Exhibition Closing: Alabaster, Museum Leuven, 14 October 2022 - 26 February 2023

Alabaster

Museum Leuven, Leuven, Belgium

14 October 2022 - 26 February 2023

The Virgin Annunciate, ca. 1340-1360, photo ©2007 RMN musée du Louvre (RMN)/René-Gabriel Ojéda

Alabaster, more luxurious than gold and soft as velvet, was a very popular material in European sculpture. M and the Louvre Museum have teamed to try to show examples of all aspects of the material by using masterpieces from the 14th to the 17th century. Stroll past Gothic retable fragments, Baroque altars, unusual collectibles and gigantic tombstones and be amazed by the possibilities that this unique material offers. 

Both the material and immaterial aspects of alabaster are explained in M’s exhibition. Find out more about the characteristics that made this material so popular, the techniques used and come face-to-face with around 130 masterpieces of alabaster made by the best alabaster artists from the 14th to the 17th century: André Beauneveu, Jean Mone and Conrad Meit (Southern Netherlands), Tilman Riemenschneider (Germany), Jean de Cambrai and Germain Pilon (France), Diego de Siloe and Damien Forment (Spain).

But the story of alabaster does not end with the 17th century. That is why M is also showing contemporary works by the Belgian artist Sofie Muller (b. 1974). Alabaster’s materiality is central in her practice with the roughness of the newly quarried tuber of alabaster contrasting the velvety softness and beauty of the polished end product. Making use of this contradiction, Muller chisels away at a story about the fragility of human psychology.

The final piece of the exhibition comes from M’s collection. It is the 6.5 metre tall St Anne's table, made in 1610 by Robert de Nole for the Celestine convent in Heverlee. There is a multimedia display to help you discover this monumental masterpiece's story.


The collaboration between M and the Louvre is both unique and logical: M has an internationally renowned collection of medieval sculpture and is appreciated far beyond its borders for the expertise it has built up in this field. The Low Countries were of course also an important and leading centre for alabaster sculpture. The sculpture department at the Louvre is, in collaboration with the Laboratoire des Monuments Historiques and Bureau des Recherches Géologiques et Minières carrying out extensive research into the origin of alabaster using isotope analysis.

Curators: Marjan Debaene (M Leuven) and Sophie Jugie (Louvre Museum)

This exhibition is made possible by Louvre Museum and Bank Delen.

For more information: https://www.mleuven.be/en/programme/alabaster

Exhibition Closing: ISLAM IN EUROPE. 1000–1250, Dommuseum Hildesheim, 7 September 2022 - 12 February 2023

ISLAM IN EUROPE. 1000–1250

Dommuseum Hildesheim, Hildesheim, Germany

7 September 2022 - 12 Feburary 2023

Kästchen mit Elfenbeinschnitzereien aus Cuenca, 1026. Burgos, Museo de Burgos, Inv. Nr. 198. © Museo de Burgos

The treasuries of European churches, including the Hildesheim Cathedral Treasury (a UNESCO World Heritage Site), preserve numerous artefacts from regions where the Islamic faith exercised a formative influence. Based on these objects, the grand special exhibition at the Hildesheim Cathedral Museum sheds light on shared achievements and cultural entanglements. With outstanding works on loan from international lenders, including pieces from Florence, London, Paris, and Vienna, it offers visitors a unique opportunity to explore a history that has direct bearing on contemporary concerns.

Córdoba, Palermo, Cairo, and Constantinople were gleaming metropolises where business and trade, the sciences and the arts flourished. Precious rock crystal vessels, silken fabrics, carved ivories, and translations of scientific literature reached Central Europe from areas where Islam was the dominant faith. This migration of objects and transmission of knowledge and technology resulted in an interweaving of cultures. It forged connections across boundaries of creed and language and vast geographical distances, from today’s Iraq and Iran through North Africa and Spain all the way to Central Europe. Preserved in church treasuries, the objects bear witness to how much these diverse cultures had in common in the era between 1000 and 1250.

Contemporary Laboratory

In light of this shared history, the ‘Contemporary Laboratory’ invites visitors to grapple with questions of today’s society and culture. Materials in a range of media, including literature, music, and films, provide in-depth information and encourage playful exploration and reflection. The laboratory also hosts presentations of school projects as well as workshops and special events.

Art education program

Guided tours of the exhibition are offered in Arabic, German, and Turkish. Special art education formats and workshops cater to children and teenagers. The diverse program of special events highlights selected thematic aspects.

Exhibition catalogue

A richly illustrated catalogue (in German) with contributions by renowned scholars written for a general readership will be released by Verlag Schnell & Steiner in conjunction with the exhibition.

For more information: https://www.dommuseum-hildesheim.de/en/content/islam-europe-1000%E2%80%931250

INCIDENT AT HAMLINE UNIVERSITY, FALL 2022 - WINTER 2023 • RELEVANT LINKS COMPILED BY THE ICMA

THE INTERNATIONAL CENTER OF MEDIEVAL ART OFFERS RESOURCES PERTINENT TO THE INCIDENT AT HAMLINE UNIVERSITY, FALL 2022 - WINTER 2023

In fall 2022, a classroom incident at Hamline University became a major topic of discussion in academic circles and the press. The ICMA has compiled a collection of links pertaining to the situation, its aftermath, and its relevance to larger debate.

This can be accessed under the Professional Concerns section of the Resources page or at: https://www.medievalart.org/hamline

Call for Papers: Cultures of Skin: Skin in Literature and Culture, Past, Present, Future (7-8 July 2023, University of Surrey), Due 2 February 2023

Call for Papers

Cultures of Skin: Skin in Literature and Culture, Past, Present, Future

International conference

University of Surrey, UK

7-8 July 2023

Papers Due by 2 February 2023

This conference brings together scholars working on literary and cultural representations of skin, across historical periods and transnational contexts, to create new dialogues on the cultural meanings of skin from the past through to the present day, and consider the current and future state of the field(s) of skin studies.

Building on an earlier set of enquiries that initiated skin studies in the early 2000s – with key works including Claudia Benthien’s Skin: On the Cultural Border Between Self and the World (1999); Sara Ahmed and Jackie Stacey’s Thinking through the Skin (2001); and Steven Connor’s The Book of Skin (2004) – in recent years there has been renewed interest in examining the cultural representations of skin within a variety of cultural texts and media. Scholars have worked across historical and contemporary time periods, engaging with key concepts around identity and embodiment, agency and performativity, temporality and spatiality, and in relation to discourses including of race, class, gender, and sexuality, health and illness. Literary and cultural scholarship has been instrumental in advancing theoretical and methodological approaches to the skin as historically variable and culturally constituted, building up a rich picture of “cultures of skin” from the past to the present day. This represents an exciting moment to consider the state of skin studies now, and to anticipate future directions for the field.

