talk will last approximately 45 minutes and will be followed by questions.

• You are welcome to use the Chat box to contact panellists.

• Send formal questions for the speaker using the Q&A function so that they are easily identifiable. These can then be put to the speaker by one of our event coordinators.

• The session may be recorded by the Church Monuments Society. Screenshots and/or recording by participants is not permitted for copyright reasons.

• The host can remove attendees from the webinar.

• If you experience technical difficulties, contact panellists using the chat function. We will do our best to help.

• Enjoy the talk!

Church Monuments Society Online Lecture Series: Epitaphs, Visibility, and the Mobile Spectator at Canterbury Cathedral, Dr. Jessica Barker, 18 March 2023 17:00-18:00 GMT (13:00-14:00 ET)

Church Monuments Society Online Lecture Series

Epitaphs, Visibility, and the Mobile Spectator at Canterbury Cathedral

Dr Jessica Barker FSA

18 March 2023 17:00-18:00 GMT (13:00-14:00 ET)

Image Credit: Dr Jessica Barker

An event forming part of the Church Monuments Society's series of online lectures for Spring 2023. Everybody welcome!

To register: https://www.eventbrite.co.uk/e/epitaphs-visibility-and-the-mobile-spectator-at-canterbury-cathedral-tickets-536164832447

Epitaphs, Visibility, and the Mobile Spectator at Canterbury Cathedral: Join us for a fresh look at the tomb and epitaphs of the Black Prince in Caterbury Cathedral, with Dr Jessica Barker FSA of the Courtauld Institute.

Dr Jessica Barker FSA is Senior Lecturer in Medieval Art History at the Courtauld Institute of Art. She is a specialist in medieval art, with a particular emphasis on sculpture. She studied at the University of Oxford and the Courtauld Institute, where she was subsequently Henry Moore Postdoctoral Fellow. She joined The Courtauld in 2018, after two years as a lecturer in world art at the University of East Anglia. Jessica’s research ranges across northern Europe and the Iberian peninsular, addressing questions of the macabre, gender, materiality and the body. She has published widely on death and commemoration, with articles in journals including Art History, The Burlington Magazine, Gesta, and The Sculpture Journal.


Event Information

This online talk is FREE to all and will take place on Zoom. Places must be booked via Eventbrite. This is one of a series of online talks delivered by the Church Monuments Society for Spring 2023.

JOINING INSTRUCTIONS: You should receive a link from Eventbrite two days before the event, two hours before the event, and just as the event begins. If you have not received the link, contact us via Eventbrite so we can try to resolve this.

Guidelines and handy Zoom hints

Before the event:

• Please ensure you have already downloaded and installed Zoom to the device you wish to use. Read their guide if you are unsure about how to do this (https://support.zoom.us/hc/en-us/articles/115004954946-Joining-and-participating-in-a-webinar-attendee- )

• Make sure you have registered via Eventbrite using your correct email address (or you will not receive the joining instructions).

• We will email the access link to you via Eventbrite shortly before the event begins.

• Please ensure that Eventbrite is on your safe-senders list and check your Spam/Junk inbox for our communications if you cannot see them.

During the webinar:

• Please remain muted throughout.

• The talk will last approximately 45 minutes and will be followed by questions.

• You are welcome to use the Chat box to contact panellists.

• Send formal questions for the speaker using the Q&A function so that they are easily identifiable. These can then be put to the speaker by one of our event coordinators.

• The session may be recorded by the Church Monuments Society. Screenshots and/or recording by participants is not permitted for copyright reasons.

• The host can remove attendees from the webinar.

• If you experience technical difficulties, contact panellists using the chat function. We will do our best to help.

• Enjoy the talk!

Call For Papers: Intersections: Entanglements with Medieval and Renaissance Textiles, 1100-1550 (Monday 22 May 2022, London, UK), Abstracts Due 20 March 2023

Call For Papers

Intersections: Entanglements with Medieval and Renaissance Textiles, 1100-1550

The Courtauld Postgraduate Medieval Symposium 2023

Monday 22 May 2022, London, UK 

Abstracts Due 20 March 2023


Flemish, Southern Netherlands The Holy Family, ca. 1500 Flemish, Southern Netherlands, Wool, silk, and gilt- and silvered-metal-strip-wrapped silk in slit, dovetailed, and interlocking tapestry weave with supplementary brocading wefts (in sewing basket, Joseph's coat, and hem of Mary's cloak); 40 9/16 x 46 15/16 in. (103.1 x 119.2 cm) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.1913) http://www.metmuseum.org/Collections/search-the-collections/459954

