Call for Papers: The 101st Medieval Academy of America Meeting, Consortiums and Confluences (29-21 Mar. 2026, Massachusetts), Due By 2 June 2025

Call for Papers

The 101st Medieval Academy of America Meeting

Consortiums and Confluences

March 19-21, 2026

Amherst College • University of Massachusetts Amherst • Smith College • Mount Holyoke College • Hampshire College

Massachusetts

Due by Monday, 2 June 2025

The 101st annual Meeting of the Medieval Academy of America will take place on March 19–21, 2026 on the campuses of the University of Massachusetts Amherst and Amherst College, and will also include events at Mt. Holyoke College and Smith College. Hosted by the Five College Consortium, the theme of the meeting is “Consortiums and Confluences.” “Consortium” denotes association but also implies consorting, or the willful union, sometimes unsanctioned, of distinct parties. By “confluences,” we mean the conjunction, be it actual or conceptual, of groups, individuals, and ideas–the flowing-together, intentionally or otherwise, of seemingly separate streams. In recognition of the five colleges that have come together to organize the Meeting, we suggest within this topic five broadly-construed threads that ask participants to consider mergings and separations, interactions between the one and the many, transitions, alignments, and misalignments. These five threads are open to scholars in all disciplines working on all aspects of the medieval world, as well as critical explorations of more recent interpretations of and engagements with the Middle Ages.

Our plenary lectures will be given by Elly Truitt (Associate Professor of History and Sociology of Science at the University of Pennsylvania), Peggy McCracken (President of the Medieval Academy of America and Professor of French, Women’s Studies, and Comparative Literature at the University of Michigan), and Jesús Rodríguez-Velasco (Augustus R. Street Professor of Spanish & Portuguese and Comparative Literature at Yale University).

Below, please find the call for papers. The deadline for submissions is Monday, 2 June 2025. Submit paper and session proposals here.


Journeys, Pathways, and Process

This thread explores the idea of movement and traversal to highlight the complex interconnections between medieval experiences, outlooks, and ways of knowing. We invite papers that explore rituals or practices of movement, guided and misguided advance, travel on local or global scales, and movement in forms and patterns of composition or construction. Some possible approaches: routes of transmission, exchange, migration, or wandering; architectural, geographical, spatial motions; courses or pathways in the natural world; mystical journeys, speculative undertakings; temporality and historiography; style and form in art, history, and literature; pathways of intellection; interplays of racialized, gendered and/or animal being; choreography, dance, pilgrimage; and routes toward cultural, religious, or political confluence.


Technologies of Knowledge

This thread addresses intersections, discontinuities, and productive tensions between premodern epistemologies and technologies. We invite papers that consider the relationships between knowledge formation and its material substrates. Although scholasticism has given the Middle Ages a reputation for tendentious abstraction, medieval instruments–parchment, styli, diagrams, maps, automata, navigational aids, optical devices, books of translation–tell a different story of the relationship between knowledge and materiality. Papers in this thread might consider the questions: How did medieval approaches to knowledge inform, and how were they informed by, available or imagined technologies? How were medieval disciplinarity, aesthetics, translation practices, or poetics informed by premodern technologies and material literacies? We also invite approaches that engage with contemporary techo-methodologies such as digital humanities or media theory.


Ecologies and Environments

This thread examines human and more-than-human relations with built and unbuilt environments of the premodern world, exploring how new identities, cooperations, divisions, and crises were forged through ecological change. How were cooperative and competitive theories and practices of organized agriculture, conservation, sustainability, collective health, and terraqueous resource ownership, management, and exploitation shaped by knowledge of and interactions with the natural world? How did encounters with and responses to catastrophes like disease, food shortage, earthquake, or flood unite and divide across political, religious, linguistic, legal, and cultural boundaries? How were discourses of shared, contested, and destroyed environments reflected in art, literature, philosophical thought, cartography, and ethnography?


Divergence, Disjunction, Dispersion

This thread explores moments of fragmentation, separation, and diffusion across intellectual, geographical, cultural, linguistic, political, and disciplinary divides. How do moments and movements of disjunction shape medieval communities, texts, and traditions, and by extension, the ways we study them? In what ways do disjunctions produce creative reconfigurations or new forms of connection? We also invite reflections on concepts of exile, diaspora, and deviance, especially those that help us understand the way medieval communities navigated disruption and redefined belonging. How do experiences of displacement or marginalization reshape medieval identities and cultural production? What affordances might have come from transgression of boundaries, whether physical, social, or intellectual, as people reimagined connections across divides? We invite papers that explore the divisions that occur among peoples, ideas, and objects and what they reveal about our disciplines.


Embodiments and Materialities

This thread brings together considerations of the physical, the material, and the corporeal as sites of communication and contact. Papers might address the role of the material in foregrounding production, or they might contemplate the body as a determining factor in reception, considering issues of race, gender, and disability. Presentations might also concentrate on the indeterminate boundaries between the animate and inanimate, and how bodies and material objects collaborate with one other, or alternatively how they might operate at cross purposes.

The Program Committee also invites papers and panels that interrogate present sociohistorical conjunctures and reflect on how medievalists can shape the next century of Medieval Studies. Potential approaches might consider how excavating archives of the medieval past can shape or effect change in the broader social and cultural landscape; ancient-to-medieval histories of Palestine and matters pertaining to the modern reception of this history; the deep histories of genocidal violence; and the history and future of scholarly activism within Medieval Studies. Papers or panels on these topics can be submitted as standalones or as part of any of the individual threads.

