Call for Papers: Performing Magic in the Pre-Modern North (13-14 Nov. 2025, Zoom), Due by 1 Sept. 2025

Call for Papers

Fifth Conference

Performing Magic in the Pre-Modern North

13-14 November 2025, Zoom

Due by 1 September 2025

Building upon the success of our previous conferences, where we have explored diverse aspects of pre-modern magic in the North, this year’s conference will focus on the lived, communal, and practical expressions of folk magic. Rather than elite or learned magical traditions, we invite discussions on the everyday magical practices embedded in vernacular culture.

Topics of interest include, but are not limited to:

  • The roles of cunning folk, healers, midwives, and local magical practitioners 

  • Household and agricultural magic, charms, and protective rites

  • The use of spoken spells, songs, and folk incantations in practical magic

  • Magical objects, amulets, and everyday ritual tools in folk traditions

  • The transmission and evolution of folk magical knowledge across generations

We also accept abstracts that fall under our general theme of magic in the pre-modern North. As always, we are especially interested in interdisciplinary approaches and methodologies.

The language of the conference will be in English and the entire event will take place online to allow for accessibility. Papers should not exceed 20 minutes and will be followed by 10 minutes of discussion and the opportunity for questions.

We encourage students, early career, established, and independent scholars to participate. If you wish to present a paper, please email an abstract of 250-300 words alongside a short personal biography that includes pronouns, name, area of study and institutional affiliation (if relevant) to performingmagicinthenorth@gmail.com by 1 September 2025.

For more information and to submit your abstract, visit https://performingmagicinthepremodernnorthconference.wordpress.com/upcoming-conferences/

Call for Papers: The Living Goddess Traditions, Journal of Bengali Studies Vol 8 No 1, Due by 5 October 2025

Call for Papers

Journal of Bengali Studies Vol 8 No 1

The Living Goddess Traditions

Due by 05 October 2025

Journal of Bengali Studies (ISSN 2277 9426), an online, open access, interdisciplinary, double-blind peer-reviewed academic journal to study the history and culture of the Bengali people, is glad to announce the Call for Papers for its upcoming issue (Vol. 8 No. 1) on the theme of the Living Goddess Traditions. Bengal has been the hub of various goddess traditions and this issue will study the past memory and the present phenomenon of such goddess cults.

The Living Goddess Traditions

Archaic Goddess cults existed in different parts of our planet since our Homind pasts (e.g. Venus of Berekhat Ram, Venus of Tan Tan), and they can be found in the stone age of Homo sapiens as well (e.g. Venus of Hohle Fels), down to the copper age (various ancient civilizations including the Harappans). But following the descent of the iron age, goddess cults seemed to have receded in most parts of the world, while mighty cults of powerful male Gods replaced or eclipsed the Goddesses.

Today, the Bengali-speaking Hindus remain the only large community on earth, who celebrate their thriving Goddess traditions, where the Goddess is not relegated to the curiosity of a museum, or does not play a secondary fiddle to some other almighty male Gods, like certain other parts of South Asia (i.e. north India or south India), but where the Supreme Goddess is very much at the core of the contemporary experience of a large people (numbering 10 crore or more, and it is only for political reasons we desist from calling the Bengali-speaking Hindus a nation on their own).

The theme of this upcoming issue of Journal of Bengali Studies attempts to trace the existing, living traditions of the Goddess cults of Bengal back to the hoary antiquities of its (mostly forgotten) past, and aims to map the trajectory of the evolution of such Goddess cults from past to present. This issue intends to interrogate the possible connections of Bengal’s history and prehistory with a largely rootless present, which, in spite of all the modern, colonial, communist and communal upheavals, still manages to celebrate the Goddess cults which form one of the most important markers, if not the most important marker of Bengali identity.

So, we invite articles which will inspect the existing popular cults and religious practices of the worship of the various goddesses amidst the backdrop of the kernels of history which form the foundations to such living goddess traditions.

The topics for contribution will include the following (but will not be limited to the same):

  • Goddess and goddesses: The supreme Creatrix and the many manifestations of attendant goddesses.

  • Goddess and Tantra.

  • The Folk Goddess Cults: From antiquity to contemporaneity.

  • Goddess Kālī: Primeval Invocations (the Dark Goddess of the Night), Medieval Inventions (Kṛṣṇānanda Āgambāgīśa etc), Modern Inferences (from early modern Ramprasad & Kamalakanta to the twentieth century devotional songs of Pannalal Bhattacharya).

  • Goddess Durgā: Autumnal invocation of Goddess Ūṣā in Ṛgveda, Buffalo Sacrifice of Harappa, Chandraketugarh Goddesses, Post-Gupta Period and Śrī Śrī Caṇḍī, Pala Period Goddess Cults, Medieval Bengal and Caṇḍīmangala, Contemporary Durgā Pujo of public and private dispensations (Bonedi/elite and Baroari/collective). Festivity, Economics, Heritage and Popular Culture.

  • Goddess Tārā: The rise of the Great Goddess in Buddhist Tantra and Hindu Tantra to modern day Tarapith of Birbhum.

  • Pala Period Goddess Vajrayoginī and the contemporary Goddess Chinnamastā.

  • Sena cataloguing of the Ten Mahāvidyās in Bṛhaddharmapurāṇa and their lasting legacies of Tantric Goddess worship to this day. The other Mahāvidyās in the Goddess pantheon beyond Daśamahāvidyā.

