Call for Applications: Ariane Condellis Fellowship at The Gennadius Library, American School of Classical Studies at Athens, Due 2 June 2025

Call for Applications

New Fellowship

Ariane Condellis Fellowship

The Gennadius Library, American School of Classical Studies at Athens

Due 2 June 2025

Ariane Condellis Fellowship at the Gennadius Library supports research by Turkish nationals conducting research on topics related to intercommunal relationships and the social history of Byzantium or the Ottoman period.

Field of Study: Intercommunal relationships, social history, or civil society of Byzantium or the Ottoman Empire.

Eligibility: Citizens of Türkiye who are either senior scholars (Ph.D. holders) or doctoral candidates/graduate students. Citizens of Türkiye do not need to be resident in Türkiye at the time of application.

Terms: A stipend of $11,500 plus room and board in Loring Hall, and waiver of School fees. Meals, Monday through Friday, are provided at Loring Hall for the fellow. Fellows are expected to be engaged full-time in the supported research at the library from early September 2025 to late May 2026 and are expected to participate in the academic life of the School.

Application: Submit an online application. An application consists of a curriculum vitae, description of the proposed project (up to 750 words), and two letters of reference to be submitted online. Student applicants must submit transcripts or an equivalent document(s). Scans of official transcripts are acceptable.

For more information, visit https://www.ascsa.edu.gr/fellowships-and-grants/postdoctoral-and-senior-scholars#Condellis

Two Upcoming Exhibitions: The Très Riches Heures du duc de Berry & Books of Hours a History in Objects, Château de Chantilly, Institut de France, 7 June - 5 October 2025

Upcoming ExhibitionS

The Très Riches Heures du duc de Berry

And

Books of hours: a history in objectS

SChâteau de Chantilly, Institut de France

Chantilly, Oise, France

7 June - 5 October 2025

Mai, dans le Calendrier des Très Riches Heures du duc de Berry Paris et Bourges, 1411-1485 © RMN-Grand Palais - Domaine de Chantilly - Michel Urtado

The Très Riches Heures du duc de Berry

The Très Riches Heures du Duc de Berry is the most famous manuscript in the world. Described as the ‘Mona Lisa’ of manuscripts, this collection of offices and prayers made especially for the Duke of Berry, brother of King Charles V of France, is a testament to the splendour and artistic refinement of the late Middle Ages.

Produced throughout the 15th century, this exceptional work was illuminated by the Limbourg brothers, eminent artists attached to the court of Burgundy and then of Berry, who revolutionised the history of art. Consisting of 121 miniatures, the Très Riches Heures capture the imagination with their depictions of historic castles, princely scenes and seasonal work in the fields that have shaped our perception of the Middle Ages.

To celebrate the restoration of this masterpiece, which has only been shown to the public twice since the end of the 19th century, an international exhibition has been set up, featuring almost 150 exhibits from all over the world. The exhibition provides visitors with an insight into each stage of the creation of the Très Riches Heures over almost a century and explains why the manuscript is still so popular.

The exhibition focuses particularly on the figure of Jean de Berry, his lavish patronage and his taste for books. For the first time since the prince’s death in 1416, all his books of hours known to date have been collected in one place. Manuscripts, sculptures, paintings and valuable works of art provide a comprehensive overview of the context behind the creation and dissemination of the Duke’s most ambitious work.

Due to the ongoing restoration of the manuscript, its famous calendar is on display unbound. Come and admire the Très Riches Heures du Duc de Berry as you will never see them again!

For more information, visit https://chateaudechantilly.fr/en/evenement/les-tres-riches-heures-du-duc-de-berry/


Books of hours: a history in objects

As an extension of the major exhibition devoted to The Très Riches Heures of the Duke of Berry, the Reading Room presents a remarkable collection of over fifty Books of Hours, both manuscripts and printed editions, dating from the late 12th to the 19th century. These once-overlooked works now reveal the rich and fascinating history of a treasured book form that was both dreamt of and venerated.