During the Middle Ages and Renaissance, textiles wrapped up and coated walls, people, furniture, and objects. They provided omnipresent, and often complex, symbolic and visual demarcations of spaces. Diplicare, the root of display, is in unfolding: so much of the frameworks of how we surround ourselves are rooted in practices using cloth. The value of these textiles, both in their materiality and craftsmanship, exceeded that of many other artforms which have been privileged by scholars. Textiles were often disregarded in art historical study, considered to be visually unappealing or discredited in previous centuries as part of the decorative arts. In addition, only a fraction of the textiles that functioned in these spaces survive, many of which are in a fragmented state.

In recent years, textiles have received more attention in art historical studies, and block buster exhibitions on tapestries have made the importance of textiles clear to a wider public. There are, however, still many new angles from which we can interrogate and discuss textiles which can enrich, connect, and reframe not only textile history but wider research subjects in Medieval and Renaissance studies.

In this symposium we would like to draw together varying angles of research through their intersections with textiles, in whatever capacity.  The theme of this symposium centres on how Medieval and Renaissance  textiles, real and depicted, combine, overlap or intersect in different ways. In short, it aims to interrogate how textiles get entangled with other people, arts, materials, objects and functions.

We welcome applications that relate to intersections of various types, including, but in no way limited to:

  • Intersections through representation: the depiction of textiles in other materials and media, or the intersection of textile aesthetics and design principles through their adoption in other art forms

  • Intersections through the combination of actual textiles with other materials and media, or other objects (like relics).

  • The intersecting geographies of a textile created in one place and used in another.

  • Intersections of collaboration and exchange between craftsmen, of process or designs, knowledge or the finishing of each other’s products.

  • Intersections in display, alongside other objects or other kinds of textiles, or the manner in which they were collected and their intersection with other objects in that collection.

  • Intersections in space: the ornamental function of textiles, how they might correlate with the space that they are found in, or with other objects within that space.

  • Intersections through time: textiles and their afterlives, repaired, repurposed, cut up and reused.

  • Intersections in iconographies, how the iconographies of textiles can be adopted other media.

To apply, please send a proposal of up to 250 words for a 20-minute paper, or an alternative presentation, with a CV to c1300199@courtauld.ac.uk by no later than Monday 20th March 2023.

The Medieval Postgraduate Symposium will take place at The Courtauld’s Vernon Square campus, in person, on Monday 22nd May 2023.

Organised by Jessica Gasson (The Courtauld) and Julia van Zandvoort (The Courtauld)

Church Monuments Society Online Lecture Series: The Last Hour: Tombs for Women in the Kingdoms of Jerusalem and Cyprus, 11 March 2023 17:00-18:00 GMT (13:00-14:00 ET)

Church Monuments Society Online Lecture Series

The Last Hour: Tombs for Women in the Kingdoms of Jerusalem and Cyprus

Estelle Ingrand-Varenne and Maria Villano

11 March 2023 17:00 – 18:00 GMT (13:00 – 14:00 ET)

Image Credit: Estelle Ingrand-Varenne & Maria Aimé Villano

An event forming part of the Church Monuments Society's series of online lectures for Spring 2023. Everybody welcome!

To register: https://www.eventbrite.co.uk/e/the-last-hour-tombs-for-women-in-the-kingdoms-of-jerusalem-and-cyprus-tickets-536146146557

The Word of the Last Hour: Tombs and Epitaphs for Women in the Kingdoms of Jerusalem and Cyprus: This talk will examine the funerary monuments and inscriptions of the Latin populations in the areas of the two kingdoms of Jerusalem and Cyprus, from the epigraphic point of view. A series of a case studies are highlighted, with a special focus on tombstones devoted to women. This perspective serves two purposes: on the one hand it allows an examination of the role of women in a given society, mainly through the mechanisms of (self) representation entrusted to the epitaphs and the images, while, on the other, it enables us to question the totality of the funerary heritage in terms of similiarity and difference, as far as more general questions are concerned, even if funerary inscriptions for women in the Latin East as in Europe represent a minority.