  • Local Guardian Goddesses like Mṛṇmayī of Mallabhum, Kalyāṇeśvarī of Shikharbhum, Sarvamangalā of Bardhaman: Past lores and lived traditions.

  • Goddess Viśālākṣī: Local variations in iconology, ritual, styles of worship in the past lores and lived traditions.

  • Goddesses Lakṣmī and Sarasvatī: The evolution of their cults from antiquity to modernity within the domestic sphere, within the public sphere, respectively as the disburser of wealth and as the disseminator of knowledge, with reference to their iconographies and archaeomythologies.

  • Suggested Yakṣī cults and Chandraketugarh: The latent trajectory from the ancient to the medieval to the modern ages.

  • Śākta Rāsa (of Nabadwip and elsewhere).

  • Antiquarian Goddess Cults like the Bird Goddess and the Snake Goddess and their sublimations into various existing goddess cults like Mahāvidyā Bagalā and Goddess Manasā/Mahāvidyā Tvaritā).

  • The curious continuity of the early medieval Goddess Cāmuṇḍā/Carcikā to various lived traditions of Goddesses Petkati and Kankāleśvarī.

  • The lived traditions of Kuladevī or the Clan Goddess or the Family Deity: Past narratives and present practices.

  • The continuous serendipity of the discoveries of ancient and medieval goddess idols from obscure corners of Bengal: How the past communicates with the present.

  • The Śakti pīīthas of Bengal: Lores from the past, and lived traditions of the present.

  • Eponymous Guardian Goddesses of Settlements and the simultaneously rooted but floating identities of Bengali space (e.g. Kālī and Kalighat, Jessore and Yaśoreśvarī).

  • The lived traditions of Goddess worshippers: accomplished Sādhakas like Bamakhyapa of Tarapith, and their lasting legacies.

  • Evolution of Sākta theologies: Past moorings and contemporary traditions.

  • Last but not the least, the various non-Śākta worship of the Goddess in Bengal (including but not limited to the Vaiṣṇava worship of Kātyāyanī Durgā started by Nityananda Prabhu, or the Chinese Kali worship).

The minimum word limit of articles would be 3000 words, and maximum word limit would be 15000 words. Writers need to follow MLA format. Articles complete with bibliography and author’s bio-note should be submitted as email attachments in docx form by 05 October 2025 for this upcoming issue (expected to be published on the occasion of Kalipujo).

For any query, feel free to email shoptodina@gmail.com and/or whatsapp/telegram 9717468046. The editorial board of JBS remains the sole and final authority on the decisions regarding the publication or non-publication of any submitted article in original or modified forms.

Editor: Dr Rituparna Koley

Check out our past issues at https://bengalistudies.blogspot.com and www.bengalistudies.com

Call for Papers For a Session: Stilled Lives: Living Materials and their Architectural Afterlives in Premodern Buildings, European Architectural History Network Conference, Due 12 Sept. 2025

Call for Papers For a Session

9th Biennial Conference of the European Architectural History Network Conference

Stilled Lives: Living Materials and their Architectural Afterlives in Premodern Buildings

17–21 June 2026, Aarhus University, Aarhus, Denmark 

Due 12 September 2025

‘Although plants have no sense of touch, they nevertheless suffer when they are cut […] for their roots function as a mouth, to receive food; and the bark as skin; and the wood as flesh; and the knots or branches as arms with their nerves and veins’ writes Vincenzo Scamozzi discussing the use of wood as a building material in his The Idea of Universal Architecture (Venice, 1615), citing Aristotle. Scamozzi’s reflection about natural suffering surrendering to human necessity embodies a collision of ecological consciousness and anthropocentric values that also animates modern debates around natural and cultural heritage. 

In addition to wood, coral, palms, reeds, bark, and turf (as in Scandinavian ‘sod roofs’) have long been used in architecture for their strength, flexibility, and insulating properties. In pre-modern epistemologies, even stone was seen as ‘alive’ and endowed with human qualities (Scamozzi’s pietra viva). Central to pre-modern building practices, yet side-lined in stories of architecture (with some exceptions, e. g. Payne 2013), living building materials offer a new angle to rethink the discipline from the perspective of the more-than-human, the cyclical, and the living. 

Ecocritical and post-anthropocentric studies have challenged the long-established dualism between nature and culture. Proposing new ways of understanding such relations, from “vibrant matter” (Bennet 2010) to “naturalism” and “animism” (Descola 2005), such research urges a reconsideration of the historical entanglements between human and nonhuman dimensions. This panel wishes to engage with these debates by foregrounding the architectural traces of such interconnection: where life becomes form, and ecosystems are refigured as structures. Building as a form of human manipulation participated in a process of material as well as conceptual conversion: it turned animate, ecologically embedded life-forms into static, structural components of human spaces. Architectural structures thus emerge as hybrid entities, natureculture bodies that resonate with memories of the former lives of their natural materials.  

We invite papers exploring these and related questions across all geographic areas during the premodern period (from antiquity to ca. 1750). Papers may investigate the architectural “afterlife” of living materials, with particular attention to how such transformations were understood, represented, or ritualized in historical contexts. What were the ecological, spiritual, or symbolic implications of turning the natural environment into the built “environment”? How did premodern societies conceptualize or mediate the shift from life to lifelessness, from ecological actor to architectural object? And how might examining these material histories illuminate broader understandings of human-nature entanglements in the premodern world?