For more information, visit https://chateaudechantilly.fr/en/evenement/exhibition-books-of-hours-a-history-in-objects/

Call for Applications: Juan Facundo Riaño Essay Prize, ARTES, Iberian & Latin American Visual Culture Group, Due 30 April 2025

Call for Applications

ARTES

Iberian & Latin American Visual Culture Group

Juan Facundo Riaño Essay Prize

Due 30 April 2025

To encourage emerging scholars that are based in the UK, ARTES, in collaboration with the Embassy of Spain, awards an annual essay medal to the author of the best art-historical essay or study on a Hispanic theme, which must be submitted in competition and judged by a reading Sub-Committee. The medal is named after Juan Facundo Riaño (1829-1901), the distinguished art historian who was partly responsible for a growing interest in Spanish culture in late nineteenth-century Britain. The winner is also awarded a cash prize of £400, and the runner-up is awarded a certificate and prize of £100 – both prizes are generously sponsored by the Office for Cultural and Scientific Affairs of the Embassy of Spain. Prize-winners also receive a year’s free membership to ARTES, and the winning essays are considered for publication in the annual visual arts issue of Hispanic Research Journal. See the information about eligibility and rules of competition. The deadline is 30th April 2025.

For more information, visit https://artes-uk.org/2022/02/24/call-for-applicants-artes-essay-prize-and-scholarships-deadline-31st-march-2022/

Call for applications: Assistant Editor for ICMA News, due 23 May 2025

Call for applications
Assistant Editor for ICMA News
due 23 May 2025

 
The ICMA/ICMA Publications Committee seeks an Assistant Editor for the Events and Exhibitions section of the triannual newsletter, ICMA News. This position, to be held by a current graduate student, will run a two-year term. Working closely with the newsletter Editor, the Assistant Editor for Events and Exhibitions will be responsible for gathering and managing relevant information on upcoming symposia, calls for papers, and exhibitions for publication in the newsletter.The Events and Exhibitions section is international in scope, and is a regular section of each issue. In addition, the Assistant Editor works with the Editor to identify graduate students to write exhibition reports for each issue. The Assistant Editor also helps the Editor edit the newsletter copy and final proofs before publication. An annual stipend of US$750 is provided.

For consideration, please send a brief letter of interest and current CV to Melanie HananICMA News Editor, at newsletter@medievalart.orgby 23 May 2025.

Call for Papers: Symmetrical Structures and Patterns in Islamic Architecture, Poetry, and Imagination, 3rd Congress of the Society for the Interdisciplinary Study of Symmetry, Due by 1 May 2025

Call for Papers for Panel

Symmetrical Structures and Patterns in Islamic Architecture, Poetry, and Imagination

3rd Congress of the Society for the Interdisciplinary Study of Symmetry

Orthodox Academy of Crete, Kolymbari, Crete, Greece, 22-29 August 2025

Due By 1 May 2025

We invite paper proposals for a panel on Symmetrical Structures and Patterns in Islamic Architecture, Poetry, and Imagination, for the 13th Congress of the Society for the Interdisciplinary Study of Symmetry. The congress is scheduled to take place August 22-29, 2025, at the Orthodox Academy of Crete.

Papers in the panel will be allotted 20 minutes, plus discussion. See below for a description of the panel and further details, including preparation of the abstract.

Persian and Islamic lands witnessed an intense flourishing of art, architecture, mathematics, science and poetry beginning in the 9th century. From the poetry of Ferdowsi, Farrokhi Sistani, and Gorgani to the monuments of Bukhara, Isfahan, and Maragha, poetic, artistic, and architectural forms emerged that would become predominant throughout the Islamic world. At the same time, the translation and advancement of scientific, philosophical, and mathematical thought shaped an ‘Islamic Golden Age.’ Ghaznavid palaces were filled with poets and inscribed with poetry. Likewise, the Seljuk courts attracted literati and learned men of diverse backgrounds, who contributed to a vibrant intellectual environment.

In response to this rich cultural flourishing from the 9th-12th centuries, we envision an experimental gathering of scholars trained in different disciplines to provide interpretive insights and diverse perspectives on the use and significance of imagination in the arts and discourses of the pre-Mongol Islamic world. Papers will explore lines of thought that are literal, mathematical, and metaphorical with a view towards understanding how imagination figures in the articulation of worlds beyond that of the tangible.

This panel focuses on the symmetries of intricate geometric patterns executed in cut and glazed bricks on monuments in Iran and neighboring regions, considered in relation to Qur’anic passages and contemporary poetry. In particular, study of Nezami’s Haft Paykar, a literary masterpiece of enormous complexity and imagination, explores its architectural references and geometric structures. Together we raise questions for the interpretation of patterns in spatial and imaginative realms.


CONFERENCE COSTS (for your calculation and planning)

  • Airfare to/from Chania, Crete, Greece

  • Visa, if needed

  • Registration fee (before June 30) 350€, accompanying persons@ 100€

  • Conference fee (includes accommodation at the Orthodox Academy of Crete [room and full board], 8/22-29/2025) - Double room 1170€ per person; Single room 1480€ per person

  • For more detailed information, click here.