Individuals may either propose individual papers or a full panel of papers and speakers, using the link provided below. Paper proposals should include the individual’s name, professional affiliation (including independent scholar), contact information, paper title, and a brief (c. 150-word) abstract. Session proposals should include the name and contact information for the session organizer, the session title, a c. 500-word abstract, and information for each of the session participants (including proposed chairs and respondents). Those submitting paper and session proposals also will be asked to indicate the thread(s) with which their contributions might best be associated. All submissions are due by Monday, 2 June 2025. If you have any questions, please direct them to the Program Committee chairs at MAA2026@themedievalacademy.org.

Submit paper and session proposals here.

 

Organizing Committee
Jenny Adams, UMass (co-chair)
Ingrid Nelson, Amherst College (co-chair)
Joshua Birk, Smith College (co-chair)

Samuel Barber, Mount Holyoke College
Jessica Barr, UMass
Sonja Drimmer, UMass
Albert Lloret, UMass
Yiyi Luo, UMass
Evan MacCarthy, UMass
Stacey Murrell, Amherst College
Jutta Sperling, Hampshire College
Wesley Yu, Mount Holyoke College

Call for Papers: The Mediterranean: The Land of the Vine and… (11-12 Sept. 2025, Aix-en-Provence), Due 1 June 2205

Call for Papers

The Mediterranean Seminar and The American College of the Mediterranean

The Mediterranean: The Land of the Vine and…

11-12 September 2025, Aix-en-Provence, France

Due 1 June 2025

The Mediterranean Seminar in conjunction with The American College of the Mediterranean announce “The Mediterranean: The Land of the Vine and…,” the Mediterranean Seminar Fall 2025 Workshop to be held from 11 & 12 September in Aix-en-Provence, a meeting made possible thanks to the generous support of The American College of the Mediterranean.

The workshop will feature two keynote speakers, three workshopped papers and round-table sessions.

Keynote speakers:
Paulina Lewicka (University of Warsaw)
Anthony Triolo (The American College of the Mediterranean)

Fernand Braudel famously characterized the Mediterranean as a landscape of the vine and olive. The earliest established origin of wine (as well as beer and distilling) was in the Mediterranean region. More than merely a foodstuff or intoxicant, wine became a crucial element in social, medicinal, cultural and religious practices around the region, and consequently grape production become a pillar of local economies and of regional and transregional trade. It was produced since the pre-historical era and disseminated by the Phoenicians, wine became emblematic of Mediterranean culture in Antiquity and constitutes a key commercial sector today. Distilled grape pomace flavored with anise (anís, pastis, sambuca, ouzo, raki, arak) is also consumed around the region, alongside fermented distillates of fig, palm and dates. Hashish and other narcotics were consumed through much of the region. Nevertheless, intoxication was regarded with ambivalence – both as a medium of euphoria and transcendence and indiscretion and a threat to the rational and moral order. For Christians and Jews wine came to be an essential element of observance. For Muslims grape wine was generally considered forbidden; nevertheless grapes and wine continued to be produced by minority communities, and consumed widely (and often openly) by Muslims. The Islamic wine party became a secular ritual, while genres of secular and religious poetry across the Abrahamic faiths celebrated wine and intoxication.
 
We invite papers that deal with any aspect of the production, distribution, regulation and consumption of grapes, wine, and other intoxicants in the Mediterranean world from Antiquity to the present, together with depictions, rituals, and attitudes to wine and intoxication, whether literal or metaphorical, historical or imagined, as seen from disciplinary perspectives as diverse economic, social, cultural, or political history, literature, history of philosophy, history of science and medicine, art and art history, musicology, anthropology or any related humanities and social science disciplines.
 
Proposals are welcome from scholars of all ranks from across all disciplines of the Humanities, Arts, and Social Sciences, as are papers from the Sciences, that engage in the broadest sense with social, historical and cultural aspects of the Mediterranean language, linguistics, literature, culture, society, art, and social, economic and political history, as well as anthropology, sociology, and other related humanities and social science disciplines. Junior scholars, graduate students, contingent faculty, scholars of underrepresented communities, and those whose work engages with historiographically marginalized groups are particularly encouraged to apply.
 
Papers may address either specific case studies or larger historical, cultural, artistic or historiographical dynamics and apparatuses. Comparative, interdisciplinary, and methodologically innovative papers are of particular interest. Our Mediterranean world is construed as the center of the historical West, including southern Europe, the Near East and North Africa and stretching into continental Europe, Sub-Saharan Africa, the Black Sea and Central Asia, and the Red Sea and the western Indian Ocean. While our primary laboratory is the premodern Mediterranean, we welcome proposals from across historical eras, as well papers which focus on other regions in which analogous or related processes can be observed.
 

Workshop Program

For the workshop program, we invite abstracts (250 words) for unpublished in-progress articles or book or dissertation chapters relating directly or tangentially to the production, distribution, cultural, economic, social history, artistic or literary representations of wine or intoxicants in the Mediterranean world.

To complete the form you will need a (provisional) title and abstract (±250 words) of your proposed presentation, a prose biographical paragraph (±250 words), and a 2-page CV (pdf).

The deadline for workshop proposals is 1 June 2025 via this form. Successful applicants will submit a 35-page (maximum) double-spaced paper-in-progress for pre-circulation by 21 August 2025.


Round-Table Conversations

For the three round-table conversations, we invite abstracts (±250 words) for position papers that respond to one of the prompts below.

The deadline for application proposals is 1 June 2025 via this form.