Estelle Ingrand-Varenne specializes in medieval epigraphy. After having studied the inscriptions’ shift from Latin to French in her doctoral thesis (2018), her research focus turned to the Outremer. She has worked on the inscriptions of the Latin kingdom of Jerusalem, producing a new corpus for studying this specific epigraphy. After three years at the French Research Center in Jerusalem, she is now at the Center for Advanced Studies in Medieval Civilisation (CESCM) in Poitiers. Estelle is the principal investigator of the ERC Starting grant project GRAPH-EAST, which deals with inscriptions and graffiti in Latin alphabet in the Eastern Mediterranean from the 7th to the 16th c. (2021-2026).

Maria Aimé Villano is an art historian, specializing in the Italian and Byzantine middle ages. She has an MA degree from the Università degli Studi di Firenze with a dissertation on the sculpted columns of the ciborium of San Marco at Venice. She received her doctoral degree in 2020 in cotutelle between the Università Ca’ Foscari of Venice and the Université de Poitiers on the study of these columns, focusing on their epigraphic and iconographic aspects and especially on the relationship between text and image. For the Graph-East project, she is currently working on the medieval Latin inscriptions of Cyprus.


Event Information

This online talk is FREE to all and will take place on Zoom. Places must be booked via Eventbrite. This is one of a series of online talks delivered by the Church Monuments Society for Spring 2023.

JOINING INSTRUCTIONS: You should receive a link from Eventbrite two days before the event, two hours before the event, and just as the event begins. If you have not received the link, contact us via Eventbrite so we can try to resolve this.


Guidelines and handy Zoom hints

Before the event:

• Please ensure you have already downloaded and installed Zoom to the device you wish to use. Read their guide if you are unsure about how to do this (https://support.zoom.us/hc/en-us/articles/115004954946-Joining-and-participating-in-a-webinar-attendee- )

• Make sure you have registered via Eventbrite using your correct email address (or you will not receive the joining instructions).

• We will email the access link to you via Eventbrite shortly before the event begins.

• Please ensure that Eventbrite is on your safe-senders list and check your Spam/Junk inbox for our communications if you cannot see them.

During the webinar:

• Please remain muted throughout.

• The talk will last approximately 45 minutes and will be followed by questions.

• You are welcome to use the Chat box to contact panellists.

• Send formal questions for the speaker using the Q&A function so that they are easily identifiable. These can then be put to the speaker by one of our event coordinators.

• The session may be recorded by the Church Monuments Society. Screenshots and/or recording by participants is not permitted for copyright reasons.

• The host can remove attendees from the webinar.

• If you experience technical difficulties, contact panellists using the chat function. We will do our best to help.

• Enjoy the talk!

New Exhibition: UKRAINE: Connected Histories and Vibrant Cultures, Tufts University, Opening and Reception 6 March 2023 5:00 PM

UKRAINE: Connected Histories and Vibrant Cultures

Opening and Reception on 6 March 2023 5:00 PM ET

Tisch Library Main Lobby, Tufts University

The territory of modern Ukraine was once part of the largest kingdom of medieval Europe, known as Kyivan Rus. The heart of that early medieval kingdom - the city of Kyiv - is today the capital of Ukraine. It features impressive monuments, as well as remarkable collections and archives that are endangered by Russia's ongoing war in Ukraine. This exhibition highlights aspects of the early history and cultural heritage of Kyivan Rus, demonstrating how expansive, well-connected, and diverse this region of Eastern Europe was during the medieval and early modern periods.

Moreover, the exhibition addresses later transformations and manipulations of the historical and material record in order to advance certain narratives, especially during the Soviet era, and current efforts to document, study, and preserve the history and heritage of Ukraine.

For more details and to register visit: go.tufts.edu/ukraine_exhibit

For the event flyer, click here.