We particularly encourage contributions considering multiple materials or contexts from a micro-historical or comparative perspective. Further topics may include:

  • The architectural use and symbolic transformation of wood, coral, leather, bone, shell, stone or other once-living (or understood-to-be-living) substances;

  • Reuse and recycling of organic matter in construction practices, including its material decay; 

  • The environmental impact of organic material extraction, production, and exchange;

  • Cosmologies, ontologies, and ecologies underlying material choices;

  • Theoretical approaches to material vitality, decay, and transformation.

Abstracts of no more than 300 words should be submitted directly to the chairs along with the applicant’s name, email address, professional affiliation, address, telephone number and a short curriculum vitae (maximum one page). The deadline for submission is 12 September 2025. 

Sessions will consist of 4-5 papers, with time for dialogue and questions at the end. Presentations should be limited to 15–20 minutes each. 

Contact Information:

Costanza Beltrami, Department of Culture and Aesthetics, Stockholm University - costanza.beltrami@arthistory.su.se

Saida Bondini, University of Zurich / Kunsthistorisches Institut in Florenz – Max-Planck-Institut - Saida.Bondini@khi.fi.it

Contact Email: costanza.beltrami@arthistory.su.se

URL: https://konferencer.au.dk/eahn26/call-for-papers-1

Call for Applications for Doctoral Fellowships: Dr. Günther Findel-Stiftung / Rolf und Ursula Schneider-Stiftung, Due 1 October 2025

Call for Applications for Doctoral Fellowships

Dr. Günther Findel-Stiftung / Rolf und Ursula Schneider-Stiftung

Due 1 October 2025

Thanks to the initiatives by private foundations (Dr. Günther Findel-Stiftung/Rolf und Ursula Schneider-Stiftung) fellowships programmes for doctoral candidates have been established at the Herzog August Bibliothek. These programmes are open to applicants from Germany and abroad and from all disciplines.

Applicants may apply for a fellowship of between 2 and 10 months, if research on their dissertation topic necessitates the use of the Wolfenbüttel holdings. The fellowship is € 1.300 per month. Fellowship holders are housed in library accommodation for the duration of the fellowship and pay the rent from their fellowship. There is also an allowance of € 100 per month to cover costs of copying, reproductions etc. Candidates can apply for a travel allowance if no funds are available to them from other sources.

Candidates who already hold fellowships (eg. state or college awards or grants from Graduiertenkollegs) or are employed can apply for a rent subsidy (€ 550) to help finance their stay in Wolfenbüttel.

New: Thanks to generous financial support by the Anna Vorwerk-Stiftung, the monthly fellowship will be increased by € 150 per month until further notice.

Please request an application form, which details all the documents that need to be submitted, at ed.bah@gnuhcsrof. Reviewers will be appointed to evaluate the applications. The Board of Trustees of the foundations will decide on the award.

Application deadlines: October 1st or April 1st. The Board holds its selection meetings in February and July. Successful applicants can take up the award from April 1st or October 1st onwards each year.

For more information visit, https://www.hab.de/en/doctoral-and-young-scholars-fellowships/

Conference: Beauty and Faith: Part One: Imperfect Beauty: Visions of Fractured Faith, Salmagundi Club & The MET Cloisters, New York City, 24-26 October 2025

Conference

Beauty and Faith: Part One: Imperfect Beauty: Visions of Fractured Faith

24-26 October, 2025

Salmagundi Club along with a special visit to the Met Cloisters, New York City

Visual Theology’s third event is a major two-part conference, the first of which will take place in New York City, 24-26 October 2025 at the Salmagundi Club along with a special visit to the Met Cloisters, New York City. The second part will take place in the UK, 8-10 May 2026. (Further details forthcoming.)

Part One: Imperfect Beauty: Visions of Fractured Faith will use the history and material culture of the Met Cloisters as a starting point for conversations about the space between brokenness and beauty, and to consider how art, in its many forms, can replant, remake, and reaffirm Christian truth, even when the results demonstrate synchronic anxieties between the past and the present, and faith and fragmentation. 

Keynotes: Julia Yost (First Things, NYC) and Dr. Tracy Chapman Hamilton (Sweet Briar College), and artists Anthony Visco and Maya Brodsky 

For more information about the conference and booking, visit https://www.visualtheology.org.uk/beauty-and-faith-part-one/

Call for Applications: Prize for Research on South Netherlandish Art 1400-1800, Due 1 September 2025

Call for Applications

Prize for Research on South Netherlandish Art 1400-1800

Due 1 September 2025

The Burlington Magazine and the University of Cambridge are happy to announce the launch of a new annual prize.

Established to inspire the development and publication of innovative object-based scholarship, the winning entrant will receive a prize of £1,000, with publication in The Burlington Magazine’s annual issue dedicated to Northern European Art, plus a one year print and digital subscription.

We seek previously unpublished essays of 1000–1500 words from early career scholars worldwide.

This is defined as within 15 years of their most recent post-graduate degree. Submissions should be in English and should include candidate’s CV, all as a single PDF.

Preference will be given to object-related scholarship such as is published inThe Burlington Magazine.