Round-table presenters will submit a 3-5 page “position paper” in response to their round-table prompt by 30 August 2025. Position papers are informal “op-ed” pieces with minimal scholarly apparatus.
 
To complete the form you will need a (provisional) title and abstract (±250 words) of your proposed presentation, a prose biographical paragraph (±250 words), and a 2-page CV (pdf).

Round-table topics
1. Production and Distribution: How did techniques of wine production develop and disseminate across the Mediterranean world? How did production, dissemination and consumption of wine and intoxicants shape Mediterranean economies and how did this intersect with specific communities and constituencies?
2. Consumption and Culture: How, why and when were wine and intoxicants consumed? What role did they have in social and cultural practices, and secular and religious rituals? What were the various manifestations of Mediterranean wine culture and how did these various over time, place and across ethno-religious communities?
3. After-Effects and Altered Perceptions: How was wine and intoxication viewed and depicted in art and across the various genres of literature (including fiction and non-fiction, prose, poetry, and scientific, moral or religious texts)? How do these depictions intersect with the with the cultural, social, religious and economic environments of the Mediterranean world? What particular dynamics and tensions did this produce?

Given that only three workshop papers can be accepted, workshop applicants are
encouraged to also apply for a round-table (using a separate form). Applicants are
welcome to indicate more than one round-table topic if appropriate for their proposal.


Other Information

This is an in-person meeting only. The workshop language is English. Participants agree to be present and actively participate in the entirety of the program.

Meals and accommodation will be provided for workshop and round-table presenters, and local ground transportation will be reimbursed. Presenters will be responsible for inter-regional or international travel.

A separate call for non-presenting participants will go out in July.


This workshop is organized by Brian A. Catlos (University of Colorado Boulder), William Granara (Harvard University), Sharon Kinoshita (University of California Santa Cruz) and Anthony Triolo (ACM). It is sponsored by The American College of the Mediterranean, together with the Mediterranean Seminar and the CU Mediterranean Studies Group.

Call for Papers: Valonia: A Journal of Anatolian Pasts 2 (2025), Due 31 May 2025

Call for Papers

Valonia: A Journal of Anatolian Pasts 2 (2025)

Due 31 May 2025

The Editorial Board of Valonia: A Journal of Anatolian Pasts invites contributions of articles for the next volume of the journal, to be published in 2025.

Valonia is an international, double-blind peer-reviewed journal published by Koç University's Research Center for Anatolian Civilizations (ANAMED) (https://valoniajournal.org). Appearing online and in limited print runs, the journal aims to bring forth in a timely manner selections of the latest innovative, critical, and synthetic scientific research on the broad range of subjects that fall within ANAMED's mission: the archaeology, architectural and art history, heritage, and history of Anatolia and its affiliated geographies, from deep prehistory through late Ottoman times. Valonia publishes one special or one open-topic issue per year. The selection of topics for special issues as well as articles for open issues aims for chronologically and disciplinarily balanced representation.

Contributions for publication can be submitted at any time via the journal's website (https://valoniajournal.org). The deadline for submission of articles for Volume 2, which is an open-topic issue to be published in 2025, is 31 May 2025.

For the journal's style guide and other guidelines for submission, see
https://valoniajournal.org/submission-guidelines

Contact Email: emalisik@ku.edu.tr

URL: https://valoniajournal.org

Call for Papers: Cultural Crossroads: Artistic Encounters between the Low Countries and Spain, 15th-17th Centuries (Brussels, 28 Nov. 2025), Due 6 June 2025

Call for Papers

Cultural Crossroads

Artistic Encounters between the Low Countries and Spain, 15th-17th Centuries.

III. Echoes of Flemish Sculpture in Spain from Gothic to Baroque

Brussels, 28 November 2025

Due 6 June 2025

Since 2020, the Moll Institute (Madrid) and the Fondation Périer-D’Ieteren (Brussels) have been conducting a research program aimed at identifying and studying the art that developed in the Low Countries between the 15th and 17th centuries and that is preserved in Spanish collections. As part of this collaboration, a series of study days has been organized since 2023 to stimulate and disseminate research conducted in this field. The first and second study days (2023 Brussels; 2024 Madrid) focused on, respectively, painting and tapestry. The third study day will be dedicated to sculpture and will be organized in Brussels, at the Fondation Périer-D’Ieteren.

Focus & Scope

Contributions may relate to the following areas:

  • Mobility of artists and local settlement: trajectories of Flemish artists; establishment of artistic hubs in centres such as Seville and Burgos; social and professional integration of sculptors and their workshops; the importance of ports and trade fairs for cultural exchanges.

  • Patrons and commissions: the role of the royal court; commissions from the nobility and the bourgeoisie; the impact of religious institutions.

  • Typologies and specific features of the works: sculpted altarpieces integrated into local architecture; funerary monuments and their iconography; small devotional pieces adapted to the Spanish market etc.

  • Technique and materials: introduction of new techniques; adaptation of local materials by Flemish sculptors.

  • Conservation and restoration issues: exploring conservation challenges and restoration solutions for a distinctive Flemish art form in Spanish collections.

Submission

We welcome all paper proposals (English, French, Spanish) related to the topics outlined above. Duration per paper is maximum 20 minutes. Accepted papers will be considered for publication in a collective volume, to be published in the series Cahiers d’études of the Annales d’Histoire de l’Art et d’Archéologie (Brussels). In addition, the artworks discussed in these papers will be included in the Flemish Art in Spain database: https://www.flemishartinspain.com/en.