Co-organizers: Alice Isabella Sullivan (History of Art and Architecture), Anna Kijas (Lilly Music Library), Francesca Bisi (MA 2023), Rileigh K. Clarke (MA 2023), Emmi Farrell (MA 2023), Jillian Lepek (MA 2023), Artem Dinh (2023), Charlie Kong (2024), Defne Ulusoy (2024), Kate Shymkiv (2026), W. Miles Donovan (Tisch Library)

Co-sponsors: Office of the Deans, Tisch Library, Lilly Music Library, Department of the History of Art and Architecture, Department of English, Department of History, Department of Political Science, International Relation Program, Global Tufts Month

Church Monuments Society Online Lecture Series: The Abbatial Effigies from Quedlinburg in the Medieval and Early Modern Era, Dr Karen Blough, 4 March 2023 , 17:00-18:15 GMT (13:00-14:15 ET)

Church Monuments Society Online Lecture Series

The Abbatial Effigies from Quedlinburg in the Medieval and Early Modern Era

Dr Karen Blough, Professor Emerita of Art History, SUNY Plattsborough, USA

4 March 2023 17:00-18:15 GMT (13:00-14:15 ET)

Image Credit: Dr Karen Blough

An event forming part of the Church Monuments Society's series of online lectures for Spring 2023. Everybody welcome!

To Register: https://www.eventbrite.co.uk/e/the-abbatial-effigies-from-quedlinburg-in-the-medieval-and-early-modern-era-tickets-535767463907

The Abbatial Effigies from Quedlinburg in the Middle Ages and Early Modern Era: In this lecture, Dr Blough discuss the three early 12th-century abbatial effigies that first visualized the identity of the convent at Quedlinburg (north Germany) and three of the subsequent abbatial images that responded to that template in times of conventual crisis. She also considers the marginalization of the effigies after the community's conversion to Protestantism, and their reevaluation in the 19th and early 20th century.

Dr Karen Blough is Professor Emerita of Art History at SUNY Plattsborough. She received her Ph.D. from Rutgers University in 1995 with a doctoral thesis entitled 'Biblioteca Apostolica Vaticana Codex Barberini latinus 711: A Late Tenth-Century Illustrated Gospel Lectionary from Reichenau'. She regularly presents her work on early medieval manuscript illumination and female abbatial patronage in the Middle Ages at conferences, including among others the Medieval Academy, the St. Louis Conference on Manuscript Studies, the International Medieval Congress at Leeds (UK), and the Annual International Conference on Medieval Studies at Kalamazoo (Michigan). Her book with Brill, A Companion to the Abbey of Quedlinburg in the Middle Ages, was published in November 2022.


Event Information

This online talk is FREE to all and will take place on Zoom. Places must be booked via Eventbrite. This is one of a series of online talks delivered by the Church Monuments Society for Spring 2023.

JOINING INSTRUCTIONS: You should receive a link from Eventbrite two days before the event, two hours before the event, and just as the event begins. If you have not received the link, contact us via Eventbrite so we can try to resolve this.


Guidelines and handy Zoom hints

Before the event:

• Please ensure you have already downloaded and installed Zoom to the device you wish to use. Read their guide if you are unsure about how to do this (https://support.zoom.us/hc/en-us/articles/115004954946-Joining-and-participating-in-a-webinar-attendee- )

• Make sure you have registered via Eventbrite using your correct email address (or you will not receive the joining instructions).

• We will email the access link to you via Eventbrite shortly before the event begins.

• Please ensure that Eventbrite is on your safe-senders list and check your Spam/Junk inbox for our communications if you cannot see them.

During the webinar:

• Please remain muted throughout.

• The talk will last up to 45 minutes and will be followed by questions.

• You are welcome to use the Chat box.

• Send questions for the speaker using the Q&A box so that they are easily identifiable. These can then be put to the speaker by one of our event coordinators.

• The session may be recorded by the Church Monuments Society. Screenshots and/or recording by participants is not permitted for copyright reasons.

• The host can remove attendees from the webinar.

• If you experience technical difficulties, contact panellists using the chat function. We will do our best to help.

• Enjoy the talk!

Register today for ICMA's Digital Approaches to Medieval Art History featuring Maeve Doyle and Alex Brey! Thursday 2 March 2023 at 12pm ET (Online)

Digital Approaches to Medieval Art History 
featuring Maeve Doyle and Alex Brey

Thursday 2 March 2023 at 12pm ET

Online via Zoom

Register HERE

Please join the Digital Resources Committee for this exciting event with invited speakers, Maeve Doyle (ECSU) and Alex Brey (Wellesley College). Following their presentation, committee members, Paula Mae Carns (UIUC) and Nicholas Herman (SIMS), will lead a dialogue about digital approaches to medieval manuscript studies, with a few minutes reserved at the end for a broader discussion with the virtual audience.