In this conference we seek to establish international dialogue among scholars working on a range of contexts and concepts around the skin, to consider thematic and conceptual avenues as well as methodological and theoretical approaches to the skin. We invite scholars working on literary and cultural representations of skin, from any historical period or national/cultural perspective, to submit abstracts on themes including but by no means limited to:

  • skin as text, texts as skin

  • skin and/as the self, skin and identity,

  • skin texture, porosity, permeability

  • skin colour and race

  • skin as thing/material object and in relation to the material world

  • animal/nonhuman skins

  • skin care and cosmetics throughout history

  • technologies of the skin, future skin

  • skin as a medium of artistic representation/performance

  • skin damage and modification – wounding, scarring, tattoos

  • skin in relation to health and illness

  • the geographies of skin moving through space

  • methodological and theoretical approaches to studying and working on skin

  • state of the field reflections, the future of skin studies

Abstracts of 250-300 words should be submitted by 2nd February 2023 by emailing culturalskinstudies@gmail.com Decisions will be communicated by early March.

The conference is being planned on a hybrid basis, with in-person attendance at the University of Surrey (Guildford, UK) accompanied by virtual attendance options. We gratefully acknowledge funding support from the British Academy.

For a PDF of the call for papers, click here.

Mary Jaharis Center Lecture: Responding Icons and Miraculous Images? Is There a Theology for Mosaics?, 9 February 2023, 12:00 PM ET

Mary Jaharis Center for Byzantine Art and Culture

Responding Icons and Miraculous Images? Is There a Theology for Mosaics?

Liz James, University of Sussex

Thursday, February 9, 2023 | 12:00 PM EST | Zoom

Mosaic, Church of the Nativity, Bethlehem. Photo: Liz James

The ‘theology of icons’ is well-discussed in Byzantine Studies: the role that religious images played in Byzantine life; the relationships between the icon, the worshipper and the divine; debates about the representation of the divine. How do these ideas play out with mosaics however, which are not easy to understand as live lines of communication with the divine in the same way that icons (when understood as panel paintings) are? How can we think about mosaics as icons, or is this the wrong question?

Liz James is a Professor of Art History at the University of Sussex.

Advance registration required at https://maryjahariscenter.org/events/responding-icons-and-miraculous-images

This lecture is co-sponsored by the Harvard University Standing Committee on Medieval Studies.

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

Call for Papers, Sessions, and Business Proposals:XI INTERNATIONAL MEDIEVAL MEETING LLEIDA 2023 (26-28 June 2023), Due 31 March 2023

Call for Papers, Sessions, and Business Proposals

XI INTERNATIONAL MEDIEVAL MEETING LLEIDA 2023

26-28 June 2023

Lleida, Spain

Applications Due: 31 March 2023


The 11th International Medieval Meeting Lleida will take place in Lleida from 26th to 28th June 2023. There you will find strands focused in leading aspects of Medieval Studies and the special strand: "Medieval roots of Europe". The Organizing Team of IMMLleida invites you to participate in this new edition.

The International Medieval Meeting Lleida (IMMLleida) is organised and administered by the Consolidated Medieval Studies Research Group. It takes place in Lleida during the last week in June. The participants can present sessions and individual papers on different aspects of research in the history of the Middle Ages or sessions dedicated to the promotion and management of research, the application of new technologies in the Humanities and the promotion of historical heritage. Furthermore, there will be important presentations concerning the publication and dissemination of research in medieval history. These events will take place in the University of Lleida, located in the medieval city of Lleida, where you will be able to enjoy a wide range of cultural and leisure activitites. 

The conference will take place in the Rectorat building of Lleida University. All sessions will be held on the second floor of this building.


SPECIAL STRAND: Medieval roots of Europe

 

+  18 strands focused in leading aspects of Medieval Studies: 

Archaeology - Art - Borders, Wars and Crusades - Church - Daily Life - Historiography -  Institutions, Law and Government - Islam - Judaism - Literature and Drama-Theatre - Medieval Music - Medievalism - Palaeography and Documentation - Philosophy, Theology and Thought - Political History - Science and Medicine - Social and Economic History - Woman and Gender Studies

Submit your paper, session or business proposal until 31st March 2023


The official programme of the event will appear on the website on April.

We inform you that all sessions will be scheduled during the following times:

Monday 26th June  9:00h - 14:00h

Tuesday 27th June 9:00h - 14:00h

Wednesday 28th 9:00h - 13:00h

Additional activities:

On Monday 26th we will offfer an excursion by coach to an ancient winery. 

On Tuesday 27th we will visit the Museu de Lleida: diocesà i comarcal.


Keynote speakers:      

  • Jean-Marie Moeglin (Université Paris-Sorbonne Paris IV), Title to be confirmed                                       

  • Diego Quaglioni (Università degli Studi di Trento), Title to be confirmed


For more information: https://www.internationalmedievalmeetinglleida.udl.cat/en/

Colloquium: Imagining the Medieval Society, London Medieval Society, 25 February 2023, 10:00-15:15 GMT/5:00-10:15 ET, Online

London Medieval Society

Imagining the Medieval Society

Saturday 25th February 2023

10:00-15:15 GMT OR 5:00-10:15 ET

VIa Zoom

British Library Add MS 42130, f. 164v

Join the London Medieval Society as we explore cities in the Middle Ages. You can register for this free event via Eventbrite here. The programme of the day is as follows:

10:10 GMT/5:10 ET Virtual Meeting Room Opens

10.20 GMT/5:10 ET Welcome and Introduction

10.30 GMT/5:30 ET Catherine Clarke (IHR) 'Bishop Ralph Baldock Visits Swansea: Creative Microhistory and the Medieval City'

11:15 GMT/6:15 ET Break

11:30 GMT/6:30 ET Keith Lilley (Queen's University Belfast) 'Founding a City, Founding a World: Imagining and Imaging 'New Towns' of the Middle Ages'

12:15 GMT/7:15 ET Lunch

13:15 GMT/8:15 ET Pietro Mocchi (Kent) 'From Gate to Gate: City Life in Late-Medieval Milan and Public History'

14:00 GMT/9:00 ET Christian Liddy (Durham) 'Bayard of Walsall and his Thousand Colts: an English town goes European'

14:45 GMT/9:45 ET Round Table

15:15 GMT/10:15 ET End of Event


Please note you will be sent an email with the Zoom link on the morning of the event.