ABSTRACTS

There is a specific format required for submitted abstracts. A template is provided click here.


TIMELINE

May 1, 2025 - abstracts to bier.carol@gmail.com and charleshowley1@g.ucla.edu

May 4, 2025 - panel proposal with approved abstracts to conference organizers

June 1, 2025 - notification of acceptance of panel/abstracts

Jun 30, 2025 - payments due (by wire transfer) for conference registration and booking

Please note that conference registration and booking fees are non-refundable.

Carol Bier, Research Scholar, Center for Islamic Studies, Graduate Theological Union, Berkeley CA
Charlotte Howley, PhD Student, Iranian Studies, University of California - Los Angeles CA

Call for Papers: RESTORY, Small Communities Facing Danger. Strategies of Solidarity and Resilience Before the Modernity (University of Coimbra, Portugal, 30-31 Oct. 2025), Due by 31 May 2025

Call for Papers

International Conference

RESTORY

Small Communities Facing Danger. Strategies of Solidarity and Resilience Before the Modernity

University of Coimbra, Portugal (30-31 October 2025)

Due by 31 May 2025

We invite you to propose a paper for the International Conference RESTORY on Small Communities Facing Danger. Strategies of Solidarity and Resilience Before the Modernity, to be held in the University of Coimbra (October 30-31, 2025). In this RESTORY meeting, we aim to focus on small communities, their approaches to education and knowledge transmission, and their internal solidarity practices at different stages of life, including preparations for death. In addition, we seek to examine the strategies employed by small communities to confront climatic, economic, or conflict-related hardships across diverse geographical and chronological contexts. We also wish to reflect on human resilience in overcoming adversity, as well as human responses to pain, famine, death, and loss, in order to contribute to the historical characterisation of individual and collective trauma in the past.

Please read the call in the following link: https://chsc.uc.pt/wp-content/uploads/2025/04/RESTORY-COIMBRA-MEETING-CFP.pdf

To formalise the application to participate in this meeting and editorial project, we request the submission of a title and abstract (c. 500 words) of the proposed paper, accompanied by a detailed curriculum vitae of the candidate, to the email address, restorycoimbra25@gmail.com, by May 31.

Call for Papers: From Sacred to Profane, Pázmány Péter Catholic University, Budapest, Hungary (12 June 2025), Due By 4 May 2025

Call for Papers

From Sacred to Profane

12 June 2025

Pázmány Péter Catholic University, Budapest, Hungary

Due by 4 May 2025

The Pázmány Péter Catholic University Doctoral School of History is organizing a conference titled From Sacred to Profane, organized by the Art History department, on June 12th, 2025. We are calling for applications from and doctoral students in the field of art history and archaeology whose research topic can be related to the subject indicated in the title of the conference. We also welcome students who have already graduated. The languages of the conference are Hungarian and English. The organizing committee prefers, but does not limit, applications to the following topics:

  • Sacred Spaces - sacred buildings and their evolution over time

  • Sacred Time - sacred timeframes, holidays and their material culture

  • The Power of the Profane - desacralization and its tendencies

  • Margins - extremities towards the Sacred and the Profane

You can apply with an abstract that must include the title of the lecture, the name of the student, the name of the supervisor and the educational institution. The abstract can be a maximum of 1000 characters, which we ask you to send by May 4th, 2025 to the following e-mail address: muveszettortenet.konferencia@gmail.com

The letter of acceptance will be sent out by the 14th of May.

Lecture: Curious Cures: In-Conversation with the Curator, Cambridge University Library, UK, 29 May 2025 5:30-7:00PM

Lecture

Curious Cures: In-Conversation with the Curator

Cambridge University Library, UK

Thursday 29 May 2025, 5.30PM TO 7PM

Join us for an evening with the curator of Cambridge University Library’s current exhibition. Dr James Freeman, curator of Curious Cures: Medicine in the Medieval World, will be in-conversation with University Librarian, Dr Jessica Gardner.

A talk will be followed by audience questions, and the opportunity to visit Curious Cures after hours.

LOCATION: Hosted in-person at Cambridge University Library. Directions
TICKETS: Free, booking essential. Suitable for adults; under 18s welcome when accompanied by an adult.
ACCESSIBILITY: Step-free access, hearing loop, accessible parking and accessible toilets available.