Deadline for applications: Monday 1st September 2025

Submissions and queries should be directed to: burlingtonprize@aha.cam.ac.uk

For more information, visit https://www.burlington.org.uk/jobs-noticeboard/academic-noticeboard

Conference: Zwischen Himmel und Erde – Musik im Kloster, Fachtage Kloster Kultur, Stiftsbibliothek St. Gallen, 10-13 September 2025

Conference

Fachtage Kloster Kultur

Zwischen Himmel und Erde – Musik im Kloster

 10–13 September 2025, Stiftsbibliothek St. Gallen

Stiftsbibliothek St. Gallen, Cod. Sang. 542, S. 403 (e-codices)

Die Themen Musik und Kloster sind in der Kulturgeschichte untrennbar miteinander verbunden. Der sakralen Musik kommt viele Jahrhunderte lang eine weitaus größere Bedeutung gegenüber der profanen Musik zu, sie ist gleichbedeutend mit einer direkten Aussprache mit Gott.

Die vierte Veranstaltung der Fachtage Klosterkultur thematisiert die Funktion und Bedeutung von Musik im Kloster. Sowohl die Musikpraxis als auch das musikalische Schaffen durch Ordensleute nimmt die Tagung in den Blick, ebenso Fragen zur Erforschung und zu Austauschbeziehungen klösterlicher Musik.

Die Zahl der Teilnehmenden ist begrenzt. Es wird eine Tagungsgebühr von CHF 140,00 erhoben, darin enthalten ist die Tagungsverpflegung (gemäss Programm). Für die Teilnahme an der Exkursion werden zusätzlich CHF 50,00 erhoben.

Weitere Informationen finden Sie uter https://www.fachtage-klosterkultur.org/de/fachtage-2025/

Upcoming Exhibition: Le Moyen Âge du 19e siècle: Créations et faux dans les arts précieux; Musée de Cluny, Paris, France, 7 Oct. 2025 to 11 Jan. 2026

Upcoming Exhibition

Le Moyen Âge du 19e siècle: Créations et faux dans les arts précieux

Musée de Cluny, Paris, France

Du 7 octobre 2025 au 11 janvier 2026

Après les événements révolutionnaires, le 19e siècle redécouvre le Moyen Âge, tout en le réinterprétant. Ce siècle, qui cultiva une rêverie romantique et connut d’importants progrès technologiques et la constitution de grandes collections, s’est inspiré du Moyen Âge en produisant des copies, des pastiches, des oeuvres composites et des faux. L’exposition permet des confrontations, mettant en regard certains objets médiévaux avec leurs "résonances" du 19e siècle.

Le propos est centré sur les arts précieux, dans leur acception médiévale : pièces d’orfèvrerie et d’émaillerie, ivoires, tissus précieux. Ces domaines ont en effet connu au 19e siècle un foisonnement de redécouvertes techniques. Ces phénomènes culturels et artistiques émergent dès les années 1820-1830 jusqu’à la veille de la Première Guerre mondiale, soit pendant un siècle environ. Collectionneurs, ateliers de création et de restauration, mais aussi faussaires, en sont les principaux acteurs, autour d’un marché de l’art en pleine expansion, focalisé sur Paris, qui apparaît alors comme la capitale des arts précieux.

Retrouvez toutes les dates des visites guidées de l'exposition ici

Tarif(s) :

  • Droit d'entrée plein tarif : 12€

  • Droit d'entrée tarif réduit : 10€

Pour plus d’informations, visitez https://www.musee-moyenage.fr/activites/programmation/le-moyen-age-du-19e-siecle.html

Society for Church Archaeology Annual Conference 2025: Church Archaeology in 2025, Lincoln, UK 11-12 October 2025

Society for Church Archaeology Annual Conference 2025

Church Archaeology in 2025

11-12 October 2025

Lincoln, Barbican Creative Hub Saturday 11th October 2025

Walking Tour of Lincoln City Centre Churches on Sunday 12th October

The Society for Church Archaeology is pleased to announce its annual conference for 2025, on the theme of ‘Church Archaeology in 2025’. Church archaeology is an increasingly broad field of study, with traditional methods being complemented by new approaches and audiences. Advances in archaeological techniques present new opportunities for studying both upstanding and buried remains, whilst the transformation of ecclesiastical buildings in the 21st century is supported by a wealth of methodologies both in terms of investigating the past and presenting this to a range of audiences. The theme for this year’s annual conference reflects this diversity and the conference programme appears below.

Our keynote will be given by Professor David Stocker, who will also be leading the walking tour the following day. Price includes entry to Lincoln cathedral. The conference venue is the Barbican Creative Hub, located directly opposite Lincoln Railway Centre and near to Lincoln Central Bus Station. We are excited to be one of the first events in this brand new venue (opening autumn 2025).

For enquiries about the conference and bookings: churcharchconference@gmail.com

For further details please see: https://www.churcharchaeology.org/current-conference. A list of accommodation is available through Visit Lincoln and can be found here: https://www.visitlincoln.com/accommodation/

To make a booking:

  1. Our preferred booking method is through Eventbrite. We can accept online payments through our Eventbrite page or visit https://www.churcharchaeology.org/currentconference

  2. However, if you are unable to book via Eventbrite AND you are paying by cheque, you may use the printed booking form. We are unable to accept online payments via the printed booking form. Please use our Eventbrite booking form for online payments.

  3. Eventbrite online payments will close on Friday 3 October 2025.

  4. All cheque payments need to be received by Friday 13 September 2025. You can notify churcharchconference@gmail.com to expect a printed booking if you wish, but we cannot confirm your place(s) until we have received the form and cheque.

  5. Booking will close earlier if all places have been allocated prior to the aforementioned dates.

  6. Bookings are registered on a first-come, first-served basis.

For the complete program and abstracts of the papers, click here.