Paper proposals can be submitted until and including June 6, 2025, and should include a title and short abstract of approximately 300 words, along with a concise CV (to be submitted to congreso@institutomoll.es and fondation@perier-dieteren.org). Notification on the acceptance or rejection of papers will be done before August 31, 2025. Please note that transport and accommodation costs are not borne by the organizing institutions.

Organizing Committee
– Dr. Sacha Zdanov, Fondation Périer-D’Ieteren / Université Libre de Bruxelles
– Dr. Wendy Frère, Fondation Périer-D’Ieteren
– Dr. Ana Diéguez Rodríguez, Instituto Moll / Universidad de Burgos

Call for Papers (PDF)Télécharger

For more information, visit https://www.perier-dieteren.org/journee-detude-cultural-crossroads/

International Conference: Tracing Jewish Histories: The Long Lives of Medieval Hebrew Manuscripts, Judaica, and Architecture, The Courtauld, 19-20 May 2025

International Conference

Tracing Jewish Histories: The Long Lives of Medieval Hebrew Manuscripts, Judaica, and Architecture

19-20 May 2025

Vernon Square Campus, Lecture Theatre 2, The Courtauld, London

Ibn Shoshan Synagogue (now the Church of Santa María la Blanca), first built 1180, Toledo, Spain

Free, but booking is essential.

For more information and to book tickets, visit https://courtauld.ac.uk/whats-on/tracing-jewish-histories-the-long-lives-of-medieval-hebrew-manuscripts-judaica-and-architecture/

Works of art and architecture made by or for Jewish communities in the medieval period are often examined through the lenses of persecution and expulsion, or are contrasted against Christian or Muslim“styles.” This symposium seeks to expand and nuance these narratives in order to highlight how works of art and architecture can uniquely trace the history of particular Jewish communities by mapping their movements and traditions across generations and geographies. Medieval Jewish objects and spaces can also serve as loci to examine ideas related to collective memory and cultural identity. To that end, the symposium seeks to open new dialogues regarding the “afterlives” of medieval Jewish art more broadly, initiating discussions regarding the ways in which works of art and architecture continued to bear witness to the richness of Jewish life and culture long after they were created.

Organised by Laura Feigen and Reed O’Mara, this symposium is supported by Sam Fogg and the Mellon Foundation with additional support from The Department of Art History and Art at Case Western Reserve University and The Medieval Academy of America Graduate Student Committee Grant for Innovation in Community Building and Professionalization. 

2025 Student Essay Award Winner - Ava Romano

Citric Infinity: Limestone and the Sublime

Sublimity reveals a reverent connection between humanity and the material world and the awesome, construed as the divine in medieval Christian philosophy. Religious philosophy belongs forthright in discussions of the sublime, as the concept is deeply rooted in people's all-consuming devotional practices in the Middle Ages. Both physical and metaphorical considerations of artistic materials are therefore integral to understanding these practices. Limestone was a foundational material in the construction of the medieval world, from small biblical narrative sculptures to grand, imposing churches. This essay explores limestone's materiality relative to the sublime and the concept of infinity. My central questions expand on the interdisciplinary use of limestone and other materials together, relationships between biblical narrative and limestone, and what role limestone held in the spatialization of the Medieval Period. I employ an in-depth analysis of the limestone Last Supper sculpture on view at the Metropolitan Museum of Art as an attempt to expound upon compositional, architectural, and narrative connections between examples of medieval limestone usage. With special attention to Late Medieval Germany, I examine the application of limestone in the creation and perpetuality of sacred spaces. I argue there is a link between God's infinity and material infinity, and therefore several analyses for the use of limestone in sacred spheres. By taking a metaphysical approach to understanding the multifaceted nature of limestone as both a physical material and divine agent, I question the notions of space, time, and sanctity together. The material is therefore an actor in faith and fear.

Click here for the Essays & Lectures Page for the Essay.

New Video! ICMA Annual Lecture, Word/Play: Interiority, Performance, and Reading in Late Medieval Flanders, Alexa Sand

New Video

ICMA Annual Lecture

Word/Play: Interiority, Performance, and Reading in Late Medieval Flanders

Alexa Sand

Professor of Art History and Associate Vice President for Research at Utah State University

14 May 2025

The link to the video is on the Courtauld Lecture page of the ICMA website.

A small group of devotional, literary, and spiritually instructional texts from late thirteenth and early fourteenth century Flanders and Northern France contain a remarkable array of marginalia depicting performance practices and play, ranging from puppet shows to violent ball sports. In the environment that produced these books, reading, especially in a devotional vein, was not merely transactional or functional, and the books are part of a performance culture in which engaging in various outward behaviours, especially those associated with “play” in all its aspects was critical to creating the awareness of and experience of inwardness, including a heightened sense of one’s spiritual visibility to the divine. Drawing on scholarship in dance history, performance studies, and the history of sports, and responding to recent work by fellow art historians focusing on the nexus of sensory experiences – haptic, visual, aural, gustatory, and olfactory – that constitute what is sometimes characterised as “medieval somaesthetics,” this work situates the illuminated manuscripts and the acts of reading they engendered as indices of a much larger realm of experience and practice that constituted the prima materia of late medieval selfhood. Understanding how these particular objects, images, and performances constituted the field of its enactment, is pertinent to twenty-first-century phenomena of self-formation and self-perception within the relentlessly performative realm of media culture.