For more information and to book tickets, click here

Ongoing Exhibition: Curious Cures: Medicine in the Medieval World, Cambridge University library, 29 Mar. - 6 Dec. 2025

Ongoing Exhibition

Curious Cures: Medicine in the Medieval World

Saturday 29 March – Saturday 6 December 2025

Cambridge University Library

The Curious Cures exhibition is hosted in two parts: Part One is in the Milstein Exhibition Centre and Part Two is along the North and South Galleries on the 1st Floor. Visitors to the exhibition are also welcome to enjoy the Library Tea Room, which is open 9am – 3pm Monday to Friday, and until 2pm on Saturdays.

Group visits: Groups are welcome to visit the exhibition. Please email events@lib.cam.ac.uk to discuss visits for groups of 15 or more. Groups under this number may book tickets directly. We’d love to hear from you if you are planning to visit with a community group, local interest group or school – drop us a line at participation@lib.cam.ac.uk ahead of your visit.

Curious Cures: Medicine in the Medieval World

Fascinated by health and wellbeing? So were our medieval ancestors.  

Discover a time when unusual ingredients and questionable remedies mixed with genuine curiosity about how bodies function, creating a complex and intriguing world of ritual healing, herbal recipes, stargazing and surgery. Come and see what the doctor ordered... 

The culmination of a two-year Wellcome-funded research project, to digitise, catalogue and conserve over 180 precious medieval medical manuscripts, Curious Cures brings together texts, diagrams and case-notes from special collections cared for by Cambridge University Library and twelve Cambridge colleges.  

The exhibition is curated by Medieval Manuscripts Specialist, Dr James Freeman. 

For more information and to book free tickets, click here.

Job Posting! 2 PhD Positions Universität Basel, Switzerland (4 Years, Start Date 1 Sept. 2025), Due 27 Apr. 2025

Call for PhD Applications

2 Positions at Universität Basel, Switzerland

Start date September 1, 2025 for 4 Years

Due April 27, 2025

In the fields of History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.

The eikones Graduate School at the Center for the Theory and History of the Image at the University of Basel invites applications for two positions for doctoral study on the theory and history of the image for four years beginning September 1, 2025.
Since 2005, eikones has served as a center for research on images from systematic and historical perspectives. The international and interdisciplinary center investigates the meanings, functions and effects of images in cultures since Antiquity and in our contemporary society. It aims at foundational image theory and at a historical investigation of images as instruments of human knowledge and cultural practices. We welcome PhD applications in all fields represented by members of the eikones Trägerschaft. Members of the eikones Trägerschaft are listed here: https://eikones.philhist.unibas.ch/de/graduate-school/leitung/#c1003

Your position
The purpose of the grant is to support the completion of an original dissertation and the degree within the duration of the position. Students must fulfill all curricular requirements of the eikones Graduate School and participate in the events of the Center for the History and Theory of the Image.

Your profile

  • Excellent academic qualifications and promise in your field of study.

  • An innovative dissertation project relating to the theory and history of the image.

  • Masters or equivalent qualification in a relevant field of study, in particular History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.

  • Applicants must possess a MA degree or equivalent by September 1, 2025. The MA degree must have been completed in the previous two years. Exceptions may be possible in extraordinary circumstances.

  • Doctoral students must be advised by a faculty member of the eikones graduate school. Doctoral students must also be enrolled in the University of Basel for the duration of the program.


We offer you

The eikones graduate school offers excellent students of the humanities who would like to pursue a doctorate in the history and theory of the image a structured program of graduate study distinguished by dedicated advising, internationality, interdisciplinary, regular dialogue with guest scholars, and professional opportunities. The goal of the doctoral program is the successful completion of the degree within the four-year duration. Salaries follow the standards of the University of Basel for doctorate positions.

Application / Contact
Please submit your application in German or English as a single pdf by April 27, 2025 using the online portal provided by the University of Basel. The application should include:

  • Cover Letter

  • CV

  • Copies of Degree Certificates

  • Contact details for two references

  • Project description (at most 10 pages) and bibliography

  • Writing sample (at most 20 pages)

Please upload two files only: all materials listed above (1.-6.) in A SINGLE PDF FILE via the field “resume” as well as an extra cover letter (1.) via the field “cover letter”. Applications that do not conform to this format or received after this date will not receive consideration. Inquiries should be sent to eikones@unibas.ch. Short-listed candidates will be contacted for interviews.

For more information and to apply, click here.

Call for Papers: 2026 Romanesque Conference, British Archaeological Association (13 – 17 Apr 2026, Toulouse), Due By 30 June 2025

Call for Papers

British Archaeological Association

2026 Romanesque Conference

13 – 17 Apr 2026, Hôtel d'Assézat in Toulouse, France

Due By 30 June 2025

The British Archaeological Association will hold the ninth in its series of biennial International Romanesque conferences in Toulouse from 13-17 April, 2026.