Call for Papers for Virtual Conference: Confound the Time: Reception in Medieval & Early Modern Studies, 24-25 January 2026, Due 25 October 2025

Call for Papers

Virtual Conference

Confound the Time: Reception in Medieval & Early Modern Studies

24-25 January 2026

Due 25 October 2025

Confound the Time welcomes papers that investigate the ways in which texts, objects, and images from the medieval and early modern periods re-envision and reconstruct the past or imagine and anticipate the future. We also welcome papers that explore the ways in which medieval and early modern artifacts, history, and culture are reimagined and reconstructed in later periods.

As part of our commitment to accessibility, Confound the Time will be entirely virtual and have no registration fee. Graduate students and early career scholars are especially encouraged to submit.

Topics for individual papers may include:

  • Medieval and early modern reception of classical mythology/culture

  • Early modern reception of medieval literature/culture

  • The Pre-Raphaelites and other neo-medievalist movements

  • Contemporary video games, graphic novels, television shows, and/or films with medieval or early modern settings, characters, and cultures

  • Dungeons and Dragons and/or other role-playing or tabletop games

  • Manuscript Studies/Book History

  • Time/The Times

  • Gender and Sexuality

  • Nationalism and Race

Papers that address these subjects are encouraged, but any paper that centers on medieval or early modern studies will be considered.

Paper submissions should include:

  • An abstract of approximately 250 words

  • A 2-3 sentence third-person bio

Please send all application materials to confoundthetime@gmail.com.

The deadline for all abstract submissions is October 25th, 2025. Questions can be directed to Drs. Audrey Gradzewicz (U of Wisconsin-Madison) and Audrey Saxton (Bethany College, KS).

Call for Papers for Session: The Beast and the Sovereign: Zoopolitics in the Middle Ages, IMC Leeds 6-9 July 2026, Due by 15 September 2025

Call for Papers for Session

The Beast and the Sovereign: Zoopolitics in the Middle Ages

International Medieval Congress, Leeds, 6-9 July 2026

Due by 15 September 2025

Throughout the Middle Ages, relations of power and notions of political authority were

often framed as or compared to relations between human and nonhuman animals.

Medieval zoopolitics in its various manifestations and aspects emerged from the tension

between the cultural and natural orders, between the human and animal community.

The session will discuss the nonhuman dimensions, practices, and ideas about

authority, rulership, and politics throughout the Middle Ages found both in fact and in

fiction. Potential themes may include, but are not limited to:

  • animal metaphors and zoomorphism of rulers and rulership

  • rulers’ command over nature as their entitlement to authority over humans

  • hybrid and liminal nature of rulership

  • taming and domestication of wild rulers

  • naturalization of power and legitimacy

  • treatment and comparison of one’s subjects to animals and beasts

  • dehumanization and animalization of one’s enemies

  • animal fables and anthropomorphism of animals as reflections on the nature of power

To propose a paper:

Please submit a paper title and abstract (max 200 words) with your name, email address and academic affiliation to Wojtek Jezierski, Department of Historical Studies, University of Gothenburg, Sweden (wojtek.jezierski@gu.se) by 15 September 2025.

Call for Papers for International Conference: ENTANGLED SEASCAPES: MORE-THAN-HUMAN HISTORIES ACROSS OCEANIC WORLDS (Academia Belgica, Rome, 22-23 Jan. 2026), Due by 15 Sept. 2025

Call for Papers

International Conference

ENTANGLED SEASCAPES: MORE-THAN-HUMAN HISTORIES ACROSS OCEANIC WORLDS

Academia Belgica, Rome, 22-23 January 2026

Due by 15 September 2025

This conference seeks to bring together scholars working on pre-modern and early modern oceanic worlds: from the Indian Ocean, South China Sea, and the Pacific to the Mediterranean and the Atlantic. Framed within the emerging field of blue humanities and building on posthumanist and decolonial perspectives, the conference explores the sea not as a passive space between empires or cultures, but as an active, more-than-human agent, one that shapes and is shaped by human and nonhuman actors. By focusing on more-than-human histories and material entanglements, we aim to challenge dominant land-based narratives of civilisation, encounters, and sovereignties.

Key themes

  • Oceanic materialities: boats, corals, shells, and sea-assemblages

  • Sea deities, spirits, and cosmologies in art, architecture, and ritual

  • Oral and literary traditions: the sea as danger, promise, or divine force

  • Archaeologies of marginal maritime communities (fisherfolk, pirates, boatbuilders, islanders, sea-nomads)

  • Indigenous, subaltern, and local knowledge systems connected to seafaring and/or oceanic life

  • More-than-human entanglements in past seascapes: marine animals, currents, winds, tides, and reefs

Research questions

  • How have seascapes shaped and been shaped by human and nonhuman actors in pre-modern and early modern worlds?

  • By shifting the focus from terrestrial centres to oceanic edges, what alternative historical narratives emerge, particularly those informed by non-elite perspectives and lived experiences of the sea?

  • How can oceanic entanglements prompt a rethinking of material culture, human-environment relations, and historical agency by exploring not only the practical uses of the sea but also the cognitive and affective dimensions of maritime experience in the past?

An optional field visit to a museum relevant to the themes of the conference will be organised on Saturday, 24 January 2026. Further details will be announced in due course.

Abstracts

The conference is intended to be multidisciplinary, and we welcome contributions from historians, archaeologists, anthropologists, human geographers and any scholars interested in seascapes, more-than-human thinking and related theoretical approaches.

Participants will be given a 45-minute slot, with 30 minutes for their paper, followed by 15 minutes for Q&As.