Alexa Sand is Professor of Art History and Associate Vice President for Research at Utah State University, where she has taught since 2004. She earned her Ph.D. in art history from UC Berkeley, with an emphasis on medieval French art and literature. Her book, Vision, Devotion, and Self-Representation in Late Medieval Art appeared with Cambridge University Press in 2014. Her most recent work has focused on medieval puppetry, including her 2021 essay in Gesta, “Puppets, Manuscripts, and Gendered Performance in the Hortus deliciarum.” She is cohost of the podcast Real Fantastic Beasts.

Organised by Dr Jessica Barker, Senior Lecturer in Medieval Art History, The Courtauld. This event is kindly supported by the International Center of Medieval Art (ICMA), and the drinks reception sponsored by Sam Fogg. This Series made possible through the generosity of William M. Voelkle.

Call for Applications: Ariane Condellis Fellowship at The Gennadius Library, American School of Classical Studies at Athens, Due 2 June 2025

Call for Applications

New Fellowship

Ariane Condellis Fellowship

The Gennadius Library, American School of Classical Studies at Athens

Due 2 June 2025

Ariane Condellis Fellowship at the Gennadius Library supports research by Turkish nationals conducting research on topics related to intercommunal relationships and the social history of Byzantium or the Ottoman period.

Field of Study: Intercommunal relationships, social history, or civil society of Byzantium or the Ottoman Empire.

Eligibility: Citizens of Türkiye who are either senior scholars (Ph.D. holders) or doctoral candidates/graduate students. Citizens of Türkiye do not need to be resident in Türkiye at the time of application.

Terms: A stipend of $11,500 plus room and board in Loring Hall, and waiver of School fees. Meals, Monday through Friday, are provided at Loring Hall for the fellow. Fellows are expected to be engaged full-time in the supported research at the library from early September 2025 to late May 2026 and are expected to participate in the academic life of the School.

Application: Submit an online application. An application consists of a curriculum vitae, description of the proposed project (up to 750 words), and two letters of reference to be submitted online. Student applicants must submit transcripts or an equivalent document(s). Scans of official transcripts are acceptable.

For more information, visit https://www.ascsa.edu.gr/fellowships-and-grants/postdoctoral-and-senior-scholars#Condellis

Two Upcoming Exhibitions: The Très Riches Heures du duc de Berry & Books of Hours a History in Objects, Château de Chantilly, Institut de France, 7 June - 5 October 2025

Upcoming ExhibitionS

The Très Riches Heures du duc de Berry

And

Books of hours: a history in objectS

SChâteau de Chantilly, Institut de France

Chantilly, Oise, France

7 June - 5 October 2025

Mai, dans le Calendrier des Très Riches Heures du duc de Berry Paris et Bourges, 1411-1485 © RMN-Grand Palais - Domaine de Chantilly - Michel Urtado

The Très Riches Heures du duc de Berry

The Très Riches Heures du Duc de Berry is the most famous manuscript in the world. Described as the ‘Mona Lisa’ of manuscripts, this collection of offices and prayers made especially for the Duke of Berry, brother of King Charles V of France, is a testament to the splendour and artistic refinement of the late Middle Ages.

Produced throughout the 15th century, this exceptional work was illuminated by the Limbourg brothers, eminent artists attached to the court of Burgundy and then of Berry, who revolutionised the history of art. Consisting of 121 miniatures, the Très Riches Heures capture the imagination with their depictions of historic castles, princely scenes and seasonal work in the fields that have shaped our perception of the Middle Ages.

To celebrate the restoration of this masterpiece, which has only been shown to the public twice since the end of the 19th century, an international exhibition has been set up, featuring almost 150 exhibits from all over the world. The exhibition provides visitors with an insight into each stage of the creation of the Très Riches Heures over almost a century and explains why the manuscript is still so popular.

The exhibition focuses particularly on the figure of Jean de Berry, his lavish patronage and his taste for books. For the first time since the prince’s death in 1416, all his books of hours known to date have been collected in one place. Manuscripts, sculptures, paintings and valuable works of art provide a comprehensive overview of the context behind the creation and dissemination of the Duke’s most ambitious work.

Due to the ongoing restoration of the manuscript, its famous calendar is on display unbound. Come and admire the Très Riches Heures du Duc de Berry as you will never see them again!

For more information, visit https://chateaudechantilly.fr/en/evenement/les-tres-riches-heures-du-duc-de-berry/


Books of hours: a history in objects

As an extension of the major exhibition devoted to The Très Riches Heures of the Duke of Berry, the Reading Room presents a remarkable collection of over fifty Books of Hours, both manuscripts and printed editions, dating from the late 12th to the 19th century. These once-overlooked works now reveal the rich and fascinating history of a treasured book form that was both dreamt of and venerated.

For more information, visit https://chateaudechantilly.fr/en/evenement/exhibition-books-of-hours-a-history-in-objects/

Call for Applications: Juan Facundo Riaño Essay Prize, ARTES, Iberian & Latin American Visual Culture Group, Due 30 April 2025

Call for Applications

ARTES

Iberian & Latin American Visual Culture Group

Juan Facundo Riaño Essay Prize

Due 30 April 2025

To encourage emerging scholars that are based in the UK, ARTES, in collaboration with the Embassy of Spain, awards an annual essay medal to the author of the best art-historical essay or study on a Hispanic theme, which must be submitted in competition and judged by a reading Sub-Committee. The medal is named after Juan Facundo Riaño (1829-1901), the distinguished art historian who was partly responsible for a growing interest in Spanish culture in late nineteenth-century Britain. The winner is also awarded a cash prize of £400, and the runner-up is awarded a certificate and prize of £100 – both prizes are generously sponsored by the Office for Cultural and Scientific Affairs of the Embassy of Spain. Prize-winners also receive a year’s free membership to ARTES, and the winning essays are considered for publication in the annual visual arts issue of Hispanic Research Journal. See the information about eligibility and rules of competition. The deadline is 30th April 2025.