For more information, www.londonmedievalsociety.com.

Call for Applications: AGBU Artsakh Research Grants, Due 1 March 2023, & AGBU Helen C. Evans Scholarship, Due 1 May 2023

Armenian General Benevolent Union

AGBU Artsakh Research Grants

Deadline 1 March 2023

&

AGBU Helen C. Evans Scholarship

Deadline 1 May 2023

AGBU Artsakh Research Grants

Due to the recent developments in the Armenian reality, promoting the voice of Artsakh and the Armenian people has become a critical and timely issue. We are faced with the urgency to delve deep into the study of Artsakh to widen and increase our collective understanding of the region and its history, and accurately document current events and developments. The goal of these grants is to develop reliable knowledge on the history, culture, and current affairs of Artsakh, by supporting research in fields specializing in, but not limited to, the social sciences and humanities. 


The main objectives include:

  • To support significant and innovative research in social, cultural, psychological, economic, technological, humanitarian, and environmental issues of the region’s past, present and future for publication of scholarly or mainstream media articles in a variety of possible venues, and/or production of high-quality videos and podcasts

  • To build knowledge and understanding from disciplinary, interdisciplinary and/or cross-sector perspectives

  • To increase dissemination and readership of original content by expanding mainstream and scholarly access to a larger pool of primary resources and accurate accountings

  • To transfer knowledge with the potential for societal benefit and impact

Projects can be in the form of scholarly or mainstream media articles and/or high-quality videos and podcasts.

Applicants should click HERE to learn more and to apply. Applications are due March 1, 2023.



AGBU Helen C. Evans Scholarship

The AGBU Helen C. Evans Scholarship is intended to honor Helen C. Evans, the Mary and Michael Jaharis Curator of Byzantine Art at The Metropolitan Museum of Art. It was established to recognize exceptional students from around the world pursuing studies in the areas of Armenian art, art history, architecture, and/or early Christianity. Helen C. Evans Scholars are to demonstrate a strong interest in pursuing world-leading research, teaching, dissemination of future work that will help develop the areas of Armenian art, art history, architecture, and/or early Christianity, and related fields. Applicants must be enrolled in full-time graduate degree programs and this scholarship is available for a maximum of three (3) years toward college/university education expenses. This scholarship is open to students of both Armenian and non-Armenian descent.

Applicants should visit the AGBU Scholarship website to learn more and to submit a Pre-Screening Form before being invited to apply.  Applications are due May 1, 2023.



For more information about the Armenian General Benevolent Union: https://agbu.org/

Conference: 2023 Multidisciplinary Graduate Student Conference, Newberry Library, 17-20 January 2023 (Online) and 26-28 January 2023 (In-Person)

2023 Multidisciplinary Graduate Student Conference #NLGrad23

Virtual conference programs: January 17-20, 2023

In-person conference programs: January 26-28, 2023

At the Newberry Library

60 West Walton Street, Chicago, Illinois 60610

Hans Förster, [A part of a sheet of playing cards, printed from a wood block. Vienna: 16th c.(?) (Case Wing ZX 547 .F775)

Our annual graduate student conference is a premier opportunity for emerging scholars to present papers, participate in discussions, and develop collaborations across all fields of medieval, Renaissance, and early modern studies.

Click here to see the full conference schedule, abstracts, and bios for all participants.

ALL-VIRTUAL PRE-CONFERENCE (JANUARY 17-20)

Tuesday, January 17

12:00-1:00pm CST - Virtual Coffee Hour and “Ask Me Anything” with CRS staff (via Zoom)

Featuring: Staff member TBD


Wednesday, January 18

12:00-1:30pm CST - Virtual Workshop : Affect, Agency, Alterity (via Zoom)

Leaders:

Moinak Choudhury (University of Minnesota)

Cassidy Short (University of Illinois, Urbana-Champaign)

Participants:

Hamza Aziz, University of Aberdeen, "Physical and Mental Disturbances: Arabic Influences on Medieval Understanding of Excessive Emotions & Illness "

Stephanie Beauval, University of Illinois, Chicago, "Impression and authority in the treatise of Pierre Nicole"

Jessica Charest, University of Nevada, Reno, "Supernatural Vengeance: Lavinia and Tamora's Transformative Power in Titus Andronicus"

Delanie Dummit, University of California, Davis, "'This Thing of Darkness I Acknowledge Mine': Disability and Labor in Shakespeare's The Tempest"

Matt Farley, Miami University, "Characterizing Doubt Surrounding Death and Dying in Relation to Conceptions of Self in John Donne’s Holy Sonnets and Margaret Edson’s Wit"

Christina Kolias, Claremont Graduate University, "‘Mother of science’ : Reimagining Milton's Eve as an Ecofeminist"

Xuying Liu, University of California, Davis, "Westernizing Confucius: The Jesuits Imagination, Needs and Misconceptions"

Shiva Mainaly, University of Louisville, "Triangulation of Enlightenment, Self-Justification, and Argumentation in Maria Edgeworth’s 'An Essay on the Noble Science of Self-Justification'"

Victoria Myhand, University of Nottingham, "Journey to the Italianate Englishman: How the Italian Language Impacted English Culture in the Early Modern Period"

Guillermo Pupo Pernet, University of Arkansas, "Remapping Orinoco: Joseph Gumilla and Noticia del principio y progresos del establecimiento de las missiones de gentiles (1750)"

Chiara Visentin, Cornell University, "Nations outside the homeland: theorizing an 'external' perspective on medieval ethnic identification"


Thursday, January 19

12:00-1:00pm CST - Virtual Coffee Hour and “Ask Me Anything” with CRS staff (via Zoom)

Featuring: Staff member TBD


Friday, January 20

12:00-1:00pm CST - Virtual Coffee Hour and “Ask Me Anything” with CRS staff (via Zoom)

Featuring: Staff member TBD

REGULAR CONFERENCE SESSIONS (JANUARY 26-28, 2023)

Thursday, January 26

10:00-11:00am - Organizers’ Meeting - Baskes Boardroom

11:00am - Check-in/Registration opens - Ruggles Hall

12:00-1:30pm - Panels 1 and 2

Panel 1: Defining Selves and Others (in person - Baskes Boardroom)

Chair: Juan Fernando León, Northwestern University

Presenters:

Rebeca Ponce Ochoa, University of Kentucky, "Between jurisdictions: bodies, discourses, and female lives in the Viceroyalty of Peru"

Hannah Chambers, Emory University, "Shakespeare’s Dido: Race, Gender, and Absence on the Early Modern Stage"