Top: A folio from NEP-27, UPenn Museum. Bottom: Women readers in the margins of a thirteenth-century book of hours (Cambrai, Médiathèque municipale MS 87, fol. 113r)

Call for Papers: "Skin And Bone, Wood And Stone," NLHF Medieval Animals Heritage Conference, Canterbury (29 June-1 July 2023), Abstracts Due 25 March 2023

Call for Papers for Academic Conference

Skin And Bone, Wood And Stone

Thursday 29 June – Saturday 1 July 2023

Old Sessions House, Canterbury Christ Church University

Abstracts Due 25 March 2023

The NLHF Medieval Animals Heritage Conference invites abstracts for 20-minute academic papers that explore aspects of research on the theme of medieval and early modern animal studies, green heritage, sustainability, and wellbeing engagement. Medieval animals traditionally are linked to St Francis, but this conference also discusses how books of beasts were used by St Anselm and his kinsman Honorius to connect spirituality to people’s emotions in what became an important local and international heritage.

Anselm told parables about the soaring Eagle, the shy Little Owl, the frightened Hare, and the beautiful Pearl of the oyster while Honorius drew on the early bestiary to create stories to be carved and painted in churches – such as the Lion breathing life into his stillborn cubs as a figure for hope. The NLHF Medieval Animals Heritage Project has used these ideas to promote SEND and community engagement in green heritage.

Proposals for papers may include, but are not limited to:

  • Medieval and early modern animality and animal studies

  • Medieval and early modern animal fables, macers, bestiaries, and De Avibus

  • Scholarship on medieval treatises, sermons and parables concerning animals

  • Folklore, magic, and ritual involving medieval and/or early modern animals

  • Modern medievalism, postcolonialism, and antiracist scholarship linked to animals

  • Medieval and early modern animal art and material culture, e.g., parchment and illuminations, bone carvings, and curated collections

  • Non-European medieval animal studies

  • Engagement with medieval animal heritage themes, digital animalities, activism, restoration, and craft

  • Learning and teaching (including SEND activities) involving medieval animal themes

  • Medieval and early modern environmental issues, green heritage, and biodiversity

As well as a call for papers, the Skin and Bone, Wood and Stone Conference is looking for creative contributions.

There will be a gallery exhibition space as part of the conference, and we are keen to exhibit creative responses to the theme of Medieval Animals Heritage. Please get in touch with any questions.

This free and exciting conference will include a tour of Rochester Cathedral and its Textus 900 Exhibition, a wine reception, thanks to the generosity of University of Wales Press Medieval Animals series, and will finish with the Medieval Animal Heritage themed Canterbury Medieval Pageant and Family Trail. Please send a title, a suitable image for the programme, and a 150-word abstract, plus your contact details and a brief CV to: Dr Diane Heath at diane.heath@canterbury.ac.uk by 25th March 2023, thank you.

For a PDF of the call for papers, click here.

Call for Participation: SENSORY EXPERIENCE ACROSS MEDIEVAL COMMUNITIES, Hosted by The Consortium Medievalists, New York City (6 May 2023 In-Person and Zoom), Abstracts Due 15 March 2023

Call for Participation

SENSORY EXPERIENCE ACROSS MEDIEVAL COMMUNITIES

Graduate Lightning Talks

Hosted by The Consortium Medievalists

May 6th, 2023 | New York City | A hybrid in-person and Zoom event

Abstracts Due March 15th, 2023

The Consortium Medievalists invite participation from graduate students in all disciplines for a series of lightning talks, which will take place during our forthcoming second annual symposium, “Sensory Experience Across Medieval Communities.” This symposium aims to explore fresh approaches to the “sensory turn” in studies of the Global Middle Ages. How does sensory experience connect cultures and communities across space and time? In what ways were specific cultures and communities sensorily engaged? This broad exploration of the senses supports a variety of methodologies and perspectives. We are honored to announce that Professor Avinoam Shalem (Art History, Columbia) will be the keynote speaker.