In order to be considered, please submit a proposed paper title along with a short abstract (approximately 350 words) no later than 15 September 2025 to Matthew Cobb m.cobb@uwtsd.ac.uk and Daniela De Simone daniela.desimone@ugent.be. Notifications of acceptance will be sent by 15 October 2025.

To support the organisation of the conference, a fee of €80 will be kindly requested from the accepted participants.

Publication plans

Selected participants will be asked to submit an extended abstract (1,500-2,000 words) by 5 January 2026. This should detail your theoretical framework and include five key references.

The extended abstracts will be circulated among conference participants in advance to facilitate informed discussion. Beyond the conference event itself, our intention is for revised versions of these papers to be submitted for a journal special issue.

Keynote

The keynote lecture will be delivered by Professor Serpil Oppermann, Director of the Environmental Humanities Center at Cappadocia University, and author of Blue Humanities: Storied Waterscapes in the Anthropocene (Cambridge University Press, 2023).

Entangled Seascapes is intended not only as a forum for presenting original research, but also as a collaborative space for scholarly exchange and long-term network-building among researchers working on oceanic and more-than-human histories from across the worlds.

Convenors:

Matthew Cobb, University of Wales Trinity Saint David

Daniela De Simone, Ghent University

Organising Committee:

Academia Belgica

Annalisa Bocchetti, "L'Orientale," University of Naples

Matthew Cobb, University of Wales Trinity Saint David

Daniela De Simone, Ghent University

Call for Papers for Session: Denying and undermining sainthood in the Middle Ages, IMC Leeds 2026, Due by 15 September 2025

Call for Papers for Session

Denying and undermining sainthood in the Middle Ages

International Medieval Congress, Leeds, 6-9 July 2026)

Due by 15 September 2025

Ever since Christianity began recognising sainthood, there has also been a parallel phenomenon of its denial. The uncovering of a false martyr’s tomb by St. Martin, and the Dominican inquisitor’s campaign against the cult of Guinefort, the holy greyhound, are among the most well-known examples of such interventions.

The session will discuss the phenomenon of denying and undermining sainthood in Latin Christianity throughout the Middle Ages, its various manifestations and aspects. Potential themes may include, but are not limited to:

- undermining sainthood and refusal to recognise a cult by official church authorities

- questioning sainthood as part of the canonisation process

- refusal to worship approved saints and lack of worship of figures eligible for sainthood

- undermining and diminishing the sanctity of holy patrons by competing ecclesiastical institutions, social groups, political communities, etc.

- questioning sainthood as an element of religious conflicts and a part of heterodox groups’ doctrine and teaching

- questioning the authenticity of relics and sceptical discourse towards the cult of relics

- destroying images of saints and artistic expressions of denying sainthood

To propose a paper

Please submit a paper title and abstract (max 200 words) with your name, email address and academic affiliation to Grzegorz Pac (gl.pac@uw.edu.pl) by 15 September 2025

The session is organised as part of the project RECOGNISING SAINTS in the High Middle Ages: Local and Papal Formalisation of Cults Reconsidered, funded by the National Science Centre, Poland, and hosted by the Faculty of History, University of Warsaw.

Call for Papers for Panel Series: The Materiality of the Late Medieval Book: Production, Reading, and Transition, IMC Leeds 2026, Due by 14 September 2025

Call for Papers for Panel Series

The Materiality of the Late Medieval Book: Production, Reading, and Transition

International Medieval Congress, Leeds, 6-9 July 2026

Due By 14 September 2025

We invite proposals for papers for a series of panels at the International Medieval Congress (IMC), to be held in Leeds, 6–9 July 2026. This session series will explore the materiality of the late medieval book between c. 1350 and 1540, with a particular emphasis on approaches that take the physical object as the foundation of scholarly inquiry. This strand aims to foreground the book as a material artefact – not simply as a vehicle for text or image, but as a made, handled, and interpreted object. We seek contributions that begin with codicological, palaeographical, artifactual, or structural features of books – bindings, layouts, quire structures, scripts, substrates, wear patterns, or added matter – and use these material traces to investigate broader questions of cultural practice, intellectual history, devotional life, or reading habits.

Papers may address, but are not limited to:

  • Material production: physical construction of books, use of specific materials (parchment, paper, pigments), regional or institutional practices

  • Reading and handling: how physical features shaped reading practices and reader interaction; evidence of use such as marginalia, damage, repairs, signs of wear, and ownership traces; and the repurposing, circulation, or afterlives of books

  • Transitions and continuities: how the rise of print engages with manuscript materiality – including hybrid books, printed texts with manuscript additions, and conservative or experimental formats that blur traditional boundaries

  • Methodologies: new approaches to studying the physical book as evidence and object

We particularly welcome work grounded in close analysis of specific manuscripts, printed books, or fragments.

Please send an abstract of no more than 250 words, along with your name, institutional affiliation, and a brief biographical note (max. 100 words), to Janne van der Loop, (jannevanderloop@uni-mainz.de) by 14 September 2025.

Selected papers will form part of a multi-session strand proposal for IMC 2026. Applicants will be notified of the outcome around 20 September 2025. For questions or further information, please contact Janne van der Loop (jannevanderloop@uni-mainz.de) or Ad Putter (A.D.Putter@bristol.ac.uk)

We look forward to papers that place the material form of the late medieval book at the centre of scholarly interpretation.