For more information, visit https://artes-uk.org/2022/02/24/call-for-applicants-artes-essay-prize-and-scholarships-deadline-31st-march-2022/

Call for applications: Assistant Editor for ICMA News, due 23 May 2025

Call for applications
Assistant Editor for ICMA News
due 23 May 2025

 
The ICMA/ICMA Publications Committee seeks an Assistant Editor for the Events and Exhibitions section of the triannual newsletter, ICMA News. This position, to be held by a current graduate student, will run a two-year term. Working closely with the newsletter Editor, the Assistant Editor for Events and Exhibitions will be responsible for gathering and managing relevant information on upcoming symposia, calls for papers, and exhibitions for publication in the newsletter.The Events and Exhibitions section is international in scope, and is a regular section of each issue. In addition, the Assistant Editor works with the Editor to identify graduate students to write exhibition reports for each issue. The Assistant Editor also helps the Editor edit the newsletter copy and final proofs before publication. An annual stipend of US$750 is provided.

For consideration, please send a brief letter of interest and current CV to Melanie HananICMA News Editor, at newsletter@medievalart.orgby 23 May 2025.

Call for Papers: Symmetrical Structures and Patterns in Islamic Architecture, Poetry, and Imagination, 3rd Congress of the Society for the Interdisciplinary Study of Symmetry, Due by 1 May 2025

Call for Papers for Panel

Symmetrical Structures and Patterns in Islamic Architecture, Poetry, and Imagination

3rd Congress of the Society for the Interdisciplinary Study of Symmetry

Orthodox Academy of Crete, Kolymbari, Crete, Greece, 22-29 August 2025

Due By 1 May 2025

We invite paper proposals for a panel on Symmetrical Structures and Patterns in Islamic Architecture, Poetry, and Imagination, for the 13th Congress of the Society for the Interdisciplinary Study of Symmetry. The congress is scheduled to take place August 22-29, 2025, at the Orthodox Academy of Crete.

Papers in the panel will be allotted 20 minutes, plus discussion. See below for a description of the panel and further details, including preparation of the abstract.

Persian and Islamic lands witnessed an intense flourishing of art, architecture, mathematics, science and poetry beginning in the 9th century. From the poetry of Ferdowsi, Farrokhi Sistani, and Gorgani to the monuments of Bukhara, Isfahan, and Maragha, poetic, artistic, and architectural forms emerged that would become predominant throughout the Islamic world. At the same time, the translation and advancement of scientific, philosophical, and mathematical thought shaped an ‘Islamic Golden Age.’ Ghaznavid palaces were filled with poets and inscribed with poetry. Likewise, the Seljuk courts attracted literati and learned men of diverse backgrounds, who contributed to a vibrant intellectual environment.

In response to this rich cultural flourishing from the 9th-12th centuries, we envision an experimental gathering of scholars trained in different disciplines to provide interpretive insights and diverse perspectives on the use and significance of imagination in the arts and discourses of the pre-Mongol Islamic world. Papers will explore lines of thought that are literal, mathematical, and metaphorical with a view towards understanding how imagination figures in the articulation of worlds beyond that of the tangible.

This panel focuses on the symmetries of intricate geometric patterns executed in cut and glazed bricks on monuments in Iran and neighboring regions, considered in relation to Qur’anic passages and contemporary poetry. In particular, study of Nezami’s Haft Paykar, a literary masterpiece of enormous complexity and imagination, explores its architectural references and geometric structures. Together we raise questions for the interpretation of patterns in spatial and imaginative realms.


CONFERENCE COSTS (for your calculation and planning)

  • Airfare to/from Chania, Crete, Greece

  • Visa, if needed

  • Registration fee (before June 30) 350€, accompanying persons@ 100€

  • Conference fee (includes accommodation at the Orthodox Academy of Crete [room and full board], 8/22-29/2025) - Double room 1170€ per person; Single room 1480€ per person

  • For more detailed information, click here.

ABSTRACTS

There is a specific format required for submitted abstracts. A template is provided click here.


TIMELINE

May 1, 2025 - abstracts to bier.carol@gmail.com and charleshowley1@g.ucla.edu

May 4, 2025 - panel proposal with approved abstracts to conference organizers

June 1, 2025 - notification of acceptance of panel/abstracts

Jun 30, 2025 - payments due (by wire transfer) for conference registration and booking

Please note that conference registration and booking fees are non-refundable.

Carol Bier, Research Scholar, Center for Islamic Studies, Graduate Theological Union, Berkeley CA
Charlotte Howley, PhD Student, Iranian Studies, University of California - Los Angeles CA

Call for Papers: RESTORY, Small Communities Facing Danger. Strategies of Solidarity and Resilience Before the Modernity (University of Coimbra, Portugal, 30-31 Oct. 2025), Due by 31 May 2025

Call for Papers

International Conference

RESTORY

Small Communities Facing Danger. Strategies of Solidarity and Resilience Before the Modernity

University of Coimbra, Portugal (30-31 October 2025)

Due by 31 May 2025

We invite you to propose a paper for the International Conference RESTORY on Small Communities Facing Danger. Strategies of Solidarity and Resilience Before the Modernity, to be held in the University of Coimbra (October 30-31, 2025). In this RESTORY meeting, we aim to focus on small communities, their approaches to education and knowledge transmission, and their internal solidarity practices at different stages of life, including preparations for death. In addition, we seek to examine the strategies employed by small communities to confront climatic, economic, or conflict-related hardships across diverse geographical and chronological contexts. We also wish to reflect on human resilience in overcoming adversity, as well as human responses to pain, famine, death, and loss, in order to contribute to the historical characterisation of individual and collective trauma in the past.