Topics may include but are not limited to: 

  • theories of sense perception in various cultures during the Global Middle Ages

  • corporeal vs. spiritual senses

  • multisensory experience in religious practices and ritual 

  • uses of sensory imagery in literature and art

  • the relationship between the senses and constructs of gender, class, race, and ethnicity

  • medical, theological, and philosophical understandings of the senses

  • the role of the senses in inter-cultural encounters

  • affect theory, new-materialism, and environmental humanities

We invite submissions for five- to eight-minute short talks. These presentations may be informal discussions of research-in-progress or more formal analyses. Although there is no requirement, slides and other sensory media may be included. Submissions are welcome from but not limited to the following fields: African Studies, Architecture, Art History, Book History, Disability Studies, East Asian Studies, Gender and Sexuality Studies, History, Islamic and Arabic Studies, Judaic and Hebrew Studies, Languages and Literatures, Law, Manuscript Studies, Musicology, Performance Studies, Philosophy, Religious Studies, and Sociology. Talks focused on non-European regions and cultures in the Global Middle Ages are particularly encouraged. 

The Consortium Medievalists are a collection of 120+ Ph.D. and M.A. scholars from the New York City-area inter-doctoral consortium (NYU, Columbia, Rutgers, Princeton, CUNY Graduate Center, The New School, and Stony Brook) as well as Yale and Hunter College. This year’s symposium will take place in person at Fordham University’s Lincoln Center campus in Manhattan and via Zoom. The keynote speaker will be Avinoam Shalem (Art History, Columbia).

To apply to participate, either in person or virtually, send a short abstract (150-200 words) through this form by March 15th, 2023. For further information or questions, please contact The Consortium Medievalists at consortium.medievalists@gmail.com. Visit www.consortiummedievalists.com for updates.

Click here for the form to apply to give a lightning talk.

Call for Papers: The Society for Church Archaeology Annual Conference 2023, The Church in North West Britain and its Connections (15-17 September 2023), Liverpool, Abstracts Due 1 May 2023

Call for Papers

The Society for Church Archaeology Annual Conference 2023

The Church in North West Britain and its Connections

Hosted at Liverpool Metropolitan Cathedral

15th-17th September 2023

Abstracts Due 1 May 2023

Hosted in partnership with the University of Liverpool, UK and sponsored by the Liverpool Centre for Medieval and Renaissance Studies (LCMRS).

The church in North West Britain will be the theme of the Society for Church Archaeology's annual conference for the first time in the society's history. Covering the north-western seaboard of England, Scotland, and Wales, this region has a long and complex history of church and ecclesiastical sites which do not always or easily mirror the changes and continuities noted in other, arguably more well-researched and well-excavated areas, of Britain and Ireland. Reflecting centuries of cultural exchange around the Irish Sea, not least with western Ireland, the North West has its own rich heritage, combining influences from the south-west of Britain, Ireland, and Scandinavia.

However, site-specific connections beyond the region are also well-attested, such as Chester and York, Liverpool and Dublin, St Asaph cathedral and Westminster Abbey, and more broadly, Cumbria and the Isle of Man, although by no means exhaustive of regional connections within and beyond the North West. From its earliest medieval origins to its most recent church heritage, this conference aims to include the widest range of periods and places, connections or isolations, from this complex and vibrant region.

The Society for Church Archaeology is also very pleased to confirm that the University of Liverpool will be our first annual conference partner and co-ordinated by members of the Liverpool Centre for Medieval and Renaissance Studies (LCMRS). The conference itself will be held at the iconic Liverpool Metropolitan Cathedral. The Friday evening keynote and reception, sponsored by LCMRS, will be held in the university's prestigious School of the Arts Library. A fieldtrip to Norton Priory, the most excavated monastic site in Europe, is scheduled for Sunday with full access to its extensive museum of finds and its walled garden.

The Society for Church Archaeology would be delighted to consider papers on the theme of the Church in North West Britain and its Connections for presenting in-person at the society's annual conference 15th-17th September 2023. Topics covered might include but are not limited to:

  • Individual church/ecclesiastical sites

  • Groups or networks of church/ecclesiastical sites

  • Assemblages of material culture from or connected to church/ecclesiastical sites

  • Heritage interpretations of church ecclesiastical sites

  • Reconstructing historic practices within or for church buildings (e.g. music, song, reading, scents etc.)

  • Church furniture

  • Church monuments (Singular or plural)

  • Churchyards and burial practice

Abstracts should be 200 words max. and emailed to scaconference2023@outlook.com by 1 May 2023. For further enquiries, please contact scaconference2023@outlook.com

General Programme (Full schedule to follow inc. times)

Friday 15th September 2023

Evening Keynote and Reception

Venue: School of the Arts Library, 19 Abercromby Square, University of Liverpool campus.