Rebecca Lowery, University of Pittsburgh, "Artemisia Gentileschi’s La Pittura: A Statement of Self as Court Artist"

Panel 2: Spectacle and Violence (in person - Rettinger Hall)

Chair: Andrea Yang, University of California, Davis

Presenters:

Joshua Gomez-Ortega, University of Illinois, Chicago, "Rebel Rumors and Racial Violence in 17th century Mexico"

Rachel Kathman, University of Wisconsin-Milwaukee, "Punishing the Authors of Their Suffering : Painless Torture and Readers as Spectators in Ooronoko and The Disenchantments of Love"

Melina Rodriguez, University of California, Davis, "Sycorax and Spillers’ Captive Body: Flesh, Blazon, and Dismemberment in The Tempest"

1:30-2:45pm - Interactive Book Session with Newberry collection materials (in person - ITW Seminar Room)

2:45-3:00 - Break/informal mingle

3:00-4:00pm - Meet a Newberrian professional development session (in person - Ruggles Hall)

Featuring: David Weimer, Curator of Maps and Director of the Smith Center for the History of Cartography

4:00-4:30 - Break/informal mingle

4:30-5:30pm - Keynote Conversation (in person; to be recorded for virtual-only participants - Location TBD)

Featuring:

Yasmine Hachimi, Newberry Public Humanities Postdoctoral Fellow

Molly G. Yarn, Newberry Long-Term Fellow

Moderator:

Rebecca L. Fall (Newberry Library)

5:30-7:00pm - Opening Reception (in person - Ruggles Hall)

Friday, January 27

9:00-9:30am - Coffee and light breakfast - Ruggles Hall

9:30-11:00am - Panels 3 and 4

Panel 3: Matters of Emotion (virtual via Zoom - in-person audience may attend in Baskes Boardroom)

Chair: Andrea Yang, University of California, Davis

Presenters:

Nawel Cotez, University of Pittsburgh, "Navigating the Waters in the Carte de Tendre"

Grace LaFrentz, Vanderbilt University, "Spectral Ventriloquists in Shakespeare's Othello"

Angelica Verduci, Case Western Reserve University, "Reading Mors Triumphans as An Allegory of Plague"

Panel 4: Law, Nation, Sovereignty (in person - Rettinger Hall)

Chair: Megan E. Fox, University of Wisconsin-Madison

Presenters:

Eero Arum, UC Berkeley, "Machiavelli Against Sovereignty: The Case of the Decemvirate"

Michael Ray Taylor, University of Aberdeen, "'Ancient Natives': The Liberal Jacobite Defence of Indigenous Society"

Zoë Townsend, University of Arkansas, “'Allosemitism' and Replacement Theology in Spenser’s 'The Faerie Queen'"

11:00-11:30am - Break

11:30am-1:00pm - Panels 5 and 6

Panel 5: Sound and Song (in person - Baskes Boardroom)

Chair: Yibing Bai, Claremont Graduate University

Presenters:

Hillary Loomis, Southern Illinois University, "Waulking the Tweed: Sensory Analysis of Cloth Fulling in 18th Century Scotland"

R.L. Spencer, University of Texas at Austin, "Sounding Death in Marlowe’s Edward II"

Alvise Stefani, Indiana University Bloomington, "Tuning Laughter: The Relationship Between Music and Mockery in Folengo’s Baldus"

Panel 6: (Re)Situating Texts (in person - Rettinger Hall)

Chair: Thelma Trujillo, University of Iowa

Presenters:

Justin Fragalà, Western Michigan University, "La Vie de Saint Brice: Cultural and Societal Adaption of a Saint in Medieval France"

Michael Vaclav, University of Texas at Austin, "Middleton’s Wayward Witches: Macbeth and the Specter of the Overbury Scandal"

Lenora Wannier, Claremont Graduate University, "The Textual Mobility of Cervantes' Don Quixote: A Journey Towards Goethe's Weltliteratur"

1:00-2:00pm - Lunch (in person - Ruggles Hall)

2:00-3:00pm - Meet a Newberrian (in person - Ruggles Hall)

Featuring: Keelin Burke, Director of Fellowships and Academic Programs

3:00-3:30pm - Break

3:30-5:00pm - Panels 7 and 8

Panel 7: Transnational Islam (in person - Baskes Boardroom)

Chair: Juan Fernando León, Northwestern University

Presenters:

Zehra Ilhan, University of California, Davis, "Pre-16th Century Discourse on Muslim Women and Female Youth In Epic Stories of Old Anatolian Turkish"

Joshua Keown, University of Louisville, "Unwelcome Neighbors: Byzantine, Norman, and Muslim Relations in Medieval Sicily"

Rafael David Nieto Bello, The University of Texas at Austin, "Specters of Islam in the Caribbean Gentes Alborotadas: Archival traces of Muslimness in the Spanish Conquest"

Panel 8: Material Cultures (in person - Rettinger Hall)

Chair: Megan E. Fox, University of Wisconsin-Madison

Presenters:

Kristina Kummerer, University of Notre Dame, "Franciscan Liturgy and Book Production in Late Medieval Italy: Dublin, Chester Beatty Library, W211, 213, & 216"

Rose Prendergast, Kent State University, "The Stationers’ Company: Censorship, Copyright, and England’s Transition to the Early Modern Period"

Lucien Sun, University of Chicago, "A Print in Flux: Rethinking the Print of Guan Yu from Khara-Khoto"

Saturday, January 28

9:45-10:15am - Coffee and light breakfast - Ruggles Hall

10:15-11:45am - Panels 9 and 10

Panel 9: Medievalism Weaponized (in person - Baskes Boardroom)

Chair: Thelma Trujillo, University of Iowa

Presenters:

Maggie Hawkins, University of Texas at Austin, "The Perverted Angelcynn: From Alfred’s England to White Nationalism"

Spencer Kunz, University of Chicago, "Medievalism, Historical Misappropriation, and the "Crusader Persona" in 21st Century Christian Nationalism"

Chad White, University of Louisville, "Medieval History in the Military Imagination"

Panel 10: Nature and Mutability (in person - Rettinger Hall)

Chair: Claire Ptaschinski, University of Pittsburgh

Presenters:

Daniel Gettings, University of Warwick, "‘That water is esteemed to bee the best’: The production and impact of drinking water typologies in early modern England"

Summer Lizer, Claremont Graduate University, "'A Pernicious Highth': Verticality and Distortion in Paradise Lost"

Sarah Olson, University of Wisconsin-Madison, “'Spirits to Enforce, Art to Enchant': Ariel as Living Prosthesis in The Tempest"