Please read the call in the following link: https://chsc.uc.pt/wp-content/uploads/2025/04/RESTORY-COIMBRA-MEETING-CFP.pdf

To formalise the application to participate in this meeting and editorial project, we request the submission of a title and abstract (c. 500 words) of the proposed paper, accompanied by a detailed curriculum vitae of the candidate, to the email address, restorycoimbra25@gmail.com, by May 31.

Call for Papers: From Sacred to Profane, Pázmány Péter Catholic University, Budapest, Hungary (12 June 2025), Due By 4 May 2025

Call for Papers

From Sacred to Profane

12 June 2025

Pázmány Péter Catholic University, Budapest, Hungary

Due by 4 May 2025

The Pázmány Péter Catholic University Doctoral School of History is organizing a conference titled From Sacred to Profane, organized by the Art History department, on June 12th, 2025. We are calling for applications from and doctoral students in the field of art history and archaeology whose research topic can be related to the subject indicated in the title of the conference. We also welcome students who have already graduated. The languages of the conference are Hungarian and English. The organizing committee prefers, but does not limit, applications to the following topics:

  • Sacred Spaces - sacred buildings and their evolution over time

  • Sacred Time - sacred timeframes, holidays and their material culture

  • The Power of the Profane - desacralization and its tendencies

  • Margins - extremities towards the Sacred and the Profane

You can apply with an abstract that must include the title of the lecture, the name of the student, the name of the supervisor and the educational institution. The abstract can be a maximum of 1000 characters, which we ask you to send by May 4th, 2025 to the following e-mail address: muveszettortenet.konferencia@gmail.com

The letter of acceptance will be sent out by the 14th of May.

Lecture: Curious Cures: In-Conversation with the Curator, Cambridge University Library, UK, 29 May 2025 5:30-7:00PM

Lecture

Curious Cures: In-Conversation with the Curator

Cambridge University Library, UK

Thursday 29 May 2025, 5.30PM TO 7PM

Join us for an evening with the curator of Cambridge University Library’s current exhibition. Dr James Freeman, curator of Curious Cures: Medicine in the Medieval World, will be in-conversation with University Librarian, Dr Jessica Gardner.

A talk will be followed by audience questions, and the opportunity to visit Curious Cures after hours.

LOCATION: Hosted in-person at Cambridge University Library. Directions
TICKETS: Free, booking essential. Suitable for adults; under 18s welcome when accompanied by an adult.
ACCESSIBILITY: Step-free access, hearing loop, accessible parking and accessible toilets available.

For more information and to book tickets, click here

Ongoing Exhibition: Curious Cures: Medicine in the Medieval World, Cambridge University library, 29 Mar. - 6 Dec. 2025

Ongoing Exhibition

Curious Cures: Medicine in the Medieval World

Saturday 29 March – Saturday 6 December 2025

Cambridge University Library

The Curious Cures exhibition is hosted in two parts: Part One is in the Milstein Exhibition Centre and Part Two is along the North and South Galleries on the 1st Floor. Visitors to the exhibition are also welcome to enjoy the Library Tea Room, which is open 9am – 3pm Monday to Friday, and until 2pm on Saturdays.

Group visits: Groups are welcome to visit the exhibition. Please email events@lib.cam.ac.uk to discuss visits for groups of 15 or more. Groups under this number may book tickets directly. We’d love to hear from you if you are planning to visit with a community group, local interest group or school – drop us a line at participation@lib.cam.ac.uk ahead of your visit.

Curious Cures: Medicine in the Medieval World

Fascinated by health and wellbeing? So were our medieval ancestors.  

Discover a time when unusual ingredients and questionable remedies mixed with genuine curiosity about how bodies function, creating a complex and intriguing world of ritual healing, herbal recipes, stargazing and surgery. Come and see what the doctor ordered... 

The culmination of a two-year Wellcome-funded research project, to digitise, catalogue and conserve over 180 precious medieval medical manuscripts, Curious Cures brings together texts, diagrams and case-notes from special collections cared for by Cambridge University Library and twelve Cambridge colleges.  

The exhibition is curated by Medieval Manuscripts Specialist, Dr James Freeman. 

For more information and to book free tickets, click here.

Job Posting! 2 PhD Positions Universität Basel, Switzerland (4 Years, Start Date 1 Sept. 2025), Due 27 Apr. 2025

Call for PhD Applications

2 Positions at Universität Basel, Switzerland

Start date September 1, 2025 for 4 Years

Due April 27, 2025

In the fields of History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.

The eikones Graduate School at the Center for the Theory and History of the Image at the University of Basel invites applications for two positions for doctoral study on the theory and history of the image for four years beginning September 1, 2025.
Since 2005, eikones has served as a center for research on images from systematic and historical perspectives. The international and interdisciplinary center investigates the meanings, functions and effects of images in cultures since Antiquity and in our contemporary society. It aims at foundational image theory and at a historical investigation of images as instruments of human knowledge and cultural practices. We welcome PhD applications in all fields represented by members of the eikones Trägerschaft. Members of the eikones Trägerschaft are listed here: https://eikones.philhist.unibas.ch/de/graduate-school/leitung/#c1003

Your position
The purpose of the grant is to support the completion of an original dissertation and the degree within the duration of the position. Students must fulfill all curricular requirements of the eikones Graduate School and participate in the events of the Center for the History and Theory of the Image.