The theme of the conference is Romanesque: Transmission, Reception, Imitation and the aim is to examine not only the ways in which techniques, iconographic motifs and styles moved around Romanesque Europe but also the ways and reasons they were adopted, and particularly how they were transformed in their new environment. Some aspects of the question are well-researched: the movement of artists or masons, patronal activity and monastic affiliation are obvious examples, and perhaps in need of critical re-examination. We do not, however, wish to repeat the themes of Romanesque: Patrons and Processes too much. We would also be interested in papers which deal with why certain motifs or approaches fail to take root and, indeed, transmission and reception across time. Other factors, the pre-existing artistic background, liturgical concerns, economic and social factors or transcultural exchanges will also have played a part.

The conference will be held at the Hôtel d’Assézat in Toulouse from 13-17 April 2026 with the opportunity to stay on for two days of visits to Romanesque buildings in the surrounding area on 16-17 April.

Proposals for papers of up to 30 minutes in duration should be sent to Quitterie Cazes and Richard Plant on romanesque2026@thebaa.org by 30 June, 2025. Papers should be in English.

Decisions on acceptance will be made by the end of July.

For a PDF of the Call for Papers, click here.

For more information, click here.

Call for Proposals: Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals, 8th Forum Medieval Art/Forum Kunst des Mittelalters, Due 8 May 2026

Call for Proposals

Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals

8th Forum Medieval Art/Forum Kunst des Mittelalters

Bochum / Dortmund, September 23–26, 2026

Due 8 May 2026

Ivory Box with Scenes of Adam and Eve. (The Cleveland Museum of Art, Gift of W. G. Mather, F. F. Prentiss, John L. Severance, J. H. Wade 1924.747). Photo: The Cleveland Museum of Art (https://www.clevelandart.org/art/1924.747)

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 8th Forum Medieval Art/Forum Kunst des Mittelalters, Bochum / Dortmund, September 23–26, 2026. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.

The theme for the 8th Forum Medieval Art is Work: Traces, Constellations, Valuations. From a region with a significant medieval character and a post-industrial present we want to address the question whether the term “work” could be of any benefit when applied to the practices of medieval art production and their social and economic context. At the latest with the development of urban culture in the 12th/13th century, the concept of a society based on the division of work began to replace traditional forms of social differentiation – a process that was theologically founded in the 12th century and accompanied by a revaluation of art, craft and creativity.

The Mary Jaharis Center invites session proposals that fit within the Work theme and are relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 8, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and session chair) up to $500 maximum for participants traveling from locations in Germany, up to $800 maximum for participants traveling from the EU, and up to $1400 maximum for participants traveling from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/8th-forum-medieval-art

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Call for Proposals: Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals: 61st International Congress on Medieval Studies (Kalamazoo, 14-16 May 2026), Due 12 May 2025

Call for Proposals

Mary Jaharis Center for Byzantine Art and Culture Sponsored-Session Proposals

61st International Congress on Medieval Studies

Western Michigan University, Kalamazoo, May 14–16, 2026

Due 12 May 2025

Buckle or Brooch (The British Museum, AF.334). © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 61st International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 14–16, 2026. We invite session proposals on any topic relevant to Byzantine studies.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 12, 2025.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $800 maximum for scholars traveling from North America and up to $1400 maximum for those traveling from outside North America. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/61st-icms

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Online Workshop for Graduate Students and ECRs: An Introduction to Network Analysis for Byzantinists (12-16 May 2025), Registration Closes 1 May 2025

Online Workshop for Graduate Students and ECRs

Mary Jaharis Center for Byzantine Art and Culture and the Byzantine Studies Association of North America

An Introduction to Network Analysis for Byzantinists

May 12–16, 2025, Zoom

Registration Closes: Wednesday, May 1, 2025

The Mary Jaharis Center for Byzantine Art and Culture and the Byzantine Studies Association of North America are pleased to offer a week-long introduction to network analysis workshop for graduate students and early career researchers in collaboration with Professor Alexander Brey of Wellesley College, Professor Dr. Zachary Chitwood of Ludwig Maximilian University of Munich, Dr. Ryan Horne of the University of California, Los Angeles, Professor Christian Raffensperger of Wittenberg University, and Dr. Katerina Ragkou of Philipps University of Marburg.