12:00-1:30pm - Panels 11 and 12

Panel 11: Symbolisms (in person - Baskes Boardroom)

Chair: Anneliese Hardman, University of Illinois, Chicago

Presenters:

Sarah Burt, Saint Louis University, "Transducing, Transforming, and Transposing the Ouroboros in the Middle Ages"

Elisha Hamlin, University of Chicago, “'Eating the Flesh that She Herself Hath Bred': Tamora’s Eucharistic Children in Shakespeare’s Titus Andronicus"

Molly Murphy Adams, Oklahoma State University, "The Pomegranate Entering the Modern Era: From feminine fecundity to projection of royal power"

Panel 12: Sex Unbound (in person - Rettinger Hall)

Chair: Sarah-Gray Lesley, University of Chicago

Presenters:

Sydnee Brown, University of Iowa, "Misremembering Sappho in John Donne’s 'Sappho to Philaenis'”

Siyun Fang, University of Mississippi, "Comparison between Male Writers Writing in A Female Voice in the Tang Dynasty and Medieval Period"

Lauren Van Atta, Miami University, "It’s an Androgyne!: The Unsexed Embryo of Helkiah Crooke’s Mikrokosmographia"


ORGANIZERS

Andrea Yang, University of California-Davis
Sarah-Gray Lesley, University of Chicago
Thelma Trujillo, University of Iowa
Moinak Choudhury, University of Minnesota
Juan Fernando Leon, Northwestern University
Megan E. Fox, University of Wisconsin-Madison
Anneliese Hardman, University of Illinois at Chicago
Claire Ptaschinski, University of Pittsburgh
Yibing Bai, Claremont Graduate University
Cassidy Short, University of Illinois at Urbana-Champaign


REGISTRATION

Registration for the conference is free, but required for all participants and attendees (both virtual and in-person). Some conference sessions are limited to confirmed participants and organizers only.

REGISTER HERE

CFP: Digital Humanities Summer Institute (DHSI) 2023, Conference and Workshop (In-Person and Online), Due 10 February 2023

Call for Papers and Participation

Conference and Workshop

Digital Humanities Summer Institute (DHSI)

A Place for Open Digital Scholarship

5-9 June 2023 (On-Campus) | 12-16 June 2023 (Online)

Deadline: 10 February, 2023

Proposals are now being accepted for presentations at the Digital Humanities Summer Institute (DHSI) 2023 Conference & Colloquium.

Presentations may focus on any topic relating to the digital humanities. Submissions are welcome from all members of the digital humanities community, including faculty, graduate students, undergraduates, early career scholars, independent researchers, librarians and other members of the GLAM community, alt-academics, academic professionals, those in technical programs, and those new to the digital humanities.

The Conference & Colloquium is a relatively informal, collegial venue for sharing work and ideas, and we encourage presenters to think beyond the traditional conference paper format for their presentations and to invite feedback and engagement from the DHSI community.

This year, we are holding this event in a hybrid format, with in-person sessions during the first, in-person week of DHSI (June 5–9) and virtual sessions during the second, online week (June 12–16).

Submissions are welcome in three formats:

Conference Presentations

Presentations should be 10–15 minutes long and will be organized into themed sessions. This format is well suited to presenting research findings, in-depth argumentative papers, or reports on completed research.

Colloquium Lightning Talks

Lightning talks should be up to 5 minutes long and will be organized into themed sessions. This format is well suited to demonstrations of new tools, reporting on in-progress research, announcing new projects and tools, and brief, tightly focused argumentative papers.

Posters

Digital posters will be showcased throughout DHSI in an online exhibit, with an in-person digital poster exhibit for presenters joining us in person. This format is well suited for summarizing research results, showcasing tools and techniques, and sparking further discussion. Multimedia and interactive posters are welcome and encouraged.

Please submit proposals through this online submission form.

The submission form asks for

  • the title of the presentation or poster

  • whether you would prefer to present your work in-person or online

  • the names and emails of all contributors

  • a 200–250-word abstract

  • a list of 5 keywords describing the presentation or poster

If you are not able to submit your abstract through the form, please email the information listed above to winterc@uvic.ca.

The deadline for submissions is 10 February, 2023.

After the event, we will invite presenters to contribute papers to a special issue of Interdisciplinary Digital Engagements in Arts & Humanities (IDEAH), a peer-reviewed, online, open-access journal founded to showcase the innovative, engaging scholarship shared annually at DHSI.

For more information, contact the DHSI Conference & Colloquium Chair, Caroline Winter (winterc@uvic.ca).

For more information: https://dhsi.org/on-campus-aligned-conferences-events/

CFP: Materiality of Medieval Manuscripts, A Work-in-Progress Workshop, Trinity College Dublin (29 May 2023), DUE 31 January 2023

Call for Papers

Materiality of Medieval Manuscripts

A Work-in-Progress Workshop

Early Irish Hands: The Development of Writing in Early Ireland

Trinity College Dublin, May 29, 2023

Application Deadline: 31 January 2023

Book of Armagh, IE TCD MS 52

The Early Irish Hands project is inviting applications for the first of three Work-In-Progress Workships. This first workshop will address the theme of materiality. Participants are invited to present ongoing research on the intersection of materiality and regionality, dating palaeography, scribal cultures, or transmission. Comparative and transnational approaches are especially encouraged. Proposals (250 words) for 20-minute presentations, along with a short bio, may be sent to Dr Nicole Volmering at vomern@tcd.ie by January 31st. Notifications of acceptance will be sent out by February 17th.

The keynote speaker is Professor Pádraig Ó Macháin (UCC).

For a PDF of the call for papers, click here.

For more information on the SFI-IRC Pathway project “Early Irish Hands: The Development of Writing in Early Ireland,” click here.

Access to the Index of Medieval Art Database Will Become Free on July 1, 2023!

Free Access to

The Index of Medieval Art Database

Beginning

July 1, 2023!

BL MS. Add. 11695, fol. 86r

The Index of Medieval Art is very pleased to announce that as of July 1, 2023, a paid subscription will no longer be required for access to the Index database. This transition was made possible by a generous grant from the Samuel H. Kress Foundation and the support of the Index’s parent department of Art & Archaeology at Princeton University.