Your profile

  • Excellent academic qualifications and promise in your field of study.

  • An innovative dissertation project relating to the theory and history of the image.

  • Masters or equivalent qualification in a relevant field of study, in particular History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.

  • Applicants must possess a MA degree or equivalent by September 1, 2025. The MA degree must have been completed in the previous two years. Exceptions may be possible in extraordinary circumstances.

  • Doctoral students must be advised by a faculty member of the eikones graduate school. Doctoral students must also be enrolled in the University of Basel for the duration of the program.


We offer you

The eikones graduate school offers excellent students of the humanities who would like to pursue a doctorate in the history and theory of the image a structured program of graduate study distinguished by dedicated advising, internationality, interdisciplinary, regular dialogue with guest scholars, and professional opportunities. The goal of the doctoral program is the successful completion of the degree within the four-year duration. Salaries follow the standards of the University of Basel for doctorate positions.

Application / Contact
Please submit your application in German or English as a single pdf by April 27, 2025 using the online portal provided by the University of Basel. The application should include:

  • Cover Letter

  • CV

  • Copies of Degree Certificates

  • Contact details for two references

  • Project description (at most 10 pages) and bibliography

  • Writing sample (at most 20 pages)

Please upload two files only: all materials listed above (1.-6.) in A SINGLE PDF FILE via the field “resume” as well as an extra cover letter (1.) via the field “cover letter”. Applications that do not conform to this format or received after this date will not receive consideration. Inquiries should be sent to eikones@unibas.ch. Short-listed candidates will be contacted for interviews.

For more information and to apply, click here.

Call for Papers: 2026 Romanesque Conference, British Archaeological Association (13 – 17 Apr 2026, Toulouse), Due By 30 June 2025

Call for Papers

British Archaeological Association

2026 Romanesque Conference

13 – 17 Apr 2026, Hôtel d'Assézat in Toulouse, France

Due By 30 June 2025

The British Archaeological Association will hold the ninth in its series of biennial International Romanesque conferences in Toulouse from 13-17 April, 2026.

The theme of the conference is Romanesque: Transmission, Reception, Imitation and the aim is to examine not only the ways in which techniques, iconographic motifs and styles moved around Romanesque Europe but also the ways and reasons they were adopted, and particularly how they were transformed in their new environment. Some aspects of the question are well-researched: the movement of artists or masons, patronal activity and monastic affiliation are obvious examples, and perhaps in need of critical re-examination. We do not, however, wish to repeat the themes of Romanesque: Patrons and Processes too much. We would also be interested in papers which deal with why certain motifs or approaches fail to take root and, indeed, transmission and reception across time. Other factors, the pre-existing artistic background, liturgical concerns, economic and social factors or transcultural exchanges will also have played a part.

The conference will be held at the Hôtel d’Assézat in Toulouse from 13-17 April 2026 with the opportunity to stay on for two days of visits to Romanesque buildings in the surrounding area on 16-17 April.

Proposals for papers of up to 30 minutes in duration should be sent to Quitterie Cazes and Richard Plant on romanesque2026@thebaa.org by 30 June, 2025. Papers should be in English.

Decisions on acceptance will be made by the end of July.

For a PDF of the Call for Papers, click here.

For more information, click here.

Call for Proposals: Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals, 8th Forum Medieval Art/Forum Kunst des Mittelalters, Due 8 May 2026

Call for Proposals

Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals

8th Forum Medieval Art/Forum Kunst des Mittelalters

Bochum / Dortmund, September 23–26, 2026

Due 8 May 2026

Ivory Box with Scenes of Adam and Eve. (The Cleveland Museum of Art, Gift of W. G. Mather, F. F. Prentiss, John L. Severance, J. H. Wade 1924.747). Photo: The Cleveland Museum of Art (https://www.clevelandart.org/art/1924.747)

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 8th Forum Medieval Art/Forum Kunst des Mittelalters, Bochum / Dortmund, September 23–26, 2026. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.

The theme for the 8th Forum Medieval Art is Work: Traces, Constellations, Valuations. From a region with a significant medieval character and a post-industrial present we want to address the question whether the term “work” could be of any benefit when applied to the practices of medieval art production and their social and economic context. At the latest with the development of urban culture in the 12th/13th century, the concept of a society based on the division of work began to replace traditional forms of social differentiation – a process that was theologically founded in the 12th century and accompanied by a revaluation of art, craft and creativity.

The Mary Jaharis Center invites session proposals that fit within the Work theme and are relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 8, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and session chair) up to $500 maximum for participants traveling from locations in Germany, up to $800 maximum for participants traveling from the EU, and up to $1400 maximum for participants traveling from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/8th-forum-medieval-art

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Call for Proposals: Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals: 61st International Congress on Medieval Studies (Kalamazoo, 14-16 May 2026), Due 12 May 2025

Call for Proposals

Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals

61st International Congress on Medieval Studies

Western Michigan University, Kalamazoo, May 14–16, 2026

Due 12 May 2025

Buckle or Brooch (The British Museum, AF.334). © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 61st International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 14–16, 2026. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 12, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $800 maximum for scholars traveling from North America and up to $1400 maximum for those traveling from outside North America. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/61st-icms

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.