An Introduction to Network Analysis for Byzantinists, workshop by Alexander Brey (Wellesley College), Zachary Chitwood (University of Munich), Ryan Horne (UCLA), Christian Raffensperger (Wittenberg University), and Katerina Ragkou (University of Marburg), Zoom, May 12–16, 2025

Network analysis allows researchers to model and visualize the connections and interactions between different entities (e.g., people, places, objects) in their research data. This online workshop will offer Byzantinists an introduction to network analysis and its use in historical disciplines, with a focus on Byzantine and medieval studies. Participants will gain an understanding of the basic concepts of network theory and explore projects employing network analysis and the choices that lay the foundation for the projects, including data modeling, methodology, and tools. During practical sessions, participants will learn how to format their own data for network analysis, create a database in Neo4j and query their data, interface their Neo4j database with other tools, and publish their network analysis.

This workshop is intended for those who have very little or no experience with network analysis.

The workshop is limited to 15 participants. The time commitment for this workshop is 20.5 hours of instruction. Participants are expected to attend all sessions. Registration is first come, first served. All participants must be BSANA members. Graduate students and early career researchers (PhD received after May 2017) in the field of Byzantine studies. Students enrolled in graduate programs in North America and early career researchers working in North America will be given priority.

Registration closes Wednesday, May 1, 2025.

To read a full description of the workshop and register your interest, please visit https://maryjahariscenter.org/events/intro-to-network-analysis-for-byzantinists.

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Online Lecture for Mary Jaharis Center for Byzantine Art and Culture: “This Holy One is Mother, Father, and Sister to Me”: Gender and Beyond in Byzantine Hagiography, Lucy Parker, 24 April 2025, 12 PM

Online Lecture

Mary Jaharis Center for Byzantine Art and Culture Lecture Series

“This Holy One is Mother, Father, and Sister to Me”: Gender and Beyond in Byzantine Hagiography

Lucy Parker, University of Nottingham

April 24, 2025 | 12:00 PM (EDT, UTC -4) | Zoom

Matrona of Perge, detail, Menologion of Basil II (Biblioteca Apostolica Vaticana, Vat.gr.1613). Photo: © Biblioteca Apostolica Vaticana (https://digi.vatlib.it/view/MSS_Vat.gr.1613/0191)

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the final lecture in our 2024–2025 lecture series.

Gender has proved a powerful analytical framework for interpreting late antique and Byzantine hagiography. Historians have argued that male and female saints’ lives contained important differences, even perhaps forming different “subgenres” of hagiography. It has been suggested that, in contrast to male saints who fought external evil in cities or in the remote desert, female saints lived more cloistered lives and had to fight their own internal weaknesses. Some hagiographers emphasised that it was particularly impressive for women to achieve holiness given their innately weak and sinful nature. Female saints are often shown transcending their femininity, becoming “manly” as a necessary part of their journey to sanctity.

Yet this lecture will ask whether we have gone too far in drawing a clear distinction between the lives of female and male saints. It will explore some hagiographies of female saints (including the Life of Martha, mother of Symeon the Younger, the Life of Matrona of Perge, and the Life of Irene of Chrysobalanton) that do not fit neatly into the paradigms identified as characteristic of female lives. It will ask whether these unusual lives can be seen merely as exceptions to the general trend, or whether they force us to rethink our broader models, and to question how far a stark male-female gender binary determined understandings of holiness. Not all hagiographers were equally concerned with the differences between men and women, and not all female saints are presented as held back by, or needing to transcend, their femaleness. Rather than imposing a binary gender framework on hagiographic writing, we can instead explore variability in the use of gendered language and the gendering of holiness, and consider when and why gender and specific understandings thereof became particularly important in processes of sanctification.

Lucy Parker is an Assistant Professor of History at the University of Nottingham. Her first book, Symeon Stylites the Younger and Late Antique Antioch: From Hagiography to History, was published by Oxford University Press in 2022. As well as Byzantine hagiography, she also works on Syriac and Eastern Christianity in the Early Modern period.

(This lecture is rescheduled from November 2024.)

Advance registration required. Register: https://maryjahariscenter.org/events/gender-and-beyond-in-byzantine-hagiography

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Online Lecture: East of Byzantium Lecture Series: The Malleability of Memory in Memorializing the Saints, Mary K. Farag, 29 Apr. 2025, 12 PM, Zoom

Online Lecture

2024-2025 East of Byzantium Lecture Series

The Malleability of Memory in Memorializing the Saints

Mary K. Farag, Princeton Theological Seminary

Tuesday, April 29, 2025 | 12:00 PM (EDT, UTC -4) | Zoom

The Mary Jaharis Center for Byzantine Art and Culture and the Mashtots Professor of Armenian Studies at Harvard University are pleased to announce the final lecture in the 2024–2025 East of Byzantium lecture series.