Saturday 16th September 2023

Society for Church Archaeology Conference Papers

Venue: Liverpool Metropolitan Cathedral.

Sunday 17th September 2022

Fieldtrip to Norton Priory, Runcorn inc. museum and walled garden. www.nortonpriory.org

Dialogue in Homilies and Hymns on the Annunciation: The Dynamics of a Divine Encounter, Mary Cunningham, Mary Jaharis Center for Byzantine Art and Culture, 1 March 2023 12:00-1:30 PM ET (Zoom)

The Mary Jaharis Center for Byzantine Art and Culture Lecture Series

Dialogue in Homilies and Hymns on the Annunciation: The Dynamics of a Divine Encounter

Mary B. Cunningham, University of Nottingham

1 March 2023, 12:00-1:30 PM ET (Zoom)

Mosaic Icon of the Annunciation, ca. 1320, Victoria and Albert Museum, London (7231-1860). Image: Victoria and Albert Museum (https://collections.vam.ac.uk/item/O93208/the-annunciation-mosaic-unknown/).

The story of the Annunciation of the archangel Gabriel to the Virgin Mary is first recounted in the Gospel of Luke 1: 26-38. The event was formally adopted as a major feast in the Eastern Church, celebrated on 25 March (nine months before Christmas) in 560, during the reign of the Emperor Justinian. Homilies and hymns on the Annunciation were composed long before this date, however, not always in association with the feast. These texts build on Luke’s narrative, describing Mary as the ‘Second Eve’ who overturned the disobedience of her first ancestor by consenting to God’s will and conceiving Christ, the Son of God. They celebrate the event as the inauguration of the new dispensation, which will bring salvation to humanity and the rest of creation. Further elaboration, which appears especially in homilies – but later also in hymns – on the Annunciation, can be seen in the invention of dialogues between Gabriel and Mary or Mary and Joseph. These serve not only to convey the doctrine of the incarnation to audiences, but also to illustrate the Virgin’s human condition. She expresses shock and doubt at her first encounter with the archangel, but gradually accepts his message of salvation. This lecture will examine variations in liturgical writers’ handling of the issues of free will, gender, and Marian devotion in Byzantine homilies and hymns on the Annunciation. It will be illustrated by images of the scene, including in icons, manuscript illustrations, and monumental art.

Dr Mary Cunningham is Honorary Associate Professor of Historical Theology at the University of Nottingham. She has published books and articles on the Virgin Mary in Byzantium, homiletics, and hymnography. Dr Cunningham’s latest monograph is The Virgin Mary in Byzantium, c. 400-1000. Hymns, Homilies, and Hagiography (Cambridge University Press, 2021). She is currently working on a translation and commentary of two ninth-century Lives, one of which concerns the Virgin Mary. 

This lecture will take place live on Zoom, followed by a question and answer period. Please register to receive the Zoom link.

For the poster, click here.

Beyond Europe: Medieval Art & the World, Risham Majeed, The Eda G. Diskant Memorial Lecture, Philadelphia Museum of Art, 27 March 2023 12-1 PM (Online)

The Eda G. Diskant Memorial Lecture

Beyond Europe: Medieval Art & the World

Risham Majeed, Ithaca College

Philadelphia Museum of Art

Monday, March 27, 12:00 p.m. - 1:00 p.m. (Online)

Head of a King, 1125–35, attributed to Gislebertus (French, active around 1120–40). On loan from Glencairn Museum, Bryn Athyn, Pennsylvania

In this virtual talk, scholar Risham Majeed discusses works from the exhibition Medieval Treasures from the Glencairn Museum in relation to works in the museum’s collection, tracing their material origins outside of Europe. Learn how they came into the possession of American collectors and institutions. Introduced by curator Jack Hinton.

Risham Majeed’s research specializes in the connections between the European Middle Ages and historical African art. Majeed has curated several exhibitions and published extensively on exhibitions and current issues in museology. Currently she is completing a book length study of the museums of the Trocadéro palace in Paris.


Jack Hinton is the Henry P. McIlhenny Curator of European Decorative Arts and Sculpture.

Things to Know

  • A link will be sent to registrants prior to the program from no-reply@zoom.us.

  • The program will be recorded; a link to the recording will be sent to registrants after the program.

  • The program is closed captioned.

This program is funded by the Robert and Eda G. Diskant Endowment Fund.