Sponsored by REBPAF and Mainzer Buch Wissenshaft

Call for Papers for Session: The Middle Ages in the Modern Classroom, IMC Leeds 2026, Due by 14 Sept. 2025 Midnight BST

Call for Papers for Session

The Middle Ages in the Modern Classroom

International Medieval Congress, Leeds, 6-9 July 2026

Due by 14 September 2025, 12:00AM BST

(13 September 2025, 7:00PM ET)

Despite the modern era’s fascination with the Middle Ages, teaching the medieval past to modern students remains a challenge. How do we, as teachers, academics, and educators share the love and enthusiasm we have for the period with our students?

This session invites proposals that explore how medieval material is taught in the contemporary classroom, at all levels of education.

  • Pedagogical Approaches – innovative methods for engaging students with medieval content

  • Digital Tools – use of digital tools, technologies and platforms in the classroom

  • Making the Medieval Relevant – dispelling the ‘Dark Ages’ and other misconceptions

  • Modes of Assessment – finding new ways to evaluate learning

  • Teaching Medievalism – use, abuse, and appropriation of the Middle Ages in modern politics and culture

  • Accessibility and Inclusion – creating inclusive learning spaces and teaching the Middle Ages with sensitivity to contemporary race, gender, disability and identity politics

  • Decolonising and Diversifying the Curriculum – strategies for incorporating the Middle Ages into diverse curricula, as well as challenging Eurocentric perspectives

  • And anything else relating to teaching the Middle Ages!

Please submit abstracts of up to 200 words by midnight 14 September (BST) to m.k.d.cobb@leeds.ac.uk and r.gillibrand@leeds.ac.uk. Please feel free to contact us if you have any questions or queries

Call for Papers for Panels: New Research on the Art and Architecture of Medieval Parish Churches (1: in person) and (2: virtual), ICMS Kalamazoo 2026, Due 15 Sept. 2025

Call for Papers for Panels

New Research on the Art and Architecture of Medieval Parish Churches (1: in person) and (2: virtual)

International Congress on Medieval Studies

Kalamazoo, MI
May 14-16, 2026

Due 15 September 2025

Scholars are invited to propose presentations on any aspect of the art and architecture of the medieval parish church. Possible research questions include, but are not limited to: How did the architecture, art, or visual culture of the parish define the medieval worship experience? How did individual churches change over time—and what can these changes reveal about each parish community? How can in-depth study of a local parish church expand or contradict broader national narratives? What new methodologies can twenty-first century scholars use to tell the story of the medieval parish?

To submit a proposal for the in-person session: https://icms.confex.com/icms/2026/prelim.cgi/Session/7517.

To submit a proposal for the virtual session: https://icms.confex.com/icms/2026/prelim.cgi/Session/7653.

Proposals should consist of a title, an abstract (300 words or less), and a short description (50 words or less) which may be made public if the proposal is accepted. Please also include the author's name, affiliation and contact information.

For general information on the International Congress on Medieval Studies CFP process, see https://wmich.edu/medievalcongress/call.

For questions related to this panel, contact the session presider, Catherine E. Hundley: chundley[at]wesleyseminary.edu.

Proposals are due September 15, 2025.

Opening Reception: Medieval Art from the Wyvern Collection: Global Networks and Creative Connections, Bowdoin College Museum of Art, 4 Sept. 2025, 4-6PM

Opening Reception

Medieval Art from the Wyvern Collection: Global Networks and Creative Connections

Bowdoin College Museum of Art

245 Maine Street, Brunswick, ME 04011, United States, Bowdoin College Museum of Art

Thursday, September 4, 2025 4:00-6:00pm EDT

Join us for a reception to celebrate the exhibition opening of Medieval Art from the Wyvern Collection: Global Networks and Creative Connections. This exhibition brings together works of premodern art from the Wyvern Collection (London, United Kingdom) with the collections of the Bowdoin College Museum of Art to explore the deep ties that linked Asia, the Near East, North Africa, and Europe from the fifth through the fifteenth centuries. 

For this event, please enjoy the opportunity to enter the museum through its historic entrance on the Main Quad. The museum’s contemporary glass-pavilion entrance, with an elevator, will also be available.

Free and open to the public; no registration required. Presented by the Bowdoin College Museum of Art.

Bowdoin College is committed to providing an accessible and welcoming environment. Please contact the Events Office (events@bowdoin.edu or 207-725-3433) with any questions regarding the accessibility of this event and/or to request accommodations. Please note: some accommodations require advance notice and may require documentation of a disabling condition. 

For more information, visit https://calendar.bowdoin.edu/event/opening-reception-medieval-art-from-the-wyvern-collection-global-networks-and-creative-connections

To register, visit https://bowdoin.campusgroups.com/BCMA/rsvp?id=1952571

Call for Participants for Workshop: Studying East of Byzantium XII: Spaces (24 Oct., 2025, 13 Feb., 2026, & 3-5 June 2026), On Zoom, Due 21 Sept. 2025

Call for Participants for Workshop

Studying East of Byzantium XII: Spaces

24 October 2025, 13 February 2026, and 4–5 June 2026

On Zoom

Due 21 September 2025

The Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA, are pleased to invite abstracts for the next Studying East of Byzantium workshop: Studying East of Byzantium XII: Spaces.