When an online database of Index records was first launched in the 1990s, it was as a subscription service; only those affiliated with a subscribing institution or willing to pay for a subscription of their own could access the full online records. An opportunity to rethink this model arose in 2017, when our shift to a new, non-commercial database platform lowered costs enough that, with careful budget management, the subscription fees could be progressively reduced. In 2023, bridge funding from the Kress Foundation will allow us to eliminate fees entirely, giving researchers at all levels full access to the Index database at no cost, and ensuing support from the Department of Art & Archaeology will allow us to make this transition permanent. We express our deepest thanks to both the Kress Foundation and our department for their support of this initiative.

We look forward to working with the wide range of new researchers who will gain access to our resources, and in the coming months we will offer several online training sessions to introduce the database to those who may be unfamiliar with it. The schedule and signups for these will be publicized on this blog and through the Index social media accounts. Index staff also remain available at all times for researcher questions via our online form at https://ima.princeton.edu/research-inquiries/.

Exhibition: Text and Image in Southern Asia, Cleveland Museum of Art, 26 August 2022 to 05 March 2023

Exhibition

Text and Image in Southern Asia

Friday 26 August 2022 to Sunday 05 March 2023

Gallery 242B, Cleveland Museum of Art

11150 EAST BOULEVARD, CLEVELAND, OH 44106

FREE GENERAL ADMISSION

Transfer of the Embryo (detail), folio 13 recto from a Kalpa-sutra, 1465. Northern India, Uttar Pradesh, Jaunpur. Gum tempera, ink, and gold on paper; sheet: 11.7 x 29.5 cm. The Cleveland Museum of Art, On Loan from the Catherine and Ralph Benkaim Collection, 17.2014.a

The Cleveland Museum of Art is home to a collection of illuminated Buddhist and Jain manuscript pages, many of which were recently identified and dated by Phyllis Granoff, Lex Hixon Professor Emerita of World Religions at Yale University. This exhibition is dedicated to her work for the museum and is in celebration of her recent retirement. On view are palm-leaf manuscript pages reunited after having been separated, many with colophons providing new information about when and for whom they were made. The installation includes Buddhist manuscripts from the 1100s and shows the development of Jain manuscript painting from the 1200s to 1500s, alongside paintings of how they were used and vintage photographs of sites where they were kept. Small-scale sculptures in stone and gold from the same regions and periods are three-dimensional versions of imagery painted in miniature on the manuscript pages. Illuminated with narrative scenes, depictions of monks, donors, celestials, and enlightened or liberated beings, the exquisite works from India, Sri Lanka, Nepal, and Myanmar (Burma) reveal a surprising diversity of literary sources. The exhibition explores the relationship between the images and the content of the text, adding to a broader understanding of medieval South Asian manuscripts.

Artworks included in the exhibit can be seen here.

For more information: https://www.clevelandart.org/exhibitions/text-and-image-in-southern-asia

"Medieval Indian Manuscripts and the Stories They Tell", Phyllis Granoff, THE DR. RANAJIT K. DATTA DISTINGUISHED LECTURE IN INDIAN ART, Cleveland Museum of Art, 29 January 2023 2:00 PM ET

THE DR. RANAJIT K. DATTA DISTINGUISHED LECTURE IN INDIAN ART

Medieval Indian Manuscripts and the Stories They Tell

Phyllis Granoff

Lex Hixon Professor Emerita of Religious Studies at Yale University  

Sunday, January 29, 2023, 2:00 pm ET

Gartner Auditorium, Cleveland Museum of Art

Sudhana and a Parrot: folio 20 (recto) (detail), from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s. Nepal. Gum tempera and ink on palm leaf; average: 4.2 x 52.4 cm. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.49.1.a

The Cleveland Museum of Art has an important collection of Buddhist and Jain manuscripts, some of which are being shown for the first time in the exhibition Text and Image in Southern Asia (August 26, 2022–March 5, 2023). This lecture explores the stories these manuscripts and others like them tell us about the religious, social, and economic worlds of their origin. 

Who had these manuscripts made and why? How and of what were they made? How were they used and stored? How were they valued, as sacred texts to be worshiped or works of art? To study these manuscripts is a continuing process of asking questions, and in this talk Dr. Granoff shares her journey for these answers. 

Phyllis Granoff received her PhD from Harvard University in the Departments of Fine Arts and Sanskrit and Indian Studies. After teaching at McMaster University in Hamilton, Ontario, for many years, she moved to Yale University, where she was the Lex Hixon Professor of World Religions. She has written extensively on premodern Indian art, literature, and philosophy and has translated modern stories from Bengali and Oriya.

The annual Dr. Ranajit K. Datta Lecture brings nationally and internationally recognized experts in the fields of art history and archaeology to discuss new scholarship, museum exhibitions, and archaeological discoveries in Indian art.

The annual Dr. Ranajit K. Datta Lecture is made possible through the Dr. Ranajit K. Datta in Memory of Kiran P. and S. C. Datta Endowment Fund.    


Tickets can be purchased online.

For more information, https://www.clevelandart.org/events/lectures/medieval-indian-manuscripts-and-stories-they-tell

"Illustrating the Vitae patrum: The Rise of the Eremitic Idealin Fourteenth-Century Italy", Denva Gallant, 1 March 2023 3:00PM CET/9:00 AM ET (In Florence & Online)

KUNSTHISTORISCHES INSTITUT IN FLORENZ/MAX-PLANCK-GESELLSCHAFT

LECTURE

Illustrating the Vitae patrum: The Rise of the Eremitic Ideal
in Fourteenth-Century Italy

Denva Gallant

01 March 2023, 3:00pm CET/9:00am ET

In Florence & Online

Monk Tempted by Demon, folio from Vitae patrum, between 1330-1340, Naples. Pierpont Morgan Library, ms M.626, fol. 58v.

In the late third and fourth centuries, a number of men and women from Egypt, Palestine, and Syria chose to make a daring break with society, renouncing their familial claims and wealth so that they could lead a life of perfection in the desert. By withdrawing from society to the desert to undergo the ultimate test of faith, these men and women, known to later generations as the Desert Fathers and Mothers, committed themselves to sacrifice, to an exclusive reliance on God, and to the letting-go of ego. Their lives became legends that resonated across the centuries to come. In particular, beginning in the fourteenth century, mendicant orders in Italy saturated the Christian devotional landscape with stories of the hermit saints, extolling the ascetics as exemplars of an ideal piety that was worthy of emulation. Coinciding with this resurgence in interest in the Desert Fathers and Desert Mothers was the sudden and unprecedented emergence of images of the desert saints. 