For more information: https://philamuseum.org/calendar/event/beyond-europe-medieval-art-the-world?d=2023-03-27&s=12:00

To register: https://philamuseum.org/calendar/event/beyond-europe-medieval-art-the-world?packageID=6405

Call for Articles: Fenestella, Issue 4/2023 - Deadline 30 June 2023

Call for Articles

Fenestella

Issue 4/2023 – Deadline: 30 June 2023

Fenestella is a scholarly and peer-reviewed open access journal. It is published by Milano University Press on OJS. Fenestella publishes scholarly papers on medieval art and architecture, between Late Antiquity and c. 1400, covering the Latin West, the Byzantine East and medieval Islam. The journal aims to consider medieval artefacts from within, as if seen through a fenestella confessionis, to throw light on iconography, function and liturgical practice and space. Fenestella supports basic research. Papers on wide-ranging themes, critical reviews and studies of micro-topics are all welcome, as long as they contribute to the international debate. Fenestella accepts submissions in Italian, English, French, German and Spanish.

No specific topic. Register to make a submission https://riviste.unimi.it/index.php/fenestella

redazione.fenestella@unimi.it

For a PDF of the CFP, click here.

Call for Contributions: Medieval Borders and the Environment, ed. Dr. Elisa Ramazzina, Abstracts Due 15 March 2023

Call for Contributions

Medieval Borders and the Environment

ed. Dr. Elisa Ramazzina

Abstracts Due 15 March 2023

Proposals for essays in English (c. 8000-12000 words) are warmly welcomed on the topic "borders, the elements, and the environment'

This volume, provisionally titled Medieval Borders and the Environment, will be submitted to Brill to be included in the new series "Elements, Nature, Environment: Multidisciplinary Perspectives from the Ancient to the Early Modern World" edited by Dr. Marilina Cesario and Dr. Andreas Lammer. The volume's goal is to provide a venue for interdisciplinary research on the time period between about 500 and 1500 or slightly later. It intends to promote study on underrepresented parts of the medieval world, broadly construed, as well as articles that examine interconnections across regions and cultures.

The volume aims at covering topics from the following regions, broadly intended: Europe, including Northern and Eastern Europe Central Asia, South Asia, India, Japan, China, North and South Africa, East and West Africa, Oceans and Seas, the Americas, Australia, and Oceania.

The book aims to respond to the following questions:

  • What fundamental characteristics did borders have during the Middle Ages?

  • What did the word "boundary" mean in general?

  • Were boundaries separating one thing from another real or imaginary?

  • How did borders affect the environment? What effects did boundaries have on the local environment, as well as the cultures and people that inhabited it? And how have borders changed or been defined in relation to the environment?

  • Have toponymy and borders been influenced by elemental theory, or vice versa?

  • What impact had the environment on the spread of epidemics? Did it promote its expansion or serve as a barrier? Ans how did disease affect borders?

  • What effects have the environment and borders had on culture, the dissemination of knowledge (including that pertaining to science, engineering, and currents in the arts and architecture), dietary customs, clothing, trade, and movement in general?

All other contributions have been confirmed, and they include real and imaginary borders in medieval Rus', the transmission of the Old Norse materia medica between Scandinavia and the continent, material mobilities within commercial markets as political and cultural boundary crossings between medieval Korea and Mongolia, and the spread of iconographic motifs with artistic, magical, and political purposes in the Baltic Sea region, among others. Final contributions will be due in May 2024.

Proposals might include but are not limited:

  • Border Studies;

  • Old and Middle German Studies;

  • Lombard language, history and culture;

  • Gothic language, history and culture;

  • Celtic Studies;

  • Medieval Romance Studies (including French);

  • Medieval Islamic Studies;

  • Pre-Columbian cultures;

  • Geography and Cartography, including Human Geography;

  • Toponymy (especially in connection with environmental features and elemental theory);

  • History of Science;

  • Landscape Epidemiology;

  • History of Medicine;

  • Environmental History;

  • Sociology;

  • Anthropology;

  • Etc.

Please send 200-300 word abstract of your proposed essay, and a brief introduction of yourself, to the editor: Dr. Elisa Ramazzina (elisa.ramazzina@unipv.it), Queen’s University Belfast. The deadline for the submission of proposals is March 15, 2023.

For a copy of the CFP, click here.