Studying East of Byzantium XII: Spaces is a three-part workshop that intends to bring together doctoral students and very recent PhDs studying the Christian East to reflect on the usefulness of the concept of Spaces” in studying the Christian East, to share methodologies, and to discuss their research with workshop respondents, Darlene Brooks Hedstrom, Brandeis University, and Timothy Greenwood, University of St. Andrews. The workshop will meet on 24 October 2025, 13 February 2026, and 4–5 June 2026 on Zoom. The timing of the workshop meetings will be determined when the participant list is finalized.

We invite all graduate students and recent PhDs working in the Christian East whose work considers, or hopes to consider, the theme of spaces in their own research to apply.

Participation is limited to 10 students. The full workshop description is available on the East of Byzantium website (https://eastofbyzantium.org/upcoming-events/studying-east-of-byzantium-xii-spaces/). Those interested in attending should submit a C.V. and 200-word abstract through the East of Byzantium website no later than 21 September 2025.

For questions, please contact East of Byzantium organizers, Christina Maranci, Mashtots Professor of Armenian Studies, Harvard University, and Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture, at contact@eastofbyzantium.org.

EAST OF BYZANTIUM is a partnership between the Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA. It explores the cultures of the eastern frontier of the Byzantine Empire in the late antique and medieval periods.

ICMA Pop-Up: Les Très Riches Heures du duc de Berry, Wednesday 27 August 2025 at 14:00

ICMA Pop-Up
Les Très Riches Heures du duc de Berry
Wednesday 27 August 2025, 14:00
Château de Chantilly
In-person

REGISTER HERE

ICMA members are invited to visit the exhibition Les Très Riches Heures du duc de Berry with other ICMA members. Exhibition curator Matthieu Deldicque, will give a 10 minute introduction. Afterwards, members are invited to a nearby café for an apéro.

Attendees are responsible for the their own ticket to the exhibition and for transportation to the Jeu de Paume at Château de Chantilly.

______

Les Très Riches Heures du Duc de Berry is the most famous manuscript in the world. Described as the ‘Mona Lisa’ of manuscripts, this collection of offices and prayers made especially for the Duke of Berry, brother of King Charles V of France, is a testament to the splendour and artistic refinement of the late Middle Ages.

Produced throughout the 15th century, this exceptional work was illuminated by the Limbourg brothers, distinguished artists affiliated with the courts of Burgundy and Berry, whose work profoundly transformed the course of art history. Consisting of 121 miniatures, Les Très Riches Heures capture the imagination with their depictions of historic castles, noble scenes and seasonal work in the fields that have shaped our perception of the Middle Ages.

To celebrate the restoration of this masterpiece, which has only been shown to the public twice since the end of the 19th century, an international exhibition has been set up, featuring almost 150 exhibits from all over the world. The exhibition provides visitors with an insight into each stage of the creation of the Très Riches Heures over almost a century and explains why the manuscript is still so popular.

The exhibition focuses particularly on the figure of Jean de Berry, his lavish patronage and his taste for books. For the first time since the prince’s death in 1416, all his books of hours known to date have been collected in one place. Manuscripts, sculptures, paintings and valuable works of art provide a comprehensive overview of the context behind the creation and dissemination of the Duke’s most ambitious work.

For more information about the exhibition, click HERE.

Call for Papers for ICMA-Sponsored Panel: 'The Archival Art Historian', College Art Association Conference, Chicago (18-21 Feb. 2026), Due by 29 Aug. 2025

Call for Papers

ICMA-Sponsored Panel

The Archival Art Historian

College Art Association Conference, Chicago (18-21 February 2026)

Due by 29 August 2025

Art historians of the medieval past are often required to conduct research within varied archives that were not designed for art historical research: libraries, historical museums, private collections, cathedral crypts, parish churches or graveyards. Databases such as the Digital Index for Medieval Art, the Warburg Institute’s Iconographic Database and the ICMA Image Database are gradually revolutionising the study of medieval art. However, art historians of the medieval past must still frequently contend with generations of afterlives, layers of bureaucracy and confounding archival systems which rarely prioritise the visual. Working within these spaces presents both challenges and exciting opportunities for original interventions. This panel invites papers that reflect on the experience of conducting art historical research in archives that were not designed with art historians in mind.

This session aims to foster a productive discussion about the intricacies of art historical research and the position of archives therein. The 90-minute session will consist of five 10-minute presentations, followed by a round table discussion and Q&A. We therefore invite 10-minute presentations that reflect on: a single archival encounter, object, institution or methodological problem.

Papers should raise issues which may form the basis of a generative broader conversation between panellists and with the audience. Possible topics may include: discussion of working with unillustrated catalogues, the challenges of studying material that is still ‘active’ in a working context or the complexities which surround the creation of digital archives. We welcome papers which consider medieval archives and objects from across periods and geographies and we define ‘archive’ in the broadest possible terms, to include both digital and physical collections.

Submission guidelines
Please submit a 250-word abstract by Friday 29 August 2025, via CAA’s dedicated submission portal on the conference website.

To submit an abstract and for more information, visit https://caa.confex.com/caa/2026/webprogrampreliminary/Session16076.html

This panel is sponsored by the International Center of Medieval Art (ICMA). If your paper is accepted and you are not already a member of the ICMA, you will be required to join by February 2026. Some funding to assist with the cost of attending the conference may be available to speakers through the ICMA Kress Travel Grant Fund.
Contributing panellists will have the opportunity to submit their paper for publication in a special issue of the open-access journal Different Visions, titled ‘Points of Friction’, and co-edited by Dr Millie Horton-Insch (hortonim@tcd.ie) and Dr Lauren Rozenberg (l.rozenberg@uea.ac.uk).