Illustrated in the kingdom of Naples around the year 1336, New York, Pierpont Morgan Library, manuscript M.626 represents a singular witness to the rise of the eremitic ideal and its impact on the visual culture of late medieval Italy. It is distinguished from other illuminated manuscripts both by the quantity of the illustrations—272 images illustrate the lives of over thirty Desert Fathers and Mothers—and by the characteristics of its visual narratives. The illuminators of the Morgan manuscript provide the viewer with an expansive visual narrative that depicts (and often recommends) the process by which the saint achieved his or her sanctity or closeness with God. This lecture introduces a variety of manuscripts of the Vitae patrum—from the less extensively illuminated manuscripts to the most fulsomely illustrated dated to the fourteenth-century. It focuses, however, more narrowly on Morgan manuscript M.626 and considers just how its illuminations emphasize and in turn offer the contemplative life as exemplar.

 

Denva Gallant is a specialist in European medieval art and architecture, with an emphasis on manuscript illumination and the figural arts of the Trecento. Her scholarly work explores themes of narrative, the rise of the eremitic ideal as exemplum virtutis, and issues of patronage in the Middle Ages. She has received a number of research fellowships including awards from Villa I Tatti, the Harvard University Center for Italian Renaissance Studies and Center for Advanced Study in the Visual Arts. She is currently the recipient of the Samuel H. Kress Foundation Rome Prize in Medieval Studies for the 2022-2023 academic year.  Her current book project, Illustrating the Vitae patrum: The Rise of the Eremitic Ideal in Fourteenth-Century Italy, is the first work to examine comprehensively the Morgan Library’s richly illustrated manuscript of the VP (MS. M. 626), whose extraordinary illustrations comprise a singular witness to the rise of the eremitic ideal and its impact on the visual culture of late medieval Italy. 

For more events: https://www.khi.fi.it/en/aktuelles/veranstaltungen.php

"Instrumental Bodies: On Makers, Servants, and Machines in the Medieval Mediterranean", Lamia Balafrej, 24 January 2023 3:00 PM CET/9:00 AM ET (In Florence & Online)


Kunsthistorisches Institut in Florenz/Max-Planck-Gesellschaft

Lecture


Instrumental Bodies: On Makers, Servants, and Machines in the Medieval Mediterranean

Lamia Balafrej

24 January 2023, 3:00pm CET/9:00AM ET

In Florence & Online

Wine-serving automaton, folio from a copy of al-Jami‘ bayn al-‘ilm wa al-‘amal al-nafi‘ fi sina‘at al-hiyal (A Compendium on the theory and practice of the mechanical arts) of Ibn al-Razzaz al-Jazari, d. 602/1206, Anatolia. Istanbul, TSMK, Ahmet III 3473

Evocations of automated servants can be found across a wide range of ancient and medieval sources, promoting the mechanical reproducibility of servitude, while objectifying subaltern labor as machine-like. However, the thesis of substitution technology—the idea that technical media can replace servants—might betray a number of modern assumptions, including the master-slave dialectic, and a belief in technology’s efficiency, in its ability to minimize imprecision—as well as workers’ visibility and resistance. This talk will delve into visual, material, philosophical, technical, and literary sources, in order to understand the work of technology in medieval imaginaries. On the one hand, the desire for automation invites a political, critical reading of the machine as a tool of domination. On the other hand, the linkage between servitude and technology might also have had a different, if not opposite, effect: bringing subaltern labor to the fore. 

Lamia Balafrej is Associate Professor of Art History at UCLA, specializing in the Arts of the Islamic World. Her new research project explores the intersected histories of technology and labor in the medieval Mediterranean. She is currently a 2023 Rome Prize Fellow at the American Academy in Rome and will be a Getty Scholar at the Getty Research Institute in Los Angeles in Spring 2023. In her first book, The Making of the Artist in Late Timurid Painting (Edinburgh University Press, 2019), she examined the work of visual intricacy in Persian painting in relation to Persianate notions of authorship, medium, and representation. 

For more information: https://www.khi.fi.it/en/aktuelles/veranstaltungen.php

Call for Applications: 3-Month Research Fellowship on the Cultural Heritage of Ukraine, Mapping Eastern Europe project, Deadline 20 January 2023

Call for Applications

Research Fellowship on the Cultural Heritage of Ukraine

Mapping Eastern Europe / North of Byzantium

Deadline: January 20, 2023

We invite applications for a three-month remote fellowship to assist with research and writing about the medieval and early modern history and heritage of the regions of modern Ukraine for the Mapping Eastern Europe website (https://mappingeasterneurope.princeton.edu). Mapping Eastern Europe is an open-access interactive digital platform that focuses on the history, art, and culture of Eastern Europe between the 13th and 17th centuries.

The fellow would research and write 3 case studies on key monuments and objects from the regions of modern Ukraine, as well as 2 historical or thematic overviews that will then be published on the Mapping Eastern Europe website (either in long-form or videos). Contributions may cover topics, or touch upon monuments and their afterlives, such as the Kyiv-Pechersk Lavra, St. Michael of the Golden Domes, the icon collections in Kyiv's national museums of art, as well as works of art that have been removed from Ukraine in the modern era. The fellow will also participate in the final stages of the development of a small panel exhibition about Ukraine that is scheduled to open at Tufts University in February 2023

With this project, we aim to raise awareness about the historical and cultural complexity of the regions of modern Ukraine, whose histories and heritage have been entangled in political distortions, a key example being the diverse claims laid to the material culture of Kievan/Kyivan Rus'

The successful applicant should hold a PhD and be an art historian with a specialty in the medieval and/or early modern visual culture of Eastern Europe. Applicants may be of any nationality, but preference will be given to a scholar whose work has been disrupted by the ongoing crisis in Ukraine. The fellow would need to have a solid knowledge of English and preferably have a reading knowledge of Ukrainian and Russian.

The timeline for this work is somewhat flexible but a start date at the beginning of February 2023 would be ideal. There is a $3,000 honorarium for this position, which is tied to the North of Byzantium initiative (www.northofbyzantium.org).

To apply, please send in a single .pdf a letter of interest with details about your research, your skills, and suggest 5 possible contributions to the Mapping Eastern Europe website (no more than 2 pages); a CV; and the names of 2 referees who may be contacted to provide support letters, if needed, to northofbyzantium@gmail.com by January 20, 2023. Please include in the email subject line "Application: 2023 Research Fellowship”.

For the Call for Papers flyer: Click here

New Exhibition: A Passion for Collecting Manuscripts, Getty Center, Los Angeles, 31 January 2023 - 23 April 2023

New Exhibition

A Passion for Collecting Manuscripts

January 31, 2023–April 23, 2023

Getty Center, Los Angeles, CA

Cutting from an antiphonal (detail), early 16th century, Master B.F. Tempera and gold leaf. Getty Museum

The Getty Museum is one of the few museums in the United States that maintains and displays a collection of medieval illuminated manuscripts. Portable and sumptuous, these hand-crafted treasures have garnered the interest of collectors throughout the centuries. Each has a unique story, and clues in the books themselves often provide tantalizing evidence that help reconstruct their meanderings through time. This exhibition shares intriguing stories about our manuscripts and the remarkable journeys that brought them to Los Angeles.