The ritual remembrance of holy ones in late antiquity sometimes had more to do with the intentional formation of the liturgical community than with the life of the holy one. Neither Pachomius, the early-fourth century leader of a monastic federation known as the Koinonia, nor Theophilus, the late-fourth and early-fifth century bishop of Alexandria, were even near contemporaries, but their characterizations were effectively exchanged. The aftermath of the first Origenist controversy rendered their memorialization distinctly malleable. Egypt would remember a Pachomian Theophilus, while Asia Minor would remember a Theophilan Pachomius. Pachomius would become the anti-Origenist that Theophilus was, while Theophilus would become the ascetic visionary that Pachomius was. Their remembrance in hagiographies and homilies was less about making the past present than about shaping the past for the present.

Mary K. Farag is Associate Professor of Early Christian Studies at Princeton Theological Seminary. She studies the history of late antiquity with a focus on Christianity in Egypt.

Advance registration required. Register: https://eastofbyzantium.org/upcoming-events/

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

An East of Byzantium lecture. EAST OF BYZANTIUM is a partnership between the Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center that explores the cultures of the eastern frontier of the Byzantine empire in the late antique and medieval periods.

Exhibition: The Book of Marvels: Imagining the Medieval World, The Morgan Library & Museum, Until 25 May 2025

Exhibition

The Book of Marvels: Imagining the Medieval World

The Morgan Library & Museum, New york, NY

January 24 through May 25, 2025

From the tales of famous travelers like Marco Polo and Alexander the Great to the ancient encyclopedias of Pliny and Isidore, medieval conceptions of the world were often based more on authoritative tradition than direct observation. This exhibition presents one of the most fascinating examples of a medieval guide to the globe, known as the Book of the Marvels of the World. Written in France by an unknown author, this fifteenth-century illustrated text vividly depicts the remarkable inhabitants, customs, and natural phenomena of various regions, both near and far. Reuniting two of the four surviving copies, The Book of Marvels: Imagining the Medieval World brings to life medieval conceptions—and misconceptions—of a global world.

Additional objects in the exhibition demonstrate how foreign cultures were imagined in the Middle Ages, and what the assumptions of medieval Europeans tell us about their own implicit biases and beliefs. Highlights include rare illustrated manuscripts of Marco Polo and John Mandeville; a richly ornamented Ottoman Book of Wonders, made for a sultan’s daughter; and a spectacular medieval map of the Holy Land, based on pilgrimage accounts.

For more information, visit https://www.themorgan.org/exhibitions/book-of-marvels

Exhibition: Siena: The Rise of Painting, 1300 ‒1350, The National Gallery, Until 22 June 2025

Exhibition

Siena: The Rise of Painting, 1300 ‒1350

Ground Floor Galleries, The National Gallery, London

Until 22 June 2025

Step into Siena. It’s the beginning of the 14th century in central Italy. A golden moment for art, a catalyst of change. Artists Duccio, Simone Martini and the brothers Pietro and Ambrogio Lorenzetti are forging a new way of painting.

They paint with a drama that no one has seen before. Faces show emotion. Bodies move in space. Stories flow across panels in colourful scenes.

We bring to life a vibrant city of artists collaborating, learning and looking. After centuries of separation, we reunite scenes that once formed part of Duccio’s monumental 'Maestà' altarpiece. Panels from Simone Martini’s glittering Orsini polyptych come together for the first time in living memory.

This local artistic phenomenon made waves internationally. Gilded glass, illuminated manuscripts, ivory Madonnas, rugs and silks show Siena’s creative energy spilling over between painters, metalworkers, weavers and carvers across Europe.

With over a hundred exhibits made by artisans working in Siena, Naples, Avignon and beyond, see some of Europe's earliest, most exquisite and most significant artworks.

The exhibition was organised by the National Gallery and The Metropolitan Museum of Art, New York.

For more information, visit https://www.nationalgallery.org.uk/exhibitions/siena-the-rise-of-painting

Church Monuments Society Symposium 2025: Tombs of the Aristocracy, Chichester, 29-31 August 2025

Church Monuments Society Symposium 2025

Tombs of the Aristocracy

29th August 2025 — 31st August 2025

West Dean College, West Dean, Chichester, West Sussex PO18 0QZ

We are delighted to invite you to the next Church Monuments Society symposium, which will be held at West Dean College from Friday 29th to Sunday 31st August 2025.

Our theme, Tombs of the Aristocracy, is inspired by the magnificent tombs of the Fitzalans and Howards (Earls and Dukes of Norfolk) in Arundel and Chichester but covers so much more (see the provisional programme below). The event will include expert lectures and two excursions, with both residential and non-residential options for attending. Please download the relevant booking form from below, which can be emailed to us (instructions on the form).

The symposium is open to anyone. The final deadline for bookings is 30th June 2025. Those aged under 30, and/or registered on full- or part-time degree courses, are eligible for a special reduced rate, but these are strictly limited and available on a first-come, first-served basis. See the booking forms for more details and conditions.

Non-residential attendees have the option to pay for the evening meal and lecture on Friday, and the extra meal on Saturday evening. Sunday-only attendees are able to attend the evening lecture (but not the evening meal) on Saturday with their Sunday-only ticket because, due to extra speakers filling the programme, Saturday now has a fuller programme of talks. 

For more information and the booking forms, visit https://churchmonumentssociety.org/events/symposium-2025-tombs-of-the-aristocracy

Provisional Programme (detailed timings to be confirmed nearer the time)

Friday 29th August: West Dean College

  • Registration (time TBC but after 3pm)

  • Hot buffet dinner (private room) with President’s Welcome

  • After dinner lecture: Dr Dirk Breiding on commonalities and differences in iconography between English and Continental aristocratic tombs

Saturday 30th August: West Dean College lectures and excursion to Chichester Cathedral

  • Brian & Moira Gittos, ‘Beaufort’s pride’: the Tomb of John, 1st Duke of Somerset at Wimborne Minster

  • Dr Keith Dowen, All’Antica or Alla Moderna? The Monuments of Erasmo and Giantonio di Narni in Padua

  • Mid-morning refreshments

  • Sophia Dumoulin, ‘meete for my degree and callinge’: The Monument to Frances Sidney, Countess of Sussex, in Westminster Abbey

  • Pat Poppy, Fashion, status or timeless: clothing in 17th century church monuments.

  • Buffet lunch at West Dean

  • Visit to Chichester Cathedral

  • Optional evening buffet meal (self-service)

  • After dinner lecture: Dr Roger Bowdler, Humility in the Grave: outdoor aristocratic monuments over the centuries

Sunday 31st August: West Dean College lectures and excursion to Fitzalan Chapel, Arundel

  • Dr David Carrington, The Church Monuments Society in Action: progress report on the Getty-funded North Yorkshire monument conservation publication

  • Dr Adam White, John, Lord Lumley, the last of his line

  • Mid-morning refreshments

  • Dr Tobias Capwell, The French Connection: Refining the Stylistic Attribution of Armour Represented on Certain English Effigies c. 1435-1450

  • Buffet lunch at West Dean

  • Visit to Fitzalan Chapel, with talks

We look forward to seeing you at this exciting event!

The CRSBI Annual Lecture: Romanesque Sculpture and Water: the Art of Carved Vessels, Dr Michele Luigi Vescovi, 30 April 2025, 18:00-19:30, The Courtauld

The CRSBI Annual Lecture for 2025

Romanesque Sculpture and Water: the Art of Carved Vessels

Speaker: Dr Michele Luigi Vescovi

Vernon Square Campus, Lecture Theatre 2, The Courtauld

30 April 2025, 18:00 - 19:30

Romanesque font, Cremona Baptistry (photo: Michele Luigi Vescovi)

The Courtauld is delighted to host the Corpus of Romanesque Sculpture in Britain and Ireland for the 2025 Annual Lecture.

In this talk, Dr Michele Luigi Vescovi will explore the intersections of Romanesque sculpture and water in medieval stone vessels. Examining carved well heads and holy water fonts throughout the Italian peninsula, mostly dating from the twelfth century, he will interrogate the ways in which their content – water – and its agency relate to their imagery. Furthermore, he will show how script and image, in turn, sought to shape the experience of the vessels’ viewers.

Dr Michele Luigi Vescovi, Associate Professor in Medieval Art and Architecture, University of Lincoln.

Organised by Dr John Munns, Associate Professor of History and Art History, Magdalene College, Cambridge, and Dr Tom Nickson, Reader in Medieval Art and Architecture, The Courtauld, as part of the Medieval Work-in-Progress series

Free, booking essential

For more information and to book tickets, visit https://courtauld.ac.uk/whats-on/romanesque-sculpture-and-water-the-art-of-carved-vessels/