For information about spotlight tours from February to April: https://www.getty.edu/visit/cal/events/ev_3741.html

For more information about the museum: https://www.getty.edu/

Call for Applications: Herzog August Bibliothek, Research grants (Long and Short-Term Fellowships), Deadline 31 January 2023

Call for Applications

Herzog August Bibliothek

Research grants

(Long and Short-Term Fellowships)

Deadline 31 January 2023

The HAB offers different fellowships for post-docs and experienced researchers (senior level) and the state of Lower Saxony funds two different formats in the area of research fellowships. In addition, there are further fellowship opportunities with cooperation partners.

Research grants funded by the State of Lower Saxony 2024

Next application deadline: January 31, 2023, start: January 1, 2024

Post-doc Fellowships

Early career scholars who are within 6 years of receiving their PhD, may apply for a long-term fellowship of between 6 and 10 months. The library will award from 4 to 6 such fellowships annually. The monthly fellowship is € 2.200. The fellowship holder will receive a one-time reimbursement for the cost of travel to and from Wolfenbüttel (max. € 2.000). Fellows who bring their families to Wolfenbüttel may apply for a monthly child supplement (one child: € 300; two children € 400; three or more € 500).
*for applications submitted in January 2023 the PhD must have been awarded in 2017 or later.

Short-term Fellowships

The fellowships are addressed to a broad range of scholars of all career stages (from post-doc to emeriti) wishing to make a short visit in order to gather source material. Applications can be made for stays of between one and three months. The monthly fellowship is € 1.800. A travel subsidy will also be paid (between € 150 and max. € 650, depending on country of origin).

Application for a fellowship at the Herzog August Bibliothek

For your application please request the application forms for the respective fellowship program at ed.bah@gnuhcsrof, stating your research focus and the keyword "Post-doc" or "Short-term". Reviewers will be appointed to evaluate the applications, and the Scientific Advisory Board will select the fellows. You can find the guidelines for the awarding of scholarships in the download area on the right.

For more information and contact details: https://www.hab.de/en/forschungsstipendien/

For a PDF of the Call for Applications, click here.

Call for Applications: Fellowships at the Medieval Institute, University of Notre Dame, Deadline 1 February 2023

call for Applications

Medieval Institute, University of Notre Dame

Mellon Fellowship

and

Public Humanities Postdoctoral Fellowship

Deadline 1 February 2023

The Institute offers several competitively awarded grants and fellowships:

A. W. Mellon Junior Faculty Fellowship in Medieval Studies

The Medieval Institute offers a fellowship for a junior faculty scholar in Medieval Studies, made possible through the generous response of the Andrew W. Mellon Foundation to a challenge grant awarded to Notre Dame by the National Endowment for the Humanities. This Fellowship is designed for junior faculty who currently hold a position in a United States university as an assistant professor. It is open to qualified applicants in all fields of Medieval Studies. The fellowship holder will pursue research in residence at Notre Dame's famed Medieval Institute during the academic year (this is a nine-month position that begins mid-August).

The intent of this Fellowship is to enable its holders to complete research and writing on a book manuscript in advance of tenure. The Fellowship carries no teaching responsibilities, but holders are expected to participate in the multidisciplinary intellectual life of the Institute and to reside in South Bend. The Fellow will be provided with a private carrel in the Medieval Institute, enjoy full library and computer privileges, and have access to all the Institute’s research tools.

In addition, towards the conclusion of their residency the Fellow’s work will be at the center of a half-day conference. Three senior scholars, chosen in cooperation with the Medieval Institute, will be invited to campus for a half-day public seminar treating the subject matter of the Fellow’s research. The senior scholars will also read and discuss a draft version of the Fellow’s work in an extended private session, a one-to-one conversation following a close reading of the draft, with a view to improving the manuscript before its submission to a press.

Eligibility: Mellon scholars must hold a tenure-track appointment at a U.S. institution, obviously with a completed Ph.D., and should not be more than six years beyond receiving their Ph.D. at the time of the application.

Stipend: $50,000 (paid directly to the Fellow’s home institution)

Application deadline: February 1, for the upcoming academic year. Applications are accepted, and the button below active, from November 1 through February 1.

Application procedure: Upload a letter of application, a project proposal of no more than 2500 words, a current c.v., and three letters of recommendation. If you encounter issues with Interfolio, please contact their customer support.

Address questions to the Director of the Medieval Institute, Prof. Tom Burman, at tburman@nd.edu. See the list of our past fellows

Apply Here

Public Humanities Postdoctoral Fellowship

The Medieval Institute at the University of Notre Dame invites applications for a two-year postdoctoral fellowship in public humanities, supported by a previous endowment grant from the Andrew W. Mellon Foundation to the Institute. The fellow will devote the majority of the fellowship time to working closely with the Institute’s staff, especially its director of undergraduate studies and engagement, in the Institute’s outreach and engagement efforts directed at local schools as well as potential donors, alumni, and undergraduate majors and minors. The fellow will also work with the Assistant Director to prepare public humanities marketing and communications materials. The remainder of the fellow’s time may be devoted to research and/or teaching.

The fellow will be provided with a workspace in the Medieval Institute, enjoy full library and computer privileges, and have access to all the Institute's research tools.

Eligibility: Applicants must hold a Ph.D. (or equivalent) in some area of the humanistic study of the Middle Ages, or have it in hand by the beginning of the fellowship term. Applicants must have relevant experience in public engagement in the humanities, highly effective people skills, and multimedia digital literacy. Experience with digital humanities is highly desirable.

Salary: $49,440 per year, plus benefits

Application deadline: Every other February 1 for the upcoming academic year, starting in 2021. Applications are accepted, and the button below active, from November 1 through February 1 of those alternate years.

Application procedure: Upload a letter of application that includes reflection on how this postdoctoral position would fit into your broader career goals, a current c.v., and three confidential letters of recommendation. You may also upload a digital portfolio and similar supporting materials. If you encounter issues with Interfolio, please contact their customer support.

Address questions to the Director of the Medieval Institute, Prof. Tom Burman, at tburman@nd.edu.

Apply Here

For more information about the Medieval Institute: https://medieval.nd.